{"id":31931,"date":"2014-06-11T07:59:19","date_gmt":"2014-06-11T05:59:19","guid":{"rendered":"http:\/\/www.arshake.com\/critical-grounds-2-ultra-narrations-of-the-city\/"},"modified":"2019-07-23T12:09:58","modified_gmt":"2019-07-23T10:09:58","slug":"critical-grounds-2-ultra-narrations-of-the-city","status":"publish","type":"post","link":"https:\/\/www.arshake.com\/en\/critical-grounds-2-ultra-narrations-of-the-city\/","title":{"rendered":"Critical Grounds #2. Ultra-narrations of the city"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.arshake.com\/esposizione-dellesposizione\/\"><b><i>Ultranarrazioni della citt\u00e0. Lo strano caso di Voltepulciano<\/i><\/b><\/a> (Ultra-narrations of the city. The strange case of Voltepulciano) is a journey through history and the genres of image in motion to explore the urban root: the way it evolved through filmed image, its influence on popular culture and the resulting structural alteration that ensued in real life. So, the protagonist is the city and how it takes shape in collective perception through \u00abtechnical reproduction\u00bb, with particular emphasis on what cinema and some television phenomena have provided. New and unexpected elements materialize in narrative fiction and become impressed upon physical reality. Cinema is the medium that adapts itself best to the urban context \u00abfor linguistic reasons and perhaps for a structural affinity with the basic principles that regulate the processes on the screen and in the streets\u00bb (Caliandro). This and much more in an essay that alternates between film critiques, literature and philosophy. The \u00abultra-narrations of the city\u00bb are analyzed in a transversal and interdisciplinary manner in a story that traces historic roots and stops occasionally to take a more in-depth look at specific cases: film and television productions which, more than any other form, have modified the borrowed setting in an effect created by a reciprocal fusion between imagination and reality.<\/p>\n<div class='real3dflipbook' id='2_6acfbb73db4db'><\/div>\n<hr style=\"width: 630px;\" width=\"630\" \/>\n<p style=\"text-align: justify;\">\u00abCritical Grounds\u00bb, the Arshake\u2019s publishing project, curated by Christian Caliandro and Antonello Tolve, is born from the desire to\u00a0<i>network<\/i>\u00a0precious and of great cultural interest books in\u00a0<i>open source<\/i>\u00a0electronic format. It is, in fact, a shelf which, together with the re-release of untraceable or forgotten essays, spreads rumors of the international critical scene to offer a wide-ranging look at the culturological contemporary landscape. Alongside this program, \u00abCritical Grounds\u00bb also proposes artist books, new authors and new voices of fiction to share with its authors and its readers a wide choice of assumptions, guidelines, designs on the creative area of the near future. By orchestrating the critical tale with an archive of un-parallel images,\u00a0Critical grounds #1, <i>Esposizione dell\u2019esposizione\/ Exhibition of an Exhibition,\u00a0<\/i>by\u00a0Antonello Tolve, investigated how and when exhibitions have conquered a key role in the attention of the critique as well as of the media, so to enter itself inside the exhibition frame.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As of today, it is online on Arshake \u00abUltra-narrations of the city. The strange case of Voltepulciano\u00bb by Christian Caliandro, send e-book of \u00abCritical Grounds\u00bb.<\/p>\n","protected":false},"author":17,"featured_media":23905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"0","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"1","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"","trending_post_label":""},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[5391,5376],"tags":[5405],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Critical Grounds #2. 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