Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

    Experimental Fellowship at Bauhaus Earth

    Experimental Fellowship at Bauhaus Earth

    Open call – Schermo dell’Arte

    Open call – Schermo dell’Arte

    Open Call: State of the ART(ist)

    Open Call: State of the ART(ist)

    Interview | Liu Jiayu

    Interview | Liu Jiayu

    Theatre of Proof at PAV

    Theatre of Proof at PAV

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    DAN Galeria: Geometria como impulso poético

  • FRAME
    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

    FRAME > ARC 2000

    FRAME > ARC 2000

    FRAME > Seeders and Leechers

    FRAME > Seeders and Leechers

  • VIDEO POST
    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

    VIDEO POST > STRATACUT

    VIDEO POST > STRATACUT

    VIDEO POST > File Tabs no. 1

    VIDEO POST > File Tabs no. 1

    VIDEO POST > The Recap

    VIDEO POST > The Recap

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

    Experimental Fellowship at Bauhaus Earth

    Experimental Fellowship at Bauhaus Earth

    Open call – Schermo dell’Arte

    Open call – Schermo dell’Arte

    Open Call: State of the ART(ist)

    Open Call: State of the ART(ist)

    Interview | Liu Jiayu

    Interview | Liu Jiayu

    Theatre of Proof at PAV

    Theatre of Proof at PAV

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    Wetland Role-Playing Game

    DAN Galeria: Geometria como impulso poético

  • FRAME
    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

    FRAME > ARC 2000

    FRAME > ARC 2000

    FRAME > Seeders and Leechers

    FRAME > Seeders and Leechers

  • VIDEO POST
    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

    VIDEO POST > STRATACUT

    VIDEO POST > STRATACUT

    VIDEO POST > File Tabs no. 1

    VIDEO POST > File Tabs no. 1

    VIDEO POST > The Recap

    VIDEO POST > The Recap

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News Focus

The age of total control. Part II

Antonello Tolve by Antonello Tolve
07/12/2016
in Focus

cyberutopia

The critical reflection by Antonello Tolve on the age of total control continues from Part I

…The world today is witnessing not only the complete eradication of historical memory and ongoing temporal experience, or – most frequently – the unconscious and unstoppable loss of reflection, defined by what Mario Perniola identifies as the “predominance of the instant over duration”[1], but also an uncontrolled mortification of thought, an emptying of reflection and a constant telluric jolting which tends to swallow even the brightest minds in the maelström of disinformation.

  prosumer

Honed dissuader and poisonous advisor, as Iago was to Othello, the design of current communication and the dolce stil of the web offer – even to the most savvy of cyber-utopians – a low-cost sedative to hypnotise public opinion and remove the desire of each to reckon with his own freedom: with an individual condition in the social weave guaranteed and unconditioned by a series of political, economic and social factors which corrode the very concept of freedom from the inside, and sadly determine its end (in the hubbub of disinformation, this condition possessed by every individual person has become barren desert, dazzling glare, unhappy oasis, distant mirage).

At one and the same time “true, because in the presence of fact; false, because it uses techniques of exaggeration, manipulation and mystification” and “fake, because the fantastic and the imagination play a crucial role”[2], communication is like the world of Pinocchio, where the puppet’s language “seems to include every variant, from true spoken as true to false spoken as false, from true spoken as false to false spoken as true”[3].TheRoboticMoment_Hero

Dazzled by a lure which turns the real splendour of freedom into a collective dream where, Alone Together, as Sherry Turkle’s book tells us, “we increasingly expect more from technology and less from each other”[4], because it is evident that the human race is approaching the robotic moment and thus an unprecedented level of control. After all, you only need to walk down the street and do a little people-watching – maybe thinking about a watchful spirit such as Marc Augé, who taught us to see the non-places as well, the supermodernity; and, among other things, to travel as an anthropologist on the metro – to realise that the behaviour of contemporary humans is increasingly alienated, conditioned by an unmanageable device that sucks any construction of thought into an expanded and troubling free time.

…. to be continued…


[1]    M. Perniola, Miracoli e traumi della comunicazione, Einaudi, Turin 2009, p. 47.

[2]    M. Perniola, Miracoli e traumi della comunicazione, op. cit., p. 20.

[3]    G. Manganelli, Pinocchio: un libro parallelo, Einaudi, Turin 1977, p. 64.

[4]    T. Sherry, Alone Together. Why We Expect More from Technology and Less from Each Other, Basic Books, New York 2011; Italian translation Insieme ma soli. Perché ci aspettiamo sempre più dalla tecnologia e sempre meno dagli altri, Codice edizioni, Turin 2012.

ShareTweetShareSend
Previous Post

The Age of Total Control. Part I

Next Post

The Age of Total Control. Part III

Antonello Tolve

Antonello Tolve

Related Posts

Pamela Diamante at the Gilda Lavia Gallery
exhibitions

Pamela Diamante at the Gilda Lavia Gallery

by Fabio Giagnacovo
04/06/2025
Arcangelo Sassolino at the Continua Gallery
exhibitions

Arcangelo Sassolino at the Continua Gallery

by Arshake
28/05/2025

CALLS

Experimental Fellowship at Bauhaus Earth
Calls

Experimental Fellowship at Bauhaus Earth

14/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

07/05/2025
Open Call: State of the ART(ist)
Calls

Open Call: State of the ART(ist)

05/05/2025
RE:HUMANISM Art Prize 4
Calls

RE:HUMANISM Art Prize 4

18/03/2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza le preferenze
{title} {title} {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.