{"id":31977,"date":"2014-07-03T09:12:15","date_gmt":"2014-07-03T07:12:15","guid":{"rendered":"http:\/\/www.arshake.com\/interview-martin-rille\/"},"modified":"2018-04-26T17:17:27","modified_gmt":"2018-04-26T15:17:27","slug":"interview-martin-rille","status":"publish","type":"post","link":"https:\/\/www.arshake.com\/en\/interview-martin-rille\/","title":{"rendered":"Interview | Martin Rille"},"content":{"rendered":"

\"_DSC0148_c_Karpati_DADOBRIL\"<\/p>\n

Writing the preface of his book\u00a0Micrographia,\u00a0<\/i>Robert Hooke, an English natural philosopher, architect and polymath \u00a0who played an important role in the scientific revolution, called for augmented senses already in 1665. According to his words \u00abits\u2019 not improbable that there may be found many mechanical inventions to improve our senses of hearing, smelling, tasting and touching.\u00bb In his time glasses were considered as an advanced instrument. Today we are entering in the age of \u00abwearables\u00bb \u2013 intelligent \u00absecond skins\u00bb that are not only augmenting our senses, but actually concurring our entire beings. They are becoming parts of our bodies, indispensable for physical activities and integrated in daily routines. Bodies with technological \u00abattachments\u00bb, \u00abcybernetic organisms\u00bb rooted in our collective imagination since \u201860s, do not belong to Sci Fi literature any longer; they are becoming integral part of the every-day life. Inevitably this \u00absmart second skins\u00bb capture imaginative and creative potentials of contemporary artists, stimulating them to search new applications and new meanings. In this direction moves project developed by Martin Rille,\u00a0Coded Sensation<\/i>, postulating the possibility to transform the surface of our body into the \u00absensible container\u00bb of data and knowledge, of words and sounds that can be \u00abreleased\u00bb through body-contact. Touching, hearing and feeling thus become equally important as seeing; a synthesis of senses become a way of knowing the world. For the moment it is only a possibility; but that\u2019s exactly what art should do: envision possibilities and open perspectives, allowing us to became aware of our present and even more of our hypothetic future. Seeing sculptural and performative works by Marin Rille make us believe that future is closer than we think: it corresponds to a time-dimension in which we are able to \u00abunfold\u00bb our stories through sensible body-films that make us \u00abspeak\u00bb through the movement, guide us in a sort of a sensuous dance enhanced by mysterious music and noise produced by dark and shiny \u00absound\u00bb suits. Suits, made of audio tape and entirely sustainable, besides potential futuristic scenarios, trigger awareness about environmental urgencies of our present time.<\/p>\n

\n
Dobrila Denegri: Martin, I remember when we first met, quite some time ago, you were doing works inspired by some of the icons of SciFi world. Could you tell us something about your initial interests -in art and beyond- which led you towards what you are doing now?<\/h6>\n

I always wanted to be an Inventor since I was a kid. I disassembled radio controlled toy-cars and built new things with the electrical \/ mechanical parts inside. Before studying art I finished a technical college because of this childhood dream.\u00a0During my studies of art in Vienna I first started with video art were my science background met the art world. \u00a0My initial interest is expressing art through self\u00a0invented technology.<\/p>\n

[youtube id=”RwisNDbi9dY” width=”620″ height=”360″]<\/p>\n

How did you start to develop\u00a0Coded Sensation\u00a0<\/i>and where is it leading you?<\/h6>\n

After visiting a workshop for body\u00a0awareness\u00a0\/ movement \/ touch I got the idea to have Information stored on the surface of our skin which could be \u00abread\u00bb like brail letters are.\u00a0Then seeing a work of Nam June Paik and having been working at SONY repairing Walkman’s as a 16-year old I knew that CODED SENSATION would be possible with the magnetic tape of audio cassettes.<\/p>\n

Could you tell us more about process of making the piece\u00a0Coded Sensation\u00a0<\/i>and with whom you have been collaborating on it\u2019s realization?<\/h6>\n

It started in 2008 with a performance in Nitra (Slovakia) together with Artist Amber Gabrielle.<\/p>\n

\"2008_Martin-Rille_Amber-Gabriele\"<\/p>\n

After this first performance and technological demonstration I built a machine with Artist Max Frey to seamlessly manufacture magnetic tape cloth.\u00a0Whole suits where created and reading was built with wireless transmitters.\u00a0With Artist Sarah Hyee we developed suits that would make it possible to move with the flexibility\u00a0limitations of the produced CODED SENSATION material.<\/p>\n

\"Machine_CODED-SENSATION_MARTIN-RILLE-CR2\"<\/a><\/p>\n

How would you define yourself, as an artist? performer? inventor? designer? \u2026 and how all this practices interrelate one to another in your case?<\/h6>\n

I like the term Inventor. But all ideas or inventions rest and rely on the work of others. For the\u00a0realization\u00a0of Coded Sensation I have to thank a long list of people.\u00a0But I see myself as an artist, because I take the invention a step further, into art.<\/p>\n

\u00a0Could you tell us more about you design project\u00a0Squat<\/i>?<\/h6>\n

I attended a wood-workshop \u00abbuild your own sitting tool within a week\u00bb at the art university in vienna and designed and build the SQUAT there.\u00a0The small cubes move and adapt to your body.\u00a0I developed a mechanism for it and it got patented in 2012.<\/p>\n

\"SQUAT_MARTIN<\/p>\n

What are other projects on your horizon?<\/h6>\n

Im building\u00a0a\u00a0new prototype, its currently in development. A new work after CODED SENSATION.<\/p>\n

\n

Images<\/em><\/p>\n

(1) Martin Rille, Coded Sensation,\u00a0Amber Gabrielle,\u00a0Martin Rille, Coded Sensation,\u00a0Amber Gabrielle,\u00a0Julia Hausberger,\u00a0Milan Mladenovic,\u00a0<\/em>Adam M\u00fchl,\u00a0Kelly Nash,\u00a0Johanna Rille (2) Martin Rille, Coded Sensation, 2012, video (3) Martin Rille & Amber Gabrielle,\u00a0Performance University of Applied Arts, 2008 (4) Martin Rille, Coded Sensation (machine) (5) Martin Rille, Squat, 2012<\/em><\/em><\/em>
\n<\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Wearable, intelligent technology, second skin enabling the body to become a \u00absensible container\u00bb, poly-sensory synthesis of knowledge to active throughout touch.<\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[5376,5394],"tags":[],"yoast_head":"\nInterview | Martin Rille - Arshake<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview | Martin Rille - Arshake\" \/>\n<meta property=\"og:description\" content=\"Wearable, intelligent technology, second skin enabling the body to become a \u00absensible container\u00bb, poly-sensory synthesis of knowledge to active throughout touch.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/\" \/>\n<meta property=\"og:site_name\" content=\"Arshake\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Arshake\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-03T07:12:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-26T15:17:27+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.arshake.com\/wp-content\/uploads\/2014\/06\/DSC0148_c_Karpati_DADOBRIL.jpg\" \/>\n<meta name=\"author\" content=\"Dobrila Denegri\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@arshake_com\" \/>\n<meta name=\"twitter:site\" content=\"@arshake_com\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dobrila Denegri\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/\"},\"author\":{\"name\":\"Dobrila Denegri\",\"@id\":\"https:\/\/www.arshake.com\/#\/schema\/person\/fedd28d6ebf6e06c94733fba97534447\"},\"headline\":\"Interview | Martin Rille\",\"datePublished\":\"2014-07-03T07:12:15+00:00\",\"dateModified\":\"2018-04-26T15:17:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/\"},\"wordCount\":840,\"publisher\":{\"@id\":\"https:\/\/www.arshake.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.arshake.com\/wp-content\/uploads\/2014\/06\/DSC0148_c_Karpati_DADOBRIL.jpg\",\"articleSection\":[\"Focus\",\"Interview\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/\",\"url\":\"https:\/\/www.arshake.com\/en\/interview-martin-rille\/\",\"name\":\"Interview | Martin Rille - 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