Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Open call – Schermo dell’Arte

    Open call – Schermo dell’Arte

    Open Call: State of the ART(ist)

    Open Call: State of the ART(ist)

    Interview | Liu Jiayu

    Interview | Liu Jiayu

    Theatre of Proof at PAV

    Theatre of Proof at PAV

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    DAN Galeria: Geometria como impulso poético

    UNCENSORED at nome gallery

    UNCENSORED at nome gallery

    Budding Men

    Budding Men

    Evo oblïato at “Spazio Iris”

    Evo oblïato at “Spazio Iris”

  • FRAME
    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

    FRAME > ARC 2000

    FRAME > ARC 2000

    FRAME > Seeders and Leechers

    FRAME > Seeders and Leechers

    FRAME > Spiral of Time

    FRAME > Spiral of Time

  • VIDEO POST
    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

    VIDEO POST > STRATACUT

    VIDEO POST > STRATACUT

    VIDEO POST > File Tabs no. 1

    VIDEO POST > File Tabs no. 1

    VIDEO POST > The Recap

    VIDEO POST > The Recap

    VIDEO POST > Slow Room

    VIDEO POST > Slow Room

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Open call – Schermo dell’Arte

    Open call – Schermo dell’Arte

    Open Call: State of the ART(ist)

    Open Call: State of the ART(ist)

    Interview | Liu Jiayu

    Interview | Liu Jiayu

    Theatre of Proof at PAV

    Theatre of Proof at PAV

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    DAN Galeria: Geometria como impulso poético

    UNCENSORED at nome gallery

    UNCENSORED at nome gallery

    Budding Men

    Budding Men

    Evo oblïato at “Spazio Iris”

    Evo oblïato at “Spazio Iris”

  • FRAME
    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

    FRAME > ARC 2000

    FRAME > ARC 2000

    FRAME > Seeders and Leechers

    FRAME > Seeders and Leechers

    FRAME > Spiral of Time

    FRAME > Spiral of Time

  • VIDEO POST
    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

    VIDEO POST > STRATACUT

    VIDEO POST > STRATACUT

    VIDEO POST > File Tabs no. 1

    VIDEO POST > File Tabs no. 1

    VIDEO POST > The Recap

    VIDEO POST > The Recap

    VIDEO POST > Slow Room

    VIDEO POST > Slow Room

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

Fabrizio Borelli. CONTAGION

CONTAGION HYPERCASUAL MULTIPLAYER EXPERIENCE, a brand-new APP, and CONTAGION NFT, a collection of digital objects (Non-Fungible Tokens) by Borelli will be presented at the House of Cinema in Rome

Arshake by Arshake
30/05/2022
in Events, Focus
Fabrizio Borelli. CONTAGION

From photographer, filmmaker and art maker Fabrizio Borelli, creator of the metaphotographic series CONTAGION2013 and CONTAGION2021, comes CONTAGION HYPERCASUAL MULTIPLAYER EXPERIENCE, a brand-new APP, and CONTAGION NFT, a collection of digital objects (Non-Fungible Tokens).

The event will see the launch of the APP and the presentation of CONTAGION NFT_0, a demo version of the collection. Andrea Guzzon, representative of Criticaldrop Entertainment S.r.l., which conceived and produced the APP, will also be present.

During the event, the exhibition CONTAGION will be announced, displaying the original 2013 and 2021 analogue series. This exhibition, curated by Maria Italia Zacheo, will be open from 11 to 19 November 2022 at MLAC – Museo Laboratorio Arte Contemporanea, Sapienza University of Rome.

The focal point of the project consists of two metaphotographic series by Fabrizio Borelli, a narrative sequence of fifteen plates plus an additional fifteen, orthogonal grids each made up of twenty-five cells. The basic sign is a human encephalon, recognisable from diagnostic image processing. In the first and penultimate panels, there is a single, large, central image invading the space. The last panel is black, representing darkness and emptiness. As stated by Fabrizio Borelli, diagnostic images go deep into the matter we are made of, sure signs of being or having been in life.

The archetype-form conceptually represents the individual, the human essence. As Maria Italia Zacheo notes, the sequence depicts a community that, initially crowded, suddenly and for no apparent reason, little by little leaves gaps, transforming the arrangement that had just been achieved, undermining the existing equilibrium. The work identifies, in absence, a possible other presence – the other, the intruder. Is it an invasion, a contamination? Intended to provoke, the answer is open and judgement is suspended.

The idea of turning this analogue work – an inescapable narrative – into a game or, more precisely, an idle game, provides valuable insight. An interactive creature emerges from the Artwork. A vital step in the game.

CONTAGION, through the process of gamification, aims at encouraging involvement, soliciting participation. In the hypothetical paradox of solitary play, true and authentic engagement matures and develops.

To play is to participate. Playing art – playing with art – here means taking part in the process of cultural growth in the hybrid of artistic and human experience, in the fluctuating ineffability of the virtual world.

Maria Italia Zacheo adds, The complexity with which one prepares and trains for sharing and participation is the only way/means to cope with the force that nature lets loose from its as-yet-unexplored territories, without any brakes or rules. With the CONTAGION APP, the work spreads across the web, becoming a common good, the heritage of a potential community.

CONTAGION, a tool for complex multiple connections, questions the desire to recognise oneself in a community, stimulating emotions and social interaction. And the connection-sharing combination is already present in the collective work carried out – artist, curator, App designer, coordinator and general organisation – moving towards the realisation of the goal, the idle game with its community. In the context of technological transformations CONTAGION- Hypercasual Multiplayer Experience renders the work of art a participatory experience.

Fabrizio Borelli. CONTAGION, presentation by GN Media Editor, Casa del Cinema, Rome ,31.05.2022

 

 

 

 

 

 

 

Tags: ApparshakeCONTAGION HYPERCASUAL MULTIPLAYER EXPERIENCECONTAGION2013CONTAGION2021digital objectseventsFabrizio BorelliinterdiscplinaryNFT
ShareTweetShareSend
Previous Post

FRAME > Symphony in Acid

Next Post

Video Sculpture and Video Painting: Donato Piccolo and Quayola

Arshake

Arshake

Related Posts

POSA DEL PRIMO LIBRO: Cantiere-evento per la Nuova Biblioteca Civica
Events

POSA DEL PRIMO LIBRO: Cantiere-evento per la Nuova Biblioteca Civica

by Arshake
07/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

by Arshake
07/05/2025

CALLS

Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

07/05/2025
Open Call: State of the ART(ist)
Calls

Open Call: State of the ART(ist)

05/05/2025
RE:HUMANISM Art Prize 4
Calls

RE:HUMANISM Art Prize 4

18/03/2025
The 1st de-Machine Storytelling Contest
Calls

The 1st de-Machine Storytelling Contest

10/05/2024
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza le preferenze
{title} {title} {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.