{"id":46511,"date":"2019-10-03T15:48:34","date_gmt":"2019-10-03T13:48:34","guid":{"rendered":"https:\/\/www.arshake.com\/?p=46511"},"modified":"2019-10-04T12:00:57","modified_gmt":"2019-10-04T10:00:57","slug":"eva-and-franco-mattes-my-little-big-data-in-milan","status":"publish","type":"post","link":"https:\/\/www.arshake.com\/en\/eva-and-franco-mattes-my-little-big-data-in-milan\/","title":{"rendered":"Eva and Franco Mattes. My Little Big Data in Milan"},"content":{"rendered":"<p><em>My Little Big Data<\/em> is the solo exhibition that marks the return to Italy of artists Eva and Franco Mattes &#8211; also known as 0100101110101101.org &#8211; after ten years based in New York.<\/p>\n<p>The installation, created with the contribution of the Italian Council, is a reflection on the insoluble link between public and private life, the concept of privacy and the invisible traces we unintentionally leave on the web every time we connect.<\/p>\n<p>The video essay <em>My Little Big Data<\/em> is shown at the centre of the exhibition. This was made in collaboration with data analyst Vladan Joler who, with the consent of the artists, received all their emails exchanged over the last 13 years (over 70,000 personal emails sent and received between 2007 and 2017) and several months of browsing history.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46506 size-full\" title=\"Eva e Franco Mattes, \u00abWhat Has Been Seen\u00bb, 2017, embalmed cat, microwave, deleted hard drive, 54 x 44 x 68 cm\" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/5_EvaeFrancoMattes.jpg\" alt=\"\" width=\"600\" height=\"800\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/5_EvaeFrancoMattes.jpg 600w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/5_EvaeFrancoMattes-375x500.jpg 375w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>The video collects and analyses this enormous wealth of information revealing often intimate details of the two artists\u2019 private lives, such as political or culinary preferences, work routines, places visited and homes they have lived in.\u2028In the same way that social media, government agencies, banks and smartphone applications constantly review, extract, organise and sell all our data with the aim of influencing our behaviour, generating profit and political consensus.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46498 size-full\" title=\"Eva e Franco Mattes, \u00abPersonal Photographs\u00bb, 2019, installations, variable dimensions, exhibition view Team Gallery, photo by Jeff McLane \" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes.jpg 1200w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes-620x413.jpg 620w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes-768x512.jpg 768w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes-1024x683.jpg 1024w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes-750x500.jpg 750w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/1_EvaeFrancoMattes-1140x760.jpg 1140w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<p>In addition to the video, <em>Personal Photographs<\/em>, a large installation consisting of a cable tray network, unfolds throughout the entire space of the Careof exhibition. These usually invisible industrial infrastructures are visibly present here. Suspended from the ceiling, the cables descend to waist level, limiting visitors\u2019 movements. Interacting with existing structures, they mirror the assimilation of the Internet into everyday life.\u2028Hidden from the human eye, dozens of private photos taken by the artists constantly circulate inside the cables. Invisible, yet constantly present images thus contribute to the formulation of what Byung-Chul Han defines as \u201cthe digital surveillance society, which has access to the collective unconscious.\u201d*<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-46500\" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/2_EvaeFrancoMattes.jpg\" alt=\"\" width=\"533\" height=\"800\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/2_EvaeFrancoMattes.jpg 533w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/2_EvaeFrancoMattes-333x500.jpg 333w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/p>\n<p><em>My Little Big Data <\/em>is a project promoted by The Blank Contemporary Art, winner of the third edition of the Italian Council competition (2018), created by the Directorate General for Contemporary Art and Architecture and Urban Suburbs (DGAAP) of the Ministry for Cultural Heritage and Activities to promote Italian contemporary art in the world. The exhibition is supported by Fotomuseum Winterthur and the Athens Biennale, with the collaboration of GAMeC &#8211; Modern and Contemporary Art Gallery of Bergamo, the Italian Cultural Institute of Barcelona, Goldsmiths University in London and the New School University in New York.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-46508 size-full\" title=\"Eva e Franco Mattes, New York, 2019, Photo by Laurel Golio\" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes.jpg 1200w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes-620x413.jpg 620w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes-768x512.jpg 768w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes-1024x683.jpg 1024w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes-750x500.jpg 750w, https:\/\/www.arshake.com\/wp-content\/uploads\/2019\/09\/6_EvaeFrancoMattes-1140x760.jpg 1140w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<h6>Eva and Franco Mattes, both born in Brescia in 1976 currently living and working in New York, are a duo also known as <em>0100101110101101.org<\/em>, that has been collaborating since 1995. They are considered among the leading representatives of Net Art. Their works emerge from their exceptional ability to understand and use new media. For over 20 years they have constantly produced artworks which explore and respond to our hyperconnected life styles while exposing, often with black humour, the most profound ethical and political implications. Their work has been exhibited at SFMoMA, the Museum of Contemporary Art in Chicago, the Mori Art Museum in Tokyo, the 20th Biennale of Sydney, the Whitechapel Gallery in London, Performa in New York, MoMA PS1 in New York, the New Museum in New York, Manifesta in Frankfurt and the Venice Biennale. They are recipients of the Creative Capital Award and the Walker Art Center\u2019s Jerome Commission.<\/h6>\n<hr \/>\n<h6 style=\"text-align: center;\">Eva e Franco Mattes. <em>My Little Big Data<\/em>, a cura di\u00a0Martina Angelotti e Stefano Raimondi,\u00a027.09.2019 al 10.11.2019<br \/>\nOpening 26.09.2019 \u2013 ore 18.30<\/h6>\n<hr \/>\n<p><em>images:\u00a0(cover 1-3-4) Eva e Franco Mattes, \u00abPersonal Photographs\u00bb, 2019, installations, dimensioni variabili, exhibition view Team Gallery, photo by Jeff McLane (2) Eva e Franco Mattes, \u00abWhat Has Been Seen\u00bb, 2017, gatto imbalsamato, forno a microonde, hard drive cancellato, 54 x 44 x 68 cm (5) Eva e Franco Mattes, New York, 2019, Photo by Laurel Golio<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eva and Franco Mattes, alias 0100101110101101.org, are back in Italy with My Little Big Data, a project promoted by The Blank Contemporary Art, winner of the third edition of the Italian Council competition.<\/p>\n","protected":false},"author":17,"featured_media":46503,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"0","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending"},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[5393,5376],"tags":[7117,5406,7119,7112,5985,7113,5409,7118,7115,7114,7116],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Eva and Franco Mattes. 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