{"id":32349,"date":"2015-01-07T08:16:38","date_gmt":"2015-01-07T07:16:38","guid":{"rendered":"http:\/\/www.arshake.com\/eva-and-franco-mattes-breaking-banality\/"},"modified":"2018-05-07T23:02:24","modified_gmt":"2018-05-07T21:02:24","slug":"eva-and-franco-mattes-breaking-banality","status":"publish","type":"post","link":"https:\/\/www.arshake.com\/en\/eva-and-franco-mattes-breaking-banality\/","title":{"rendered":"Eva and Franco Mattes: \u00abBreaking Banality\u00bb"},"content":{"rendered":"<p style=\"text-align: justify;\">\u00a0The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) is presenting <i>Breaking Banality: The Dysfunction of Remediation<\/i>, an exhibit of works by Eva and Franco Mattes AKA 01.org. This \u00abanonymous\u00bb duo of artists are renowned on an international scale for their activist work in which they delve into and examine issues regarding the identity and social impact of the media and the art circuit.<\/p>\n<p style=\"text-align: justify;\">[vimeo id=&#8221;109935310&#8243; width=&#8221;620&#8243; height=&#8221;360&#8243;]<\/p>\n<p style=\"text-align: justify;\">Eva and Franco Mattes have raised these arguments, penetrating and wielding the media system thoroughly \u2013 from the Internet to the press. They have chosen a distinct, modern use of the performing arts with efforts that are genuinely rebellious.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.arshake.com\/wp-content\/uploads\/2014\/12\/exhib-pnca-befnoed-monitor-top-sequence-1024x503-500x245.jpg\" alt=\"exhib-pnca-befnoed-monitor-top-sequence-1024x503\" width=\"620\" height=\"303\" data-wp-pid=\"15710\" \/><\/p>\n<p style=\"text-align: justify;\">\u00a0From the perspective of modular operations that can always be taken apart and put together again within an abundant network of references and cross-references, Eva and Franco Mattes use the title of the exhibition,\u00a0 <i>Breaking Banality: The Dysfunction of Remediation<\/i>, as a point of departure for the operations originating from generative software obtained on line. And so the curtain rises on an exhibit that presents ten reiterations of a performance of <i>BEFNOED \u2013 By Everyone, For No One, Every Day,<\/i> for which they had used online crowdsourcing services to commission anonymous users to create webcam performances. The people involved were requested to perform in front of a camera and under direction. The artists provided programmed instructions similar to those used for the Fluxus method, an art movement founded in the 1960s that went against \u00abthe system\u00bb. This method has now taken its rightful place among tradition and today\u2019s market. The videos were later distributed to a wide variety and lesser-known social networks throughout the world. The performances have now become an object of observation while spectators \u2013 unbeknownst to them \u2013 take on the role of new performers as soon as they start watching the videos and are forced into awkward, almost ridiculous positions.\u00a0Other objects on exhibit have an image printed on them resulting from an internet search for the words \u00abworn out\u00bb commissioned to an online service and delivered to the exhibit without being viewed by curators or artists.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.arshake.com\/wp-content\/uploads\/2014\/12\/exhib-pnca-befnoed-monitor-bottom-1024x682-500x333.jpg\" alt=\"exhib-pnca-befnoed-monitor-bottom-1024x682\" width=\"619\" height=\"412\" data-wp-pid=\"15712\" \/><\/p>\n<p style=\"text-align: justify;\">\u00a0What follows is an exploration that the two artists undertook by getting involved in a project that playfully exposes the mechanisms of the capitalistic world, revealing what goes on backstage in the art world by operating within it. Known around the world by a variety of pseudonyms with which they have used to fit their features, familiar to the public and reproduced during virtual performances, they have identified themselves through different characters. One example is Darko Maver, whose presence had become so real that was invited (after his presumed death) to the Venice Biennale. Another example is the fake Nike campaign (<i>Nike\u2026Ground<\/i>) in which the artists had announced the intention of the company to change the names all of the main squares in European capital cities into Nike Square.\u00a0 From the internet to the modern technologies of communication and associative systems, Eva and Franco have been able to dismantle the scaffolding of the media at the service of the powers that be to record its evolution and define it in a different manner time after time \u2013 provoking astonishment and disorientation. This has called for the formulation of broad social criticism in order to restore some awareness of the new associative culture of the network and of the systemic structure of the world of art and of its resulting society, subordinates of the media world.<\/p>\n<hr style=\"width: 630px;\" width=\"630\" \/>\n<h6 style=\"text-align: center;\">Eva and Franco Mattes, \u00abBreaking Banality: The Disfunction of Remediation\u00bb<\/h6>\n<h6 style=\"text-align: center;\"><a href=\"http:\/\/pnca.edu\/studentlife\/facilities\/c\/feldman\/\" target=\"_blank\" rel=\"noopener\">Philip Feldman Gallery + Pacific Project Space at Pacific Northwest College of Art<\/a>, Portland, Oregon,\u00a0until January 15, 2015.<\/h6>\n<hr style=\"width: 630px;\" width=\"630\" \/>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.arshake.com\/wp-content\/uploads\/2014\/12\/exhib-pnca-befnoed-view-front-left-1024x682-500x333.jpg\" alt=\"exhib-pnca-befnoed-view-front-left-1024x682\" width=\"620\" height=\"412\" data-wp-pid=\"15711\" \/><\/p>\n<hr style=\"width: 630px;\" width=\"630\" \/>\n<p style=\"text-align: justify;\"><em>Images (all) Eva and Franco Mattes,\u00a0Breaking Banality: The Disfunction of Remediation,\u00a0\u00a0Feldman Gallery, Portland, Oregon, installation view.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the Feldman Gallery  Eva and Franco Mattes extend their research addressed to the media and to the revealing of its hidden mechanisms.<\/p>\n","protected":false},"author":16,"featured_media":15705,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"override_template":"0","override":[{"template":"1","parallax":"1","fullscreen":"0","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"1","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}]},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":[],"footnotes":""},"categories":[5393],"tags":[5405],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - 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