Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Experimental Fellowship at Bauhaus Earth

    Experimental Fellowship at Bauhaus Earth

    Open call – Schermo dell’Arte

    Open call – Schermo dell’Arte

    Open Call: State of the ART(ist)

    Open Call: State of the ART(ist)

    Interview | Liu Jiayu

    Interview | Liu Jiayu

    Theatre of Proof at PAV

    Theatre of Proof at PAV

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    DAN Galeria: Geometria como impulso poético

    UNCENSORED at nome gallery

    UNCENSORED at nome gallery

    Budding Men

    Budding Men

  • FRAME
    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

    FRAME > ARC 2000

    FRAME > ARC 2000

    FRAME > Seeders and Leechers

    FRAME > Seeders and Leechers

    FRAME > Spiral of Time

    FRAME > Spiral of Time

  • VIDEO POST
    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

    VIDEO POST > STRATACUT

    VIDEO POST > STRATACUT

    VIDEO POST > File Tabs no. 1

    VIDEO POST > File Tabs no. 1

    VIDEO POST > The Recap

    VIDEO POST > The Recap

    VIDEO POST > Slow Room

    VIDEO POST > Slow Room

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Experimental Fellowship at Bauhaus Earth

    Experimental Fellowship at Bauhaus Earth

    Open call – Schermo dell’Arte

    Open call – Schermo dell’Arte

    Open Call: State of the ART(ist)

    Open Call: State of the ART(ist)

    Interview | Liu Jiayu

    Interview | Liu Jiayu

    Theatre of Proof at PAV

    Theatre of Proof at PAV

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    DAN Galeria: Geometria como impulso poético

    UNCENSORED at nome gallery

    UNCENSORED at nome gallery

    Budding Men

    Budding Men

  • FRAME
    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

    FRAME > ARC 2000

    FRAME > ARC 2000

    FRAME > Seeders and Leechers

    FRAME > Seeders and Leechers

    FRAME > Spiral of Time

    FRAME > Spiral of Time

  • VIDEO POST
    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

    VIDEO POST > STRATACUT

    VIDEO POST > STRATACUT

    VIDEO POST > File Tabs no. 1

    VIDEO POST > File Tabs no. 1

    VIDEO POST > The Recap

    VIDEO POST > The Recap

    VIDEO POST > Slow Room

    VIDEO POST > Slow Room

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News Focus

Giselle Beiguelman and Cinthia Marcelle at Videobrasil

Arshake by Arshake
13/07/2016
in Focus

002_obra.Perguntas as pedras.serie3.ft.PedroNapolitanoPrata

 Cinthia Marcelle’s Trilogy, curated by Solange Farkas and co-curated by Gabriel Bogossian, and Giselle Beiguelman’s How heavy is a cloud?, curated by Ana Pato are now currently on show at Videobrasil. Two artists from different generations, with distinct practices, strategies and research, take up Galpão’s spaces with works never before seen in Brazil, including videos and multimedia installation. Their shared features include their acclaimed careers in Brazil and abroad, and the invention of images that grow into poignantly poetical scenes in the viewers’ eyes.

3_Cinthia Marcelle - Fonte 193 (3)

Presented for the first time in Brazil, Cinthia Marcelle’s Trilogy is a video installation that brings together the videos Fonte 193 (2007), 475 Volver (2009), and Cruzada (2010). The work had its premiere at the Future Generation Art Prize (2010-2011), where Marcelle won the main prize. At Galpão VB, Trilogy will be shown in a big format, allowing the audience to observe the subtleties and resonances between the videos. Filmed from a bird’s-eye view, they depict a fire truck, a backhoe loader, and the interaction of groups of musicians. In empty tracts of red earth, these elements move in constant and seemingly senseless cycles, exploring the representation of time and how language can underline or dissolve conflicts.

7_Cinthia Marcelle - Cruzada (1)

Cinthia Marcelle creates works whose hallmarks include synthesis and concision of language. Closely involved with performance, she employs repetition, distance, and the distortion of unremarkable elements and objects in delicate artistic operations, rearranging those elements to create new meanings. Through silent and sparsely verbal movements, her work suggests less cerebral images, eliciting a more emotional, sensory connection with the audience.

005_obra.Pertubadoramente familiar_.ft.PedroNapolitanoPrata

How heavy is a cloud? by Giselle Beiguelman, is a multimedia installation comprising video, audio, stamps, and photography that occupies Galpão VB prompting the audience to venture into a mysterious, unknown territory of family inheritance. Born into a Polish-Jewish family, Giselle Beiguelman morphs into a traveler of memories for this project, visiting her family’s home country and questioning herself, investigating landscapes and her own past, revising a traceless history, and ultimately creating a lyrically-charged piece of stark images. How heavy is a cloud? was commissioned by Culture.pl as part of a program to promote Polish culture in Brazil in 2016.

001_expo.QuantoPesaUmaNuvem.ft.PedroNapolitanoPrata

Giselle Beiguelman is a leading Brazilian artist known internationally for her landmark work in digital art and for the use of the internet and mobile networks in art practices. Her work spans interventions in public spaces, network projects and mobile apps, and has been shown at major museums and contemporary art venues. Giselle is also a curator, an essayist, and a professor in the School of Architecture and Urban Design of the University of São Paulo (FAU-USP), where she does research into digital art conservation, immaterial heritage, and interface design. In one of her latest projects, the organization of the exhibition Memória da amnesia [Memory of Amnesia, 2015/16], she turned her attention to São Paulo city monuments, in an action that discussed the politics of memory as “politics of oblivion.” Now, in the exhibit at Galpão VB, the artist sets her sights on her own history, in a quest for images and registers of memories, objects and impressions from her reconnaissance trip to Poland. (from the press release)


 Cinthia Marcelle. Trilogy, curated by Solange Farkas, co-curated by Gabriel Bogossian, Giselle Beiguelman, How heavy is a cloud?,curated by Ana Pato
Galpão VB, Videobrasil, São Paulo, Brazil, until August 20, 2016

images
(cover 1) Giselle Beiguelman, Perguntas as Pedras. Serie3 ft Pedro Napolitano Prata (2) Cinthia Marcelle – Fonte (3) Cinthia Marcelle – Cruzada (4) Giselle Beiguelman, Pertubadoramente familiar ft Pedro Napolitano Prata (5) Giselle Beiguelman, Quanto Pesa Uma Nuvem . ft. Pedro Napolitano Prata
ShareTweetShareSend
Previous Post

Laurent Mignonneau & Christa Sommerer

Next Post

Shahzia Sikander. Ecstasy as Sublime, Heart as Vector

Arshake

Arshake

Related Posts

Experimental Fellowship at Bauhaus Earth
Calls

Experimental Fellowship at Bauhaus Earth

by Arshake
14/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

by Arshake
07/05/2025

CALLS

Experimental Fellowship at Bauhaus Earth
Calls

Experimental Fellowship at Bauhaus Earth

14/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

07/05/2025
Open Call: State of the ART(ist)
Calls

Open Call: State of the ART(ist)

05/05/2025
RE:HUMANISM Art Prize 4
Calls

RE:HUMANISM Art Prize 4

18/03/2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza le preferenze
{title} {title} {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.