• © ARSHAKE | ISSN 2283-3676
  • CONTACT
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Institute of the Cosmos

    Institute of the Cosmos

    The Blockchain through the DAOWO Global Initiative

    The Blockchain through the DAOWO Global Initiative

    GAME OVER. Loading. Interview to Primavera De Filippi

    GAME OVER. Loading. Interview to Primavera De Filippi

    Never Have We Needed Art as Much as We Do Now

    Never Have We Needed Art as Much as We Do Now

    Memestetica. The Eternal September of the Art

    Memestetica. The Eternal September of the Art

    Digital Music at the Museum ZKM

    Digital Music at the Museum ZKM

    “Reactivating Videographies”. Interview to Anita Calà

    “Reactivating Videographies”. Interview to Anita Calà

    Plan B at NOME Gallery

    Plan B at NOME Gallery

    Antonio Della Guardia. For a Forthcoming Reality…  From Arshake to Stockholm

    Antonio Della Guardia. For a Forthcoming Reality… From Arshake to Stockholm

  • FRAME
    FRAME > GLOBAL

    FRAME > GLOBAL

    FRAME > 8 Year Long Exposure

    FRAME > 8 Year Long Exposure

    FRAME > Eclipse

    FRAME > Eclipse

    FRAME >  NUVOLA 2020

    FRAME > NUVOLA 2020

    FRAME > Skylight

    FRAME > Skylight

    FRAME > TUNNEL VISION

    FRAME > TUNNEL VISION

    FRAME > Tribute to Hyuro

    FRAME > Tribute to Hyuro

    FRAME > Road map

    FRAME > Road map

    FRAME > POLLUTION PODS

    FRAME > POLLUTION PODS

  • VIDEO POST
    VIDEO POST > Dialogo

    VIDEO POST > Dialogo

    VIDEO POST > MURMURATION

    VIDEO POST > MURMURATION

    VIDEO POST > On View

    VIDEO POST > On View

    VIDEO POST > Thought Experiment

    VIDEO POST > Thought Experiment

    VIDEO POST > A Woman with the Technology

    VIDEO POST > A Woman with the Technology

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > NEWSPEAK

    VIDEO POST > NEWSPEAK

    VIDEO POST > Matter to Matter

    VIDEO POST > Matter to Matter

    VIDEO POST > (Un)Balance

    VIDEO POST > (Un)Balance

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Institute of the Cosmos

    Institute of the Cosmos

    The Blockchain through the DAOWO Global Initiative

    The Blockchain through the DAOWO Global Initiative

    GAME OVER. Loading. Interview to Primavera De Filippi

    GAME OVER. Loading. Interview to Primavera De Filippi

    Never Have We Needed Art as Much as We Do Now

    Never Have We Needed Art as Much as We Do Now

    Memestetica. The Eternal September of the Art

    Memestetica. The Eternal September of the Art

    Digital Music at the Museum ZKM

    Digital Music at the Museum ZKM

    “Reactivating Videographies”. Interview to Anita Calà

    “Reactivating Videographies”. Interview to Anita Calà

    Plan B at NOME Gallery

    Plan B at NOME Gallery

    Antonio Della Guardia. For a Forthcoming Reality…  From Arshake to Stockholm

    Antonio Della Guardia. For a Forthcoming Reality… From Arshake to Stockholm

  • FRAME
    FRAME > GLOBAL

    FRAME > GLOBAL

    FRAME > 8 Year Long Exposure

    FRAME > 8 Year Long Exposure

    FRAME > Eclipse

    FRAME > Eclipse

    FRAME >  NUVOLA 2020

    FRAME > NUVOLA 2020

    FRAME > Skylight

    FRAME > Skylight

    FRAME > TUNNEL VISION

    FRAME > TUNNEL VISION

    FRAME > Tribute to Hyuro

    FRAME > Tribute to Hyuro

    FRAME > Road map

    FRAME > Road map

    FRAME > POLLUTION PODS

    FRAME > POLLUTION PODS

  • VIDEO POST
    VIDEO POST > Dialogo

    VIDEO POST > Dialogo

    VIDEO POST > MURMURATION

    VIDEO POST > MURMURATION

    VIDEO POST > On View

    VIDEO POST > On View

    VIDEO POST > Thought Experiment

    VIDEO POST > Thought Experiment

    VIDEO POST > A Woman with the Technology

    VIDEO POST > A Woman with the Technology

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > NEWSPEAK

    VIDEO POST > NEWSPEAK

    VIDEO POST > Matter to Matter

    VIDEO POST > Matter to Matter

    VIDEO POST > (Un)Balance

    VIDEO POST > (Un)Balance

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Plan B at NOME Gallery

Arshake by Arshake
17/12/2020
in exhibitions, focus
Plan B at NOME Gallery

Sometimes things don’t work out as you planned. And when this happens, you have a plan B.
NOME is pleased to announce the group exhibition Plan B, featuring works by James Bridle, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman, Goldin+Senneby, Igor Grubič, Khaled Hafez, Voluspa Jarpa, Rajkamal Kahlon, Navine G. Khan-Dossos, Sajan Mani, Ana Prvački, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

James Bridle’s series Fraunhofer Lines documents the patterns of redactions made to official documents prior to their release under the Freedom of Information Act. For Capture, Paolo Cirio collected thousands of public images of police taken during protests in France and processed them with Facial Recognition software, thereby turning this instrument of surveillance against the same authorities who routinely deploy it. Cian Dayrit’s Lunas sa Sistematikong Pang-api reveals a ceremonial setting where anthropomorphic figures are embroidered onto three red banners representing imperialism, feudalism, and bureaucrat capitalism. Prior to the Enlightenment, electricians were considered entertainers who turned electrical demonstrations into spectacular events. In her series of photographs Earthing Discharge, Marjolijn Dijkman uses a high voltage electro-photography technique to return to a moment in time when electricity was still made visible. Goldin+Senneby’s photographs Spruce Time depict their quest to clone a spruce tree that, with a root system dating back 9,550 years, has lived through the entire Holocene.

Igor Grubič adds arms holding a red flag to the canonical Boccioni sculpture Unique Forms of Continuity in Space, imbuing the allegedly apolitical original work with a socialistic element that runs counter to the right wing ideology of the Italian futurists. The sculptural elements in Khaled Hafez’s Memory Box comprise bronze casts of real objects that shaped the artist’s memory as a child, like his father’s camera when he served in military intelligence in Syria and Yemen, and a Rolex replica from a special assignment in Algeria late 1960s. Grappling with gaps, illegibility, and the unstable borders between fact and fiction, Voluspa Jarpa’s installation Minimal Secret Condor Operation emerges from her long-term engagement with declassified CIA files from Operation Condor. Rajkamal Kahlon’s paintings from the series This Bridge Called My Back were made directly on the pages of Dr. Carl Heinrich Stratz’s controversial book of racial taxonomy “Die Rassenschönheit des Weibes”, first published in 1901. Navine G. Khan Dossos’ series Grey Discretionary Command reflects on women as both perpetrators and victims of violence, questioning what it means to be both a menace and a target. Sajan Mani’s work documents a performance in which he transfers expressive renderings of the Dalit activist and poet Poykayil Appachan’s (1879–1939) Malayalam protest songs of  to the walls of NOME’s former location. Ana Prvački drawings emerged from a durational project entitled Queen, which was inspired by the intersection of familial history and tradition, ecology, and war. In Kameelah Janan Rasheed’s works, measurement, approximation, and their signs and symbols are placed in relation to Black liberation, the ways society has been constructed, and history told. In 13 Reasons Why There Are No Great Male Artists, Kirsten Stolle inverts sexist statements by male artists, curators, critics, and historians by replacing the words “women” or “female” with “man” or “male.” Xiyadie’s subverts the traditional practice of paper-cutting, which dates back as far as the sixth century, through his depictions of queer eroticism.

 

PLAN B, NOME Gallery,Berlino, 05.12.2020 – 12.02.2021
Artists: James Bridle, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman, Goldin+Senneby, Igor Grubič, Khaled Hafez, Voluspa Jarpa, Rajkamal Kahlon, Navine G. Khan-Dossos, Sajan Mani, Ana Prvački, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

image: (cover 1) LUNAS SA SISTEMATIKONG PANG-API, 2020 . Cian Dayrit. Embroidery on Fabric (Collaboration with Henry Caceres), objects, Woodwork, Book (Caser). Size Variable (2) Capture, 2020. Paolo Cirio. C-print, 100 x 100 cm (3) I Refuse Accelerated Gesture, 2020. Kameelah Janan Rasheed. Archival inkjet print, 100 x 127 cm. Ed. 1/5 (4) Reasons Why There Are No Great Male Artists, 2019. Kirsten Stolle. Floating shelves, printed archival cards, dimensions variable

 

 

Tags: Ana Prvačkiand XiyadiearshakeartistsCian DayritcollectiveGoldin+SennebyIgor GrubicJames BridleKameelah Janan RasheedKhaled HafezKirsten StolleMarjolijn DijkmanNavine G. Khan-DossosNOMEPaolo CirioPlan BRajkamal KahlonSajan ManisystemVoluspa Jarpa
ShareTweetPin
Previous Post

Antonio Della Guardia. For a Forthcoming Reality... From Arshake to Stockholm

Next Post

“Reactivating Videographies”. Interview to Anita Calà

Arshake

Arshake

Related Posts

Institute of the Cosmos
focus

Institute of the Cosmos

by Arshake
27/01/2021
The Blockchain through the DAOWO Global Initiative
focus

The Blockchain through the DAOWO Global Initiative

by Arshake
25/01/2021

CALLS

Call for submissions> STARTS Prize 2021
Calls

Call for submissions> STARTS Prize 2021

23/01/2021
Call for submissions> Live Coding Practices
Calls

Call for submissions> Live Coding Practices

10/01/2021
 Call for submissions> Locust Projects
Calls

 Call for submissions> Locust Projects

06/01/2021
Call for submissions> Re:Humanism
Calls

Call for submissions> Re:Humanism

10/11/2020
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram
Arshake

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

Menu

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

Iscriviti alla nostra newsletter

One more step - Check your email and click the confirmation link

© 2018 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it

© 2018 – ARSHAKE

Login to your account below

Forgotten Password?

Fill the forms bellow to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.