{"id":76258,"date":"2024-08-07T19:34:53","date_gmt":"2024-08-07T17:34:53","guid":{"rendered":"https:\/\/www.arshake.com\/?p=76258"},"modified":"2024-08-09T08:02:29","modified_gmt":"2024-08-09T06:02:29","slug":"re-exhibit-she-wolves_erotism-love-body","status":"publish","type":"post","link":"https:\/\/www.arshake.com\/en\/re-exhibit-she-wolves_erotism-love-body\/","title":{"rendered":"Re-Exhibit She \u2013 Wolves_Erotism > Love > Body"},"content":{"rendered":"<p>The exhibition \u201cShe \u2013 Wolves_Erotism &gt; Love &gt; Body\u201d, curated by Laura Leuzzi at <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/rewind.ac.uk\/re_exhibit\/\" target=\"_blank\" rel=\"noopener\">Re_Exhibit_ Rewind Online Gallery<\/a><\/span>, is as fluctuating as the video art it exhibits and presents, and is open to the public 31 August 2024. Perhaps &#8216;open\u2019 is not the best word to use, given that the exhibition is totally digital, accessible through a link that transcends the concept of openness and closure. However, the root of its meaning can be found in the path of the Internet user, an immaterial adventurer in his own online double, wandering in the void filled with anything and everything.<\/p>\n<p>The works exhibited are incredibly at ease in this immaterial space, as they too are immaterial, even though their immateriality is very different and far removed from that which we are accustomed to today. This is an analogue immateriality, digitally translated, which presupposes a support, which can be seen in the ripples of the translated from its negative, thus connecting its ontology to a reality which is much more vivid than the aseptic digital space in which we are immersed, and slightly more than the last work on display, the fifth, which after a battery of sensual, historicised works reconnects us with the contemporary, with a technical and conceptual expression that is so different and yet so akin to the video experiments of the 1970s and 1980s that we have previously experienced.<\/p>\n<p>Laura Leuzzi structures a route made up of stages, a sort of corridor where we walk through the micro-movement of scrolling, consisting of doors that are meditative openings into women&#8217;s video experimentation. The meaning of this route is made clear by the very title of the exhibition.\u00a0 Inspired by Clarissa Pinkola Est\u00e8s&#8217; famous book <em>Woman who runs with the wolves<\/em> (1992) and the figure of the she-wolf, the exhibition shows us a free female body, pure sexuality, and an exploration of eroticism, love and the body itself. An eroticism, therefore, doubly linked to the macro-concept of Nature &#8211; a purely feminine limpid sexuality, free of any superstructure.<\/p>\n<p><span style=\"text-align: center; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">In this cerebral, pseudo-physical exploration, we come across <\/span>Antoine Frank Grahamsdaughter<span style=\"text-align: center; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">&#8216;s first video work, <\/span><em style=\"text-align: center; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Transit <\/em><span style=\"text-align: center; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">(1986) with its saturated, acid colours and the vision of a bare-breasted woman, which alternates between a boa and a wolf. The woman establishes visual links with the two animals: she becomes a snake, harking back to the biblical lost paradise, and then a she-wolf, a wild woman and dominatrix of the city environment &#8211; Brussels echoing among the plagues of images.<\/span><\/p>\n<p><a href=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Lone-Ranger-SD-2024-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-76243 size-full\" title=\"Antonie Frank Grahamsdaughter ,\u00abTransit\u00bb, 1986, still from video \" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Lone-Ranger-SD-2024-copy.jpg\" alt=\"\" width=\"720\" height=\"576\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Lone-Ranger-SD-2024-copy.jpg 720w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Lone-Ranger-SD-2024-copy-620x496.jpg 620w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a>We then move on to Lydia Schouten&#8217;s lively and playful first work <em>The Lone Ranger Lost in the Jungle of Erotic Desire<\/em> (1981), which depicts the artist\u2019s joyful freedom as she experiences the environment &#8211; a colourful and artificial cardboard jungle &#8211; by rolling naked over sand paintings in a kind of tribal dance, destroying them and transforming them into her own experience. The depicted image becomes the result of the artist&#8217;s actions.<\/p>\n<p><a href=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Kraus-Motovun-copy2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-76241 size-full\" title=\"Lydia Schouten, \u00abThe Lone Ranger Lost in the Jungle of Erotic Desire\u00bb, 1981 , still from video \" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Kraus-Motovun-copy2.jpg\" alt=\"\" width=\"720\" height=\"576\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Kraus-Motovun-copy2.jpg 720w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Kraus-Motovun-copy2-620x496.jpg 620w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a>The video work by the painter \u017diva Kraus, <em>The Motovun Tape <\/em>(1976), is much more reflective and less light-hearted than the previous work, and poetically shows us how the artist&#8217;s body, more specifically the hand, becomes an instrument for exploring the world around it. Its sensual caressing of Motovun&#8217;s city walls opens up an inner, personal exploration that is also steeped in historical memory.<\/p>\n<p><a href=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-76247 size-full\" title=\") Maria Vedder e Bettina Gruber, \u00abMamas Little Pleasure\u00bb, 1984, still from video\" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2.jpg\" alt=\"\" width=\"1354\" height=\"1080\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2.jpg 1354w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2-620x495.jpg 620w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2-1024x817.jpg 1024w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2-768x613.jpg 768w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2-1320x1053.jpg 1320w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2-750x598.jpg 750w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/07\/Mamas-Little-pleasure-2-1140x909.jpg 1140w\" sizes=\"(max-width: 1354px) 100vw, 1354px\" \/><\/a>Irony and playfulness make a powerful return in Maria Vedder and Bettina Gruber&#8217;s video work, <em>Mama&#8217;s Little Pleasure <\/em>(1984). In this work, accompanied by music written by Gruber, Vadder explores the themes of eroticism and sexuality by first playing a sailor and then a dancer in a small arranged set. Her gestures, poses and glances, together with the props and the lyrics of the songs we listen to, even the dog included in the work, all contribute to a true thesis that rejects the stereotype and undoes the religious preconception linking sex with love.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-76442\" title=\"Elisabetta di Sopra, \u00abSenza Tracce\u00bb, 2023, still from video\" src=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-620x349.jpg\" alt=\"\" width=\"1300\" height=\"731\" srcset=\"https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-620x349.jpg 620w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-1024x576.jpg 1024w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-768x432.jpg 768w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-1536x864.jpg 1536w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-1320x743.jpg 1320w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-750x422.jpg 750w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1-1140x641.jpg 1140w, https:\/\/www.arshake.com\/wp-content\/uploads\/2024\/08\/senza_tracce-copy-1.jpg 1920w\" sizes=\"(max-width: 1300px) 100vw, 1300px\" \/><\/p>\n<p>Finally, the exhibition ends with the 2023 video by Elisabetta Di Sopra, which makes a connection with contemporary artistic reflections, to point out that what we are experiencing is not archaeology. It was not born and neither did it end in the past, but exploded with an incredible energy half a century ago to become an indispensable witness of present reflections, the starting point of a fundamental and unresolved reasoning. In this video, the artist, a shamanic figure, walks barefoot in the Wadi Rum desert in Jordan to explore the dunes, experiencing the world through her body and entering into dialogue with the sand through her footprints, which she eventually erases with a cloth and, at the same time, disappears in the smear of that erasure which has eliminated her presence (the footprints) but not her living experience (the smear is not total absence).<\/p>\n<p>\u201cInspired by the famous book by Clarissa Pinkola Est\u00e8s,\u00a0<em>Women who run with the wolves<\/em>, this small, curated selection engages with the notion of a woman that unleashes the power of an ancient female archetype: \u201cA healthy woman is much like a wolf: robust, chock-full, strong life force, life-giving, territorially aware, inventive, loyal, roving.\u201d<\/p>\n<p>This creature \u2013 as portrayed by Pinkola Est\u00e8s \u2013 is fired up by a heat that is not limited to sexual arousal but is expanded to an \u201cintense sensory awareness\u201d which includes her sexuality. All her senses \u2013 taste, touch, sound, sight and much more \u2013 are activated by stimuli.\u201d<\/p>\n<p>This is what we read in the introduction to the exhibition written by Leuzzi, catapulting us into illuminating feminist demands, an example of an exhibition that appears to us as pure and to the point, a bearer of meaning in a reality that is, perhaps, too often confused.<\/p>\n<h6 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/rewind.ac.uk\/re_exhibit\/re_exhibit-she-wolves_erotismlovebody\/#1707929092358-4d68edc5-1659\" target=\"_blank\" rel=\"noopener\">Re-Exhibit She \u2013 Wolves_Erotism &gt; Love &gt; Body, online exhibition at \u00a0Re_Exhibit_ Rewind, curated by Laura Leuzzi ( art historian and curator, currently Chancellor&#8217;s Fellow at RGU, Aberdeen), until Agust 31 2024<\/a><br \/>\n<\/span>Artists: Elisabetta Di Sopra, <span class=\"NormalTextRun SCXW88308593 BCX8\">Antonie<\/span><span class=\"NormalTextRun SCXW88308593 BCX8\">\u00a0Frank\u00a0<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW88308593 BCX8\">Grahamsdaughter<\/span><span class=\"NormalTextRun SCXW88308593 BCX8\">, Bettina Gruber,\u00a0<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW88308593 BCX8\">\u017diva<\/span><span class=\"NormalTextRun SCXW88308593 BCX8\">\u00a0Kraus, Lydia\u00a0<\/span><span class=\"NormalTextRun SCXW88308593 BCX8\">Schouten<\/span><span class=\"NormalTextRun SCXW88308593 BCX8\">\u00a0and Maria Vedder<\/span><\/h6>\n<h6><span class=\"TextRun SCXW1132462 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1132462 BCX8\">This exhibition develops from materials and interviews collected during\u00a0<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">previous<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">\u00a0AHRC projects including\u00a0<em>EWVA European Women\u2019s Video Art<\/em>\u00a0(2015-18) and\u00a0<\/span><em><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1132462 BCX8\">REWIND<\/span><\/em><\/span><em><span class=\"TextRun SCXW1132462 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SpellingErrorV2Themed SCXW1132462 BCX8\">Italia<\/span>\u00a0<\/span><\/em><span class=\"TextRun SCXW1132462 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1132462 BCX8\">(2011-14); and is<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">\u00a0inspired by<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">\u00a0Leuzzi\u2019s\u00a0<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">work with Diana Georgiou and Giulia Casalini<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">,<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">\u00a0as well as<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">\u00a0a recent\u00a0<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">chapter for the upcoming book\u00a0<\/span><\/span><em><span class=\"TextRun SCXW1132462 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1132462 BCX8\">Wives,\u00a0<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">Witches<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">, and Whores<\/span><\/span><\/em><span class=\"TextRun SCXW1132462 BCX8\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW1132462 BCX8\">, edited by Helen Go<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">r<\/span><span class=\"NormalTextRun SCXW1132462 BCX8\">rill, published by Bloomsbury.\u00a0<\/span><\/span><span class=\"EOP SCXW1132462 BCX8\" data-ccp-props=\"{}\">\u00a0<\/span><\/h6>\n<p><em>images:(cover 1) Antonie Frank Grahamsdaughter\u00a0,\u00abTransit\u00bb, 1986, still from video (2) Lydia Schouten, \u00abThe Lone Ranger Lost in the Jungle of Erotic\u00a0Desire\u00bb, 1981\u00a0, still from video \u00a0(3) \u017diva Kraus, \u00abMotovun Tape\u00bb, 1976, still from video (4) Maria Vedder e Bettina Gruber, \u00abMamas Little Pleasure\u00bb, 1984, still from video (5) Elisabetta di Sopra, \u00abSenza Tracce\u00bb, 2023, still from video<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fabio Giagnacovo&#8217;s reflections on the online video art exhibition Re-Exhibit She &#8211; Wolves_Erotism > Love > Body, curated by Laura Leuzzi and visible on the Rewind platform until 31 August, 2024.<\/p>\n","protected":false},"author":105,"featured_media":76254,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored 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