Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Driving Energy 2022 Prize – Contemporary Photography

    Driving Energy 2022 Prize – Contemporary Photography

    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

  • FRAME
    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

  • VIDEO POST
    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Driving Energy 2022 Prize – Contemporary Photography

    Driving Energy 2022 Prize – Contemporary Photography

    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

  • FRAME
    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

  • VIDEO POST
    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Open Codes. en Codes. The World as a Field of Data

Arshake by Arshake
10/10/2018
in exhibitions, News
Open Codes. en Codes. The World as a Field of Data

The world is built with data. Its essence is constituted by data. This is how one of the first institutions, led by pioneering artist Peter Weibel, to be completely dedicated to art and technology delineates in a show the contemporary landscape.

Open Codes. en Codes. The World as a Field of Data è la seconda parte di un progetto avviato con Open Codes. Living in Digital Worlds, avvio di una esplorazione di un mondo generato, guidato e contratto da dati. Viviamo in smart environments, la cosiddetta scripted reality dove i dati sono generati dai nostri stessi comportamenti e movimenti catturati da sensori che ci seguono nel quotidiano.

Open Codes. enCodes. The World as a Field of Data is the second part of a project launched alongside Open Codes:Living in Digital Worlds,which begins to explore a world generated, guided and negotiated by data. We live in smart environments, a so-calledscripted reality,where data is generated by our own actions and movements, captured by sensors that follow us in our everyday lives.

The World as a Field of Datastarts from this assumption, presenting new human horizons:a transhumanismbuilt using artificial intelligence.

In addition to this exhibition, Art in Motion: 100 Masterpieces with and through Media, curated byPeter Weibel and theoristSiegfried Zielinski, goes back in time to repropose pioneering works that use technology –from photography andcinema tosound art, the theatre of machines and projections, radiophonic and television art, videoart, media based actions,Fluxus activities and other artistic collaborations from the last decades.

Over the last few years the return to both the analog and the technological has proven to be increasingly important in understanding the present, the acceleration of the industrial world, rooted in electricity wires for every given product and ‘stored’ in ‘the cloud’, which despite its atmospheric dimension nevertheless still depends on cables and physical archives to be found in limited locations all over the world.


«Open Codes. en Codes. The World as a Field of Data», 29.09.2018 – 06.01.2019
and
«Art in Motion. 100 Masterpieces with and through Media», 14.07.2018 – 10.02.2019
The ZKM | Center for Art and Media, Karlsruhe

images: (cover 1) «Art in motion», 2018, exhibition view, The ZKM | Center for Art and Media (2) Adam Slowik, Christian Lölkes, Peter Weibel, «Alphabet Space», 2017 (3) Andreas Müller-Pohle, «Blind Genes», 2002, Courtesy of Bettina and Thomas Hebell (4) «Art in motion», 2018, exhibition view, The ZKM | Center for Art and Media (5) Claude Shannon, «Ultimate Machine», at «Art in motion», 2018, exhibition view, The ZKM | Center for Art and Media

.

 

 

Tags: arscodeexhibitiongeneticsGermanynaturePeter WeibelZKM
Share8TweetShareSend
Previous Post

The Museum of Working Computers

Next Post

Live Cinema Festival 2018.

Next Post
Live Cinema Festival 2018.

Live Cinema Festival 2018.

CALLS

S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.