Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Fotonica Festival in Rome

    Fotonica Festival in Rome

    Paola Di Mitri at Romaeuropa Festival

    Interview | Luca Pagan at REF23

    Paola Di Mitri at Romaeuropa Festival

    Paola Di Mitri at Romaeuropa Festival

    Alva Noto and Ensemble Modern at REF23

    Alva Noto and Ensemble Modern at REF23

    Fiorella Rizzo at Sant’Ivo alla Sapienza in Rome

    Fiorella Rizzo at Sant’Ivo alla Sapienza in Rome

    Susan Kennedy at Romaeuropa Festival 2023

    Susan Kennedy at Romaeuropa Festival 2023

  • FRAME
    FRAME > Metamorphosis Garden

    FRAME > Metamorphosis Garden

    FRAME > Aggregate Pavilion

    FRAME > Aggregate Pavilion

    FRAME > Horizon

    FRAME > Horizon

    FRAME > Light and Space

    FRAME > Light and Space

    FRAME > FANGØ

    FRAME > FANGØ

    FRAME > Feedback System

    FRAME > Feedback System

    FRAME > STARDUST

    FRAME > STARDUST

    FRAME > MOBILE

    FRAME > MOBILE

    FRAME > SUIT

    FRAME > SUIT

  • VIDEO POST
    VIDEO POST > THE ISOLATED ENSEMBLE

    VIDEO POST > THE ISOLATED ENSEMBLE

    VIDEO POST > CROSSES

    VIDEO POST > CROSSES

    VIDEO POST > TH-50PH10EK WALL

    VIDEO POST > TH-50PH10EK WALL

    VIDEO POST > Critical Climate Machine

    VIDEO POST > Critical Climate Machine

    VIDEO POST > Avatar Piano Project

    VIDEO POST > Avatar Piano Project

    VIDEO POST > Waves of Code

    VIDEO POST > Waves of Code

    VIDEO POST > Moon Arrow

    VIDEO POST > Moon Arrow

    VIDEO POST > AIR

    VIDEO POST > AIR

    VIDEO POST > Sound Fossil III. Lines

    VIDEO POST > Sound Fossil III. Lines

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
    • ARCHIVIO
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Fotonica Festival in Rome

    Fotonica Festival in Rome

    Paola Di Mitri at Romaeuropa Festival

    Interview | Luca Pagan at REF23

    Paola Di Mitri at Romaeuropa Festival

    Paola Di Mitri at Romaeuropa Festival

    Alva Noto and Ensemble Modern at REF23

    Alva Noto and Ensemble Modern at REF23

    Fiorella Rizzo at Sant’Ivo alla Sapienza in Rome

    Fiorella Rizzo at Sant’Ivo alla Sapienza in Rome

    Susan Kennedy at Romaeuropa Festival 2023

    Susan Kennedy at Romaeuropa Festival 2023

  • FRAME
    FRAME > Metamorphosis Garden

    FRAME > Metamorphosis Garden

    FRAME > Aggregate Pavilion

    FRAME > Aggregate Pavilion

    FRAME > Horizon

    FRAME > Horizon

    FRAME > Light and Space

    FRAME > Light and Space

    FRAME > FANGØ

    FRAME > FANGØ

    FRAME > Feedback System

    FRAME > Feedback System

    FRAME > STARDUST

    FRAME > STARDUST

    FRAME > MOBILE

    FRAME > MOBILE

    FRAME > SUIT

    FRAME > SUIT

  • VIDEO POST
    VIDEO POST > THE ISOLATED ENSEMBLE

    VIDEO POST > THE ISOLATED ENSEMBLE

    VIDEO POST > CROSSES

    VIDEO POST > CROSSES

    VIDEO POST > TH-50PH10EK WALL

    VIDEO POST > TH-50PH10EK WALL

    VIDEO POST > Critical Climate Machine

    VIDEO POST > Critical Climate Machine

    VIDEO POST > Avatar Piano Project

    VIDEO POST > Avatar Piano Project

    VIDEO POST > Waves of Code

    VIDEO POST > Waves of Code

    VIDEO POST > Moon Arrow

    VIDEO POST > Moon Arrow

    VIDEO POST > AIR

    VIDEO POST > AIR

    VIDEO POST > Sound Fossil III. Lines

    VIDEO POST > Sound Fossil III. Lines

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
    • ARCHIVIO
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

Chiharu Shiota. A Long Day

Elena Giulia Rossi by Elena Giulia Rossi
08/07/2014
in Events, focus

foto-2_WEB

The more we talk about the virtual dimension the more we associate it with «another» space that our computers take us to once we have crossed through their screens. The virtual world, however, is an imaginative dimension and the electronic jargon is capable of stimulating visualization and making it real through the generation of images that reflect the real world. The virtual dimension is also a mental one and at times it can be triggered by an analogical operation which is totally physical. In this case we are referring to the performative installations and set designs by the young Chiharu Shiota. This Japanese artist has recently concluded her latest work, A Long Day, created specifically for the exhibition space at Tenuta dello Scompiglio supported the homonymous Cultural Association,  and curated by Franziska Nori.

5

Black woollen threads are woven into braids to create a hand-crafted detailed and delicate work to the point that space becomes impenetrable. Virtual space, three-dimensional design. This is the canvas and the setting which hangs from above and leads us towards the virtual dimension. We can get a glimpse of a table and a chair among the densely woven threads. White sheets are suspended in mid-air, captured in the woollen nets, «frozen in time» – as the press release points out. The objects «evaporate» from physical space to become mental and have a completely symbolic function. The combination of her flair for performance, a sign of the Marina Abramovich School, and a deep-seated interest for calligraphy (a tradition very dear to Japanese tradition) makes it possible for Chiharu Shiota to reach a mental dimension. We are immersed in something very specific, a situation, a space, a thought. We carry out a cathartic act – even ascetic, if we take it from the viewpoint of the Abramovich method – and we go beyond so we can visualize things having to do with the human dimension in their entirety. In order for all of this to happen, the Body needs to be involved: the body of the artist as she weaves her work and the body of the spectator who is immersed in this suspended dimension to live a completely emotional experience.


Chiharu Shiota was born 1972 in Osaka, Japan. After graduating at Kyoto Seika University and an exchange year at Canberra School of Art, Australian National University, Australia, by the mid-1990s she had moved to Germany, initially studying at the Hochschule für Bildende Künste in Braunschweig and then at the Universität der Künste in Berlin. These experiences undoubtedly reinforced her concerns with the importance of duration in performance as well as with the intense power of the body – even when its presence is suggested rather than present. Shiota’s oeuvre contains various art performances and installations, in which she uses different everyday objects such as beds, windows, dresses, shoes and suitcases. She explores the relationships between past and present, living and dying, and memories of people implanted into objects. To these she adds intricate, web-like threads of black and red. Today Shiota´s installations, sculptures and paintings were presented worldwide in different Museums and Institutions of international meaning such as the Rochester Art Center (USA),  Museum of Old and New Art, Hobart, Tasmania (Australia), Museum of Art (Kochi, Japan), Marugame Genichiro-Inokuma Museum of Contemporary Art (Kagawa, Japan), Casa Asia ( Barcelona, Spain), La Maison Rouge (Paris), Museum on the Seam (Jerusalem ). Chiharu Shiota lives and works in Berlin since 1996.

[nggallery id=36]


immagini

(1 cover, 3)  Chiharu Shiota, “A Long Day”, 2014 – Installazione site specific. Courtesy Associazione Culturale Dello Scompiglio, Vorno. Foto: Guido Mencari (2) Chiharu Shiota, “A Long Day”, 2014 – Allestimento della mostra – Courtesy Associazione Culturale Dello Scompiglio, Vorno.

ShareTweetShareSend
Previous Post

Multiform experiences at Villa Medici

Next Post

DUOX. Transmedia storytelling

Next Post

DUOX. Transmedia storytelling

CALLS

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency
Calls

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

29/05/2023
Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2023 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
    • ARCHIVIO

© 2012-2023 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.