Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Igino de Luca, Between Photography and video

Ilaria Piccioni by Ilaria Piccioni
24/02/2015
in focus

4145

 Nato a Formia e residente a Roma is the title of Iginio de Luca’s solo exhibit curated by Sabrina Vedovotto on display at Rome’s Gallerati Gallery. There are many biographical elements to be seen here.  The choice of video works and photographs on exhibit clearly offers traces of the artist’s personal history. A propensity towards a relationship with art that lends itself to an autobiographical mood. This all leads to the intimate dimension of tuning into the past on order to reclaim it. Elements such as these are crucial to much of Iginio de Luca’s work.

The idiom of videos is used with prevalence to grasp reality. The here and now of past events are transposed into a new dimension and ferried towards the profundity of today. The images united in these works are related to past situations and emphasize a portion of a story that took place years ago. The shift into the present expresses the need for modernization and is felt in every passage.

4169

Beginning with a video created in 2010 – which gives the exhibit its title – we are introduced to a circular mnemonic itinerary. The filming of two landscapes facing one another in a specular dimension offers a double simultaneous vision on a screen cut in half. Images taken from the hospital in Formia (the artist’s place of birth) and his current studio in Rome bring his origins and his daily life together.

The visual works of Iginio, who is also a musician, extend to and include musical means of expression. An example of this is his video Se penso a quel giorno 1974-2011 [When I think of that day]. The connection to his personal history is established by a recording of his singing. Iginio’s father had taped him singing when he was a little boy and the artist «updated» the piece by lip-synching as an adult. The new interpretation is perfectly synchronized and re-interpreted. The divergence between the image of Iginio as a grown man and the high-pitched voice of Iginio as a child conveys a sense of nostalgia curbed by cheerful and childish playfulness. The mimicry and visual results also create a shift in mood.

The persuasive detail of recognizing himself in the features of his parents and retracing the places in which they lived characterize and identify many aspects of the works on display. Intimate recollections are diffused into the immeasurable territory of memories while the places and faces of his personal history are the roots binding the terrain of recollections. This can be seen in Autofocus (2006), a video/self-portrait in which the face of the artist overlaps with alternating close-up photos of his father and mother in a reawakening of expressions and resemblances. The union of these faces and the fusion of facial features lead to the rekindling of an indissoluble tie.

4166

De Luca establishes a relationship of proximity with his own history once again by filming the rooms in his parents’ apartment – left empty since their death.The artist filmed the rooms of his home for Homedoppler (2006). Infrared photography was used here as he filmed the dark, closed rooms no longer in use. The video camera moves from one room to another in search of fragments and memories, much like an endoscopic tool. The solemn and amplified sound of an ecoDoppler supports the profound and emotional link created by this wandering through empty spaces with the rhythm of a heartbeat to articulate the intimate relationship shared by memories and our deepest selves.

The next witness is the artist’s cousin whose voice is heard in the 2014 work Oplà siamo arrival [Oops! We’re here] as he tells stories over a speakerphone of the de Luca and Rossetti families. (Rossetti is the surname of the artist’s mother.) The orally transmitted story was filmed over a period of forty minutes and the anecdotes are told by the person who is called upon for direct and indirect testimony – he enjoys his candid participation very much. Iginio de Luca thus becomes the listener of his own story, his origins and the transmission of those memories which are both a personal commitment and the human condition.


Images (all) installation view, Iginio de Luca, Nato a Formia e residente a Roma, curated by Sabrina Vedovotto, Galleria Gallerati, Rome, 31.01 – 13.03.2015
ShareTweetShareSend
Previous Post

Here and Now, with Bianco-Valente

Next Post

Luca Patella: Animated Projected Environments

Next Post

Luca Patella: Animated Projected Environments

CALLS

S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.