Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Daniele Puppi. Ehi Lampu in Rome

    Daniele Puppi. Ehi Lampu in Rome

    Interview | C.I.R.C.E.

    In dialogue with Abe Pazos Solatie

    Interview | C.I.R.C.E.

    Interview | C.I.R.C.E.

    Fabrizio Cicero. This is not a light

    Fabrizio Cicero. This is not a light

    Legami by Luigi Pagliarini now at ISIA Pescara

    Legami by Luigi Pagliarini now at ISIA Pescara

    Lynn Hershman Leeson. A lecture at the Whitney Museum of American Art

    Lynn Hershman Leeson. A lecture at the Whitney Museum of American Art

    Festival della Peste at Lazzaretto Foundation

    Agnese Banti at Romaeuropa Festival 2025

    Open call: Agora, a Gathering of Art and Philosophy

    Open call: Agora, a Gathering of Art and Philosophy

    “The Impossible Present. Kaleidoscope” in Milan

    “The Impossible Present. Kaleidoscope” in Milan

  • FRAME
    FRAME > The Fall of Icarus

    FRAME > The Fall of Icarus

    FRAME > Resonant

    FRAME > Resonant

    FRAME > City

    FRAME > City

    FRAME > Magnetism

    FRAME > Magnetism

    FRAME > You Are Here

    FRAME > You Are Here

    FRAME > Gdansk

    FRAME > Gdansk

    FRAME > Cicadas

    FRAME > Cicadas

    FRAME > Dalunsch

    FRAME > Dalunsch

    FRAME > Siren

    FRAME > Siren

  • VIDEO POST
    VIDEO POST > Scribble

    VIDEO POST > Scribble

    VIDEO POST > The Prayer

    VIDEO POST > The Prayer

    VIDEO POST > Organism

    VIDEO POST > Organism

    VIDEO POST > Chiroptera

    VIDEO POST > Chiroptera

    VIDEO POST > Pluvial

    VIDEO POST > Pluvial

    VIDEO POST > PAPERS

    VIDEO POST > PAPERS

    VIDEO POST > Stranger Visions

    VIDEO POST > Stranger Visions

    VIDEO POST > Buoyant Choreographies

    VIDEO POST > Buoyant Choreographies

    VIDEO POST > Composition for Objective Sound No.7

    VIDEO POST > Composition for Objective Sound No.7

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Daniele Puppi. Ehi Lampu in Rome

    Daniele Puppi. Ehi Lampu in Rome

    Interview | C.I.R.C.E.

    In dialogue with Abe Pazos Solatie

    Interview | C.I.R.C.E.

    Interview | C.I.R.C.E.

    Fabrizio Cicero. This is not a light

    Fabrizio Cicero. This is not a light

    Legami by Luigi Pagliarini now at ISIA Pescara

    Legami by Luigi Pagliarini now at ISIA Pescara

    Lynn Hershman Leeson. A lecture at the Whitney Museum of American Art

    Lynn Hershman Leeson. A lecture at the Whitney Museum of American Art

    Festival della Peste at Lazzaretto Foundation

    Agnese Banti at Romaeuropa Festival 2025

    Open call: Agora, a Gathering of Art and Philosophy

    Open call: Agora, a Gathering of Art and Philosophy

    “The Impossible Present. Kaleidoscope” in Milan

    “The Impossible Present. Kaleidoscope” in Milan

  • FRAME
    FRAME > The Fall of Icarus

    FRAME > The Fall of Icarus

    FRAME > Resonant

    FRAME > Resonant

    FRAME > City

    FRAME > City

    FRAME > Magnetism

    FRAME > Magnetism

    FRAME > You Are Here

    FRAME > You Are Here

    FRAME > Gdansk

    FRAME > Gdansk

    FRAME > Cicadas

    FRAME > Cicadas

    FRAME > Dalunsch

    FRAME > Dalunsch

    FRAME > Siren

    FRAME > Siren

  • VIDEO POST
    VIDEO POST > Scribble

    VIDEO POST > Scribble

    VIDEO POST > The Prayer

    VIDEO POST > The Prayer

    VIDEO POST > Organism

    VIDEO POST > Organism

    VIDEO POST > Chiroptera

    VIDEO POST > Chiroptera

    VIDEO POST > Pluvial

    VIDEO POST > Pluvial

    VIDEO POST > PAPERS

    VIDEO POST > PAPERS

    VIDEO POST > Stranger Visions

    VIDEO POST > Stranger Visions

    VIDEO POST > Buoyant Choreographies

    VIDEO POST > Buoyant Choreographies

    VIDEO POST > Composition for Objective Sound No.7

    VIDEO POST > Composition for Objective Sound No.7

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

SPLEEN at Menna Foundation

with Davide Sgambaro, Marco Strappato and the damp collective

Olimpia Di Domenico by Olimpia Di Domenico
18/07/2024
in Events, exhibitions, Focus
SPLEEN at Menna Foundation

On 4 May, for the SPLEEN series, the Fondazione Filiberto and Bianca Menna inaugurated the installation project Hey there you, looking for a brighter season (moth), by Davide Sgambaro. This was the first of three installations, part of a project by Gianpaolo Cacciottolo and Massimo Maiorino, aimed at rethinking the role of a historical institution in the urban fabric of the city, through the realisation of site-specific works that go beyond the confines of the Foundation and place themselves in direct dialogue with the community of reference.

The second artist called to this challenge was Marco Strappato who realised an artistic intervention entitled Qui mi sento a casa (Here I feel at home), inaugurated on 24 May. It is a neon light installation, white in colour, which recalls the iconography of the bookmark, a bookmark often used on the Internet or on apps to save a place or a page among one’s favourites that one wishes to remember and find again later. An automatic operation, which has entered the common language of the digital era, and which Strappato himself also performs when he searches on Google Maps for the Filiberto and Bianca Menna Foundation and ‘saves’ it, adding a bookmark within the application.

Starting from this action, the artist’s desire was to transform this gesture from the digital to the real, by placing the bookmark, made of an iron structure, on the upper part of the Foundation’s façade, implementing a fundamental shift from bookmark to landmark that not only transforms the institution into a reference point for the city, but also highlights its most important and precious nucleus, the Art Library. The title of the work, Qui mi sento a casa (Here I Feel at Home), now takes on a double meaning, linked first of all to a personal feeling of the artist but also, in Strappato’s words, to the possibility that ‘turning a light on this space I believe can help everyone feel a little at home’.

Closing the SPLEEN project was the work, inaugurated on 14 June, by the damp collective, an ‘unintentional project’ born in 2017 from the meeting of Alessandro Armento, Luisa de Donato, Viviana Marchiò and Adriano Ponte. Again, as with the previous works, it is an environmental installation placed, this time, on two sides of the Fondazione Menna, on the façade and on the north side. Entitled Hikikomori, the work consists of a supporting structure on which are placed three sheets painted with Musou Black, a pigment capable of absorbing 99.6% of sunlight, placed to obscure two windows of a room in the Foundation’s Library. Starting from a reflection on the figure of the fighter, which stands out imposingly on the façade of the Salerno institution, today meaningless in the contemporary precariousness, the collective proposed an act of ‘declared will of dis-integration’, through the subtraction of a part of the building from the urban overexposure of light. The ‘standing aloof’ declared by the meaning of the work’s title is what happens to the Foundation’s space, which portrays itself silently without any kind of claim to rule over the world.

Through operations with different meanings, the three installations demonstrated the same awareness that Baudelaire had expressed in his Petits poèmes en prose – Le spleen de Paris, linked to the change in everyday existence, now given by the city and no longer by nature, in the face of which it was necessary to react forcefully. Experiencing reality means understanding all its facets, dialoguing with it, questioning it also and above all thanks to art, which, having now emerged from the institutional and ‘sacred’ spaces of the museum, comes to the aid of the community to confront it with the new everyday reality. Thanks to the works of Davide Sgambaro, Marco Strappato and the damp collective, the Fondazione Filiberto anb Bianca Menna has managed to obtain new lifeblood, becoming an effective cultural point of reference for the city of Salerno and finally emerging from the oblivion to which it had been relegated.

SPLEEN. Tre opere per la Fondazione Filiberto e Bianca Menna, curated by Gianpaolo Cacciottolo and Massimo Maiorino
Fondazione Filiberto and Bianca Menna, Salerno, Italy 04.05-30.06.2024

images: (cover 1) Marco Strappato, «Qui mi sento a casa», 2024, neon sculpture, 85 x 88 cm. courtesy the artist Fondazione Filiberto and Bianca Menna, Salerno, Italy, ph: Elio di Pace (2) Collettivo damp, Hikikomori, 2024, environmental installation, courtesy Fondazione Filiberto and Bianca Menna

 

Tags: arsdamp collectiveDavide SgambaroFondazione MennaGianpaolo CacciottoloinstallationMarco StrappatoMassimo MaiorinoMenna Foundationpublic artsite-specificSpleenurban art
ShareTweetShareSend
Previous Post

Critical Grounds #14 – Arte civile

Next Post

VIDEO POST > EGG

Olimpia Di Domenico

Olimpia Di Domenico

Related Posts

Daniele Puppi. Ehi Lampu in Rome
exhibitions

Daniele Puppi. Ehi Lampu in Rome

by Elena Giulia Rossi
02/12/2025
Interview | C.I.R.C.E.
Focus

In dialogue with Abe Pazos Solatie

by Elena Giulia Rossi
27/11/2025

CALLS

Bill Fontana in San Peter’s Basilica
Calls

MA in History and Critical Thinking (HCT)

11/11/2025
Open call: Agora, a Gathering of Art and Philosophy
Calls

Open call: Agora, a Gathering of Art and Philosophy

28/10/2025
Dialogues across the Seas 2018-2025
Calls

Dialogues across the Seas 2018-2025

05/09/2025
Open Call. ALTERLIFE 25
Calls

Open Call. ALTERLIFE 25

30/07/2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
Visualizza le preferenze
  • {title}
  • {title}
  • {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.