{"id":41481,"date":"2019-09-14T22:04:19","date_gmt":"2019-09-14T20:04:19","guid":{"rendered":"https:\/\/www.arshake.com\/?p=41481"},"modified":"2019-09-23T12:13:34","modified_gmt":"2019-09-23T10:13:34","slug":"pasquale-polidori-the-shadow-line-at-macro","status":"publish","type":"post","link":"https:\/\/www.arshake.com\/en\/pasquale-polidori-the-shadow-line-at-macro\/","title":{"rendered":"Pasquale Polidori. The Shadow Line at MACRO"},"content":{"rendered":"

Pasquale Polidori’s project will unfold in four appointments at the MACRO Museum, each following a specific theme, with multidisciplinary art events consisting of performances, listening sessions, audiovisual productions, the presentation of diverse works by participating artists and reading sessions. Literary and philosophical events are also planned, all centring on Joseph Beuys, the inspiration for the total continuity between art and life that characterised his art.<\/p>\n

\"\"<\/p>\n

Taking their cue from the central theme in Joseph Conrad\u2019s novel The Shadow – Line: A Confession<\/em>, in other words the dark indefinite moment marking the passage to adulthood and self-awareness, the meetings focus on topics such as formation, transformation, survival strategies, self-construction, identity and mythologies – all engaged with thought and creativity. The small group of works known as Beuys\u2019s Mythologies<\/em> (P. Polidori, 2008-2018) signal the starting point of the project.<\/p>\n

\"\"<\/p>\n

The transfiguration taking place through the traumatic event recounted in Beuys\u2019s coming-of-age-story \u2013 the plane incident in the Caucasus \u2013 references the rite of passage described in Conrad\u2019s novel, ushering in a crisis followed by a transformation. The shadow line, therefore, represents a space where the self is re-challenged and which no artist can escape in their search for self-definition, position, departure from former models, strategies and possible omissions.<\/p>\n

\"\"<\/p>\n

Pasquale Polidori. Linea d’ombra<\/a>, curated by Diletta Borromeo<\/h6>\n
Four appointments at the MACRO Museum, Rome, January 27 | February 10 and 24 | March 10, 2019.<\/h6>\n
\n

images:\u00a0(cover 1) Roberto De Simone, \u00abI\u2019ll do my best to paint the winds green in the Greenwich Park\u00bb, action, February 12, 1983, Old Royal Observatory Greenwich Park SE-10 London\u00a0(2) volume of \u00abL\u2019educazione estetica [On the Aesthetic Eduation of Man]\u00bb by Friedrich Schiller, Italian edition, Aesthetica, Palermo 2009, underlines and notes by Claudia Melica\u00a0(3) Ferruccio De Filippi, \u00abSenza titolo (\u201cio sono un esempio, per esempio\u201d)\u00bb, 1972, photography for: intervento (ANNULLAMENTO) a \u201ccritica in atto\u201d, Taverna Palace, Rome, March 10, 1972 and Arcana Bookstore, April- May 1972, project by Mario Diacono.(4) Rita Mandolini, \u00abAutoritratto\u00bb, 2017, uterus ultrasound on folding fan.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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