Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

    Il Pianeta Mente / The Planet Mind

    Il Pianeta Mente / The Planet Mind

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

    Il Pianeta Mente / The Planet Mind

    Il Pianeta Mente / The Planet Mind

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

Digitalive 2021

The section at the Romaeuropa Festival dedicated to the recognition of artistic expression in the field of digital culture, curated by Federica Patti.

Arshake by Arshake
28/09/2021
in Events, exhibitions, focus
Digitalive 2021

“What is it like to take part in a virtual reality show, inside the body of one of the characters in the story? Can software decode emotions or the expressiveness of the human body? What happens to our brain during experiences that fall on the margins of perception? How can one empathise with big contemporary digital platforms? What does it mean to be human in a world where increasingly intelligent computers are taking over tasks and duties that used to belong to humans?”

These are the questions behind the fourth edition of Digitalive which, in the project curated by Federica Patti and supported by the 9th edition of the Italian Council, focuses on “the many variations of multimedia liveness” in the post-human sphere, centring on liminal spaces.

The programme started with a rewriting of Così è (se vi pare) – Right You Are (If You Think So) – by Luigi Pirandello, adapted for virtual reality. “Così è (o mi pare) – Pirandello in VR”, by and featuring Elio Germano, is a transposition of the Sicilian author’s text into modern society, inviting the audience to literally step into the shoes of one of the characters and into the apartment.

fuse* returned with an online performance, Sál | Rite, the third chapter of the live-media performance trilogy aimed at experiencing the limits of perception. Participants are motionless but, when visualised, their mental activity appears extremely dynamic and creative.

The organization Umanesimo Artificiale staged Via Flaminia: The Nature of the Artificial, an artistic investigation of the ancient Roman road that from 219 BC connects/ed Rome to the Roman colony Fanum Fortunae (now Fano), translated into an audio-visual project.

Mara Oscar Cassiani, a Wi-Fi-based artist, continued her anthropological investigation into web culture and subculture. Included in the various habitats of La Fauna 2k20 (the first was presented online during REf2020), I Am Dancing in a Room pursues the contemporary life of online micro choreography, combining the web inhabitants’ gestures and habitats.

On 26 September, Francesco Luzzana, winner of the second edition of the RE:Humanism Art Prize, presented his lecture-performance suspended between the real and the virtual. Object Oriented Choreography (WISIWYG) was an attempt to empathise with the non-human realities of the big contemporary digital platforms, which Luzzana defines as “the zone”. The zone can equally be a quasi-automated Amazon warehouse or a space dedicated to virtual reality, where one can answer the questions this relationship poses and understand the new “hyperobjects” in human terms.

On the same evening, Berlin-based Italian musician and sound designer Marta De Pascalis presented her latest production Sonus Ruinae live at the Mattatoio. This is a continuation of her experiments with tape loops and analogue synthesis, released in September 2020 by the Berlin-based experimental label Morphine Record.

Over the course of a month, Dutch artist Coralie Vogelaar (23 September – 25 October) stimulates a reflection on the human-machine relationship with Facial Action Coding System (2018), where she trains a person to control her 44 facial muscles, subjecting facial mutations to the software for recognition of emotions. The dance of Infinite Posture Dataset (2020) challenges ideas of technological progress.

Themes and reflections on man and machine, are crossed also by a variety of sound expressions and performances, such as the ones by Colin Benders (25 September), founder of the award-winning Kyteman Orchestra reknown fro his his unique use of modular synthesisers, by London-based eclectic Italian producer Not Waving, who will present his album Pitchfork (3 October), and by Donato Dozzy and singer-songwriter Eva Geist, who will close the show on 9 October with Il quadro di Troisi, a tribute to the 1980s Italian music scene.

Digitalive a Romaeuropa Festival 2021, a cura di  Federica Patti, 23.09 – 09.10.2021
Mattatoio, Auditorium online
You can find here the complete and updated program of the event

images: (cover 1)Fuse – Sal Rite (2) Coralie Vogelaar – foto (3) Elio Germano – Pirandello in VRP. ph. Nuri  (4) UMANESIMO ARTIFICALE  (5) Mara Oscar Cassiani – La Fauna 2k20 (6) Francesco Luzzana – Object Oriented Choreography (WISIWYG) (7) Marta De Pascalis – ph. Massimo Pegurr (8) Colin Benders

 

 

Tags: arsarshakeDIGITALIVEFederica PattimusicperformanceRomaeuropa Festivaltransdisciplinarytransmediavirtual reality
ShareTweetShareSend
Previous Post

FRAME > Rainbow machines

Next Post

Recurrent Morphing Radio

Next Post
Recurrent Morphing Radio

Recurrent Morphing Radio

CALLS

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022
Call for submissions> ISPA (Italian Sustainability Photo Award)
Calls

Call for submissions> ISPA (Italian Sustainability Photo Award)

17/02/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.