Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home books

James Bridle. New Dark Age

Technology and the End of the Future

Elena Giulia Rossi by Elena Giulia Rossi
24/02/2019
in books, focus
James Bridle. New Dark Age

James Bridle is an artist, theorist, writer and visionary operating in an age which is still difficult to define. Bridle urges us to reflect on the ongoing process of radical transformation and on what the acceleration of technology has brought about in every field and discipline, reconfiguring not only traditional territorial geographies, but also language and behaviour.

New Dark Age. Technology and the End of the Future goes to the heart of this dimension and condition, which while not being entirely new was long shunned as a science fiction prophecy pertaining to a distant future.

The book is an important stage in Bridle’s research which, since the age of 13, has moved between visual arts and writing, the physical and online world. Works, reflections and theories – such as the one on the New Aesthetic – are interconnected and in dialogue with each other on his blog before moving and merging into new transformations.

The new dark age, as Bridle defines it in his book, is shaped by mass surveillance systems, transnational terrorism, climate change and conspiracy, among other things – all topics which the artist engages with in his visual research and are here reworked for a written text ready to continue the journey with new developments. «What all these themes have in common» declares Bridle in a recent interview for Arshake «is their paralysing effect». The most frightening thing, however, is not the transformation itself – which, since the advent of the computer, has arrived at a code/space culture that has spread into every aspect of human action – but the impossibility of understanding it. This is because we exist within it, «we cannot stand outside them [technological systems]; we cannot think without them» (p. 2).

Timothy Morton identified this same impenetrability in Hyperobjects, objects distributed in space and time and in relation to humans which can include the biosphere, black holes and the solar system which all have an opaque dimension, difficult to focus on and frame.

Darkness is anything but negative. It can be a place of freedom and potential. What needs to be done is to acquire an awareness of the fact that our existence occupies an uncertain grey area, hidden behind the veil of certainty which takes its shape and strength ‘in’ and ‘from’ communication channels. The real crisis in this transformation is, therefore, to be found in a crisis of knowledge and awareness, the same as that which is able to transform an area of uncertainty into an opportunity: «uncertainty can be productive, even sublime» (p. 15). This crisis of knowledge emerges in all chapters and topics tackled by Bridle in his book: from computational thinking to climate change, from Artificial Intelligence to blockchain technologies. This is particularly evident when the author focuses on the theme of surveillance, a phenomenon that arises out of hyper-control and which is shaped by our own complicity, where sight is blind: «everything is illuminated, but nothing is seen». All the ideas expressed in this book, bringing together Bridle’s research up to its publication, found an artistic outlet in the exhibition Agency at the NOME Gallery in Berlin, which saw the collaboration of various artists from different backgrounds and countries, revealing diverse aspects of this same direction of thought. Dark Age, therefore, is interpreted in a diverse range of visualisations, written and/or experiential, all aimed at stimulating reflection and becoming an active part of a transformation process which reconfigures perception and, as a result, nature, from obscurity into a wonderful combination of possibilities.

James Bridle, New Dark Age, Verso, London 2018
 Interview to James Bridle, Arshake,13.12.2018
James Bridle, website and blog

 

 

Tags: arsarshakedark ageJames Bridle
ShareTweetShareSend
Previous Post

Not Only Cigarettes

Next Post

VIDEO POST > OPEN HIGHWAY

Next Post
VIDEO POST > OPEN HIGHWAY

VIDEO POST > OPEN HIGHWAY

CALLS

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency
Calls

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

29/05/2023
Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.