Your browser does not support the video tag.
Raffaele Fiorella - Corteo
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Carlo Crivelli. Felice Levini. Eclectic Archaeologies

    Carlo Crivelli. Felice Levini. Eclectic Archaeologies

    Interview with Nozomu Kubota 

    Die schöne Magelone at the Romaeuropa Festival 2026

    Eun-Me Ahn at the Romaeuropa Festival 2026

    Eun-Me Ahn at the Romaeuropa Festival 2026

    Retooling: Art, Ecology, and Climate Adaptation

    Retooling: Art, Ecology, and Climate Adaptation

    In dialogue with Tommaso Cherubini

    In dialogue with Tommaso Cherubini

    Design Talks at Romaeuropa Festival

    Design Talks at Romaeuropa Festival

    D. de Kerckhove. The Quantum Man

    D. de Kerckhove. The Quantum Man

    The opening of the Romaeuropa Festival with Caterina Barbieri

    The opening of the Romaeuropa Festival with Caterina Barbieri

    In dialogue with biarritzzz for Ibrida Festival

    In dialogue with biarritzzz for Ibrida Festival

  • FRAME
    FRAME > GHOST FONT

    FRAME > GHOST FONT

    FRAME > 2,977 Lights Over New York Harbor

    FRAME > 2,977 Lights Over New York Harbor

    FRAME > thelastdollar.art

    FRAME > thelastdollar.art

    FRAME > FLOOR 796

    FRAME > FLOOR 796

    FRAME > In a landscape

    FRAME > In a landscape

    FRAME > The Fall of Icarus

    FRAME > The Fall of Icarus

    FRAME > Resonant

    FRAME > Resonant

    FRAME > City

    FRAME > City

    FRAME > Magnetism

    FRAME > Magnetism

  • VIDEO POST
    VIDEO POST > Cortical Echoes

    VIDEO POST > Cortical Echoes

    VIDEO POST > Musical Road

    VIDEO POST > Musical Road

    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > Showrunners

    VIDEO POST > Showrunners

    VIDEO POST > Reality is Out

    VIDEO POST > Reality is Out

    VIDEO POST > MIZU

    VIDEO POST > MIZU

    VIDEO POST > Scribble

    VIDEO POST > Scribble

    VIDEO POST > The Prayer

    VIDEO POST > The Prayer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Carlo Crivelli. Felice Levini. Eclectic Archaeologies

    Carlo Crivelli. Felice Levini. Eclectic Archaeologies

    Interview with Nozomu Kubota 

    Die schöne Magelone at the Romaeuropa Festival 2026

    Eun-Me Ahn at the Romaeuropa Festival 2026

    Eun-Me Ahn at the Romaeuropa Festival 2026

    Retooling: Art, Ecology, and Climate Adaptation

    Retooling: Art, Ecology, and Climate Adaptation

    In dialogue with Tommaso Cherubini

    In dialogue with Tommaso Cherubini

    Design Talks at Romaeuropa Festival

    Design Talks at Romaeuropa Festival

    D. de Kerckhove. The Quantum Man

    D. de Kerckhove. The Quantum Man

    The opening of the Romaeuropa Festival with Caterina Barbieri

    The opening of the Romaeuropa Festival with Caterina Barbieri

    In dialogue with biarritzzz for Ibrida Festival

    In dialogue with biarritzzz for Ibrida Festival

  • FRAME
    FRAME > GHOST FONT

    FRAME > GHOST FONT

    FRAME > 2,977 Lights Over New York Harbor

    FRAME > 2,977 Lights Over New York Harbor

    FRAME > thelastdollar.art

    FRAME > thelastdollar.art

    FRAME > FLOOR 796

    FRAME > FLOOR 796

    FRAME > In a landscape

    FRAME > In a landscape

    FRAME > The Fall of Icarus

    FRAME > The Fall of Icarus

    FRAME > Resonant

    FRAME > Resonant

    FRAME > City

    FRAME > City

    FRAME > Magnetism

    FRAME > Magnetism

  • VIDEO POST
    VIDEO POST > Cortical Echoes

    VIDEO POST > Cortical Echoes

    VIDEO POST > Musical Road

    VIDEO POST > Musical Road

    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > Showrunners

    VIDEO POST > Showrunners

    VIDEO POST > Reality is Out

    VIDEO POST > Reality is Out

    VIDEO POST > MIZU

    VIDEO POST > MIZU

    VIDEO POST > Scribble

    VIDEO POST > Scribble

    VIDEO POST > The Prayer

    VIDEO POST > The Prayer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News Focus

Il Pianeta Mente / The Planet Mind

Luigi Pagliarini's polyphonic operAtion this time takes shape in a fable that tells, with simplicity, the complexity of the cosmos

Giorgio Cipolletta by Giorgio Cipolletta
January 4, 2023
in Focus
Il Pianeta Mente / The Planet Mind

There is nothing more difficult than writing a fable, the art of finding simple words to communicate something complex or just to express a different idea.

In this artistic pro-vocation promoted by Luigi Pagliarini (LP), the challenge is to create a choral operA(c)tion where writing is transformed into music and visual language. LP’s polyphonic operA(c)tion dedicates each image forged by Federico Galdiero’s artistic sensibility to the production of imagery through the opening up of parallel sensory worlds. LP gives us a psychedelic journey, beyond Alice in Wonderland’s rabbit hole, beyond Hitchcock’s Vertigo, beyond Cobb’s mind in Inception (Christopher Nolan, 2010): a thrilling Inside Out.

As a fable, Pagliarini’s fable contains pulsating energy and visions of the world that have never been told or perceived before. The fable architecture promoted here is a re-visioning of the past-present-future, an upside-down without demogorgons or secret passages, where pre-conceptions and stereotypes are dismantled and the ‘innocent’ reader can finally understand the existence of a direct and universal connection. LP’s ‘Sensory Thinking’ promoted here shifts the point of view from an anthropocentric to a zoocentric, even an allocentric dimension: a very special attraction of living creatures. Pagliarini’s Opera Aperta inhabits organisms which are both outside and inside, orienting and disorienting us, where the body itself is configured as a universe: a self-propelled terrarium.

The metaphor used by the Italian artist and psychologist allows us to investigate the infinitely small, the microscopic, that in turn relates to the macroscopic, a profound and connected relationship. The “once upon a time” no longer exists, replaced by “there is and always will be”, escaping the anthropocentric craving to return us to a choral, sprawling molecular thinking. The sentiment of Pagliarini’s fable-bad fable lies in the chorus.

The author is not aiming for a happy ending. There is no happy ending, let alone an ending, which also goes against the nature of fables and social imagery. An awareness (and unawareness) not to get us used to, but to get us out of the habit of a new, renewed feeling of adherence to a multi-dimensional reality. In the Flatland created by Pagliarini, possible and impossible dimensions of living systems emerge. A planetary Bing Bang, a body cosmology generating central peripheries and peripheral centres: everything connects in an evolutionary atmosphere. Luigi Pagliarini’s atmospherics open up a generative Planet-Mind, an explosion where everything is born, grows and dies. Bing-Bang echoing in and out. The fragility of living systems – from bacteria to fungi, from plants to flowers, from animals to humans – all belong to Pianeta Mente (‘Planet Mind’). Atmospheres mingle, connect, inhabit and contaminate each other: a transcendent gravitational attraction. Pagliarini promotes a collaborative, connective intelligence where universes of parallel relationships generate compositional codes that allow us to appreciate the feelings of the World. Pagliarini’s great challenge is a dream come true, to give those who know how to listen (children) a different way of looking at and experiencing the smell of the Earth, the feelings of the world, the territory of atmospheres, the constellations of the mind.

LP’s masterpiece is a crazy atmosphere where we all come to realise the powerful connection between living planets and satellites of the mind. We can appreciate the ultimate destiny of the universe, its end (‘Bing Crunch’), only if we take children as our starting point.

Pagliarini succeeds with choral feeling to embroider and weave a cosmological texture of the universe with a voice pregnant with life in its pre-powerful fragility.  Pagliarini from this point in the world ‘versifies’ for a PianetaMente (‘Planet Mind’) by gracefully extending his hand to children.

Sonic, resounding emotion – extreme moment of fragility. The fabric of the mind woven by bony breath and the gymnastic exercise of thought, PianetaMente (‘Planet Mind’) happens with authentic Energy. Luigi Pagliarini delivers us a Supernova to enlighten us, amaze us and make us fall in love. A continuous, transforming and circular rebirth. In its initial consonant Planet Mind gathers all the powerful soul of a double ‘P’ Pagliarini-Planet, where the depth of the consonant gives birth to a profound reflection on life and death, without being afraid of it, rather with a responsibility to recount it to those who are born and are transformed. LP is a sound-magic composition that continues in the dancing rhythm of planetary atmospheres that initiates a larger, more ambitious project marking the irreplaceable soul and courage that belong to Luigi Pagliarini, a lion’s heart, a snake’s skin and a samurai’s soul, with New Imaginaries that will produce out of his hat-Mind. Chapeau.
The tale continues …

Luigi Pagliarini, Il Pianeta Mente, illustrations by Federico Galdiero, text by Catia Verna, Luigi Pagliarini, Pianeta Mente Editions, Rome 2022

 

Tags: arsarshakeartificial intelligencecosmologyGiorgio CipollettaLuigi Pagliarini
ShareTweetShareSend
Previous Post

FLASHBACK ONSTAGE at Ryoji Ikeda

Next Post

VIDEO POST > BITTER MEDICINE

Giorgio Cipolletta

Giorgio Cipolletta

Related Posts

Carlo Crivelli. Felice Levini. Eclectic Archaeologies
exhibitions

Carlo Crivelli. Felice Levini. Eclectic Archaeologies

by Giovanna Coppa
October 15, 2026
Interview with Nozomu Kubota 
Focus

Die schöne Magelone at the Romaeuropa Festival 2026

by Carlotta Zambelli
October 8, 2026

CALLS

Short Theatre 2026
Calls

Call for Papers

July 23, 2026
Call for submissions> Residency in Genoa
Calls

Call for submissions> Residency in Genoa

April 8, 2026
Bill Fontana in San Peter’s Basilica
Calls

MA in History and Critical Thinking (HCT)

November 11, 2025
Open call: Agora, a Gathering of Art and Philosophy
Calls

Open call: Agora, a Gathering of Art and Philosophy

October 28, 2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2026 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
Visualizza le preferenze
  • {title}
  • {title}
  • {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2026 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.