Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Interview | Giulia Spernazza

    Interview | Giulia Spernazza

    Jaye Rhee at the Festival of Time

    Jaye Rhee at the Festival of Time

    Mutations at CUBO

    Mutations at CUBO

    Weather Engines at Onassis Stegi

    Weather Engines at Onassis Stegi

    Interview | Domenico Quaranta

    Interview | Domenico Quaranta

    Ars Electronica. Digital Museum Incubator

    Ars Electronica. Digital Museum Incubator

    Cristian Rizzuti. ECCE HOMO

    Cristian Rizzuti. ECCE HOMO

    Dialogue: James Bridle and Jonas Staal

    Dialogue: James Bridle and Jonas Staal

    Cristian Rizzuti. Vanishing Points at VOGA

    Cristian Rizzuti. Vanishing Points at VOGA

  • FRAME
    FRAME > Waste I – 4

    FRAME > Waste I – 4

    FRAME > All the Light You See

    FRAME > All the Light You See

    FRAME > Diplomazija astuta

    FRAME > Diplomazija astuta

    FRAME > VIGIL

    FRAME > VIGIL

    FRAME > Telemedicine

    FRAME > Telemedicine

    FRAME > Angry Sugar

    FRAME > Angry Sugar

    FRAME > SUN SIGNALS

    FRAME > SUN SIGNALS

    FRAME > Dark Suns Bright Waves

    FRAME > Dark Suns Bright Waves

    FRAME > Phantom as Other

    FRAME > Phantom as Other

  • VIDEO POST
    VIDEO POST > New Campo Marzio

    VIDEO POST > New Campo Marzio

    VIDEO POST > Living Architecture

    VIDEO POST > Living Architecture

    VIDEO POST > Cryptochrochet

    VIDEO POST > Cryptochrochet

    VIDEO POST > Chroma III

    VIDEO POST > Chroma III

    VIDEO POST > MB-CO2

    VIDEO POST > MB-CO2

    VIDEO POST > Speculative AI

    VIDEO POST > Speculative AI

    VIDEO POST > REFLECTION

    VIDEO POST > REFLECTION

    VIDEO POST > Pendule Acoustique

    VIDEO POST > Pendule Acoustique

    VIDEO POST > We Harvest Wind

    VIDEO POST > We Harvest Wind

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Interview | Giulia Spernazza

    Interview | Giulia Spernazza

    Jaye Rhee at the Festival of Time

    Jaye Rhee at the Festival of Time

    Mutations at CUBO

    Mutations at CUBO

    Weather Engines at Onassis Stegi

    Weather Engines at Onassis Stegi

    Interview | Domenico Quaranta

    Interview | Domenico Quaranta

    Ars Electronica. Digital Museum Incubator

    Ars Electronica. Digital Museum Incubator

    Cristian Rizzuti. ECCE HOMO

    Cristian Rizzuti. ECCE HOMO

    Dialogue: James Bridle and Jonas Staal

    Dialogue: James Bridle and Jonas Staal

    Cristian Rizzuti. Vanishing Points at VOGA

    Cristian Rizzuti. Vanishing Points at VOGA

  • FRAME
    FRAME > Waste I – 4

    FRAME > Waste I – 4

    FRAME > All the Light You See

    FRAME > All the Light You See

    FRAME > Diplomazija astuta

    FRAME > Diplomazija astuta

    FRAME > VIGIL

    FRAME > VIGIL

    FRAME > Telemedicine

    FRAME > Telemedicine

    FRAME > Angry Sugar

    FRAME > Angry Sugar

    FRAME > SUN SIGNALS

    FRAME > SUN SIGNALS

    FRAME > Dark Suns Bright Waves

    FRAME > Dark Suns Bright Waves

    FRAME > Phantom as Other

    FRAME > Phantom as Other

  • VIDEO POST
    VIDEO POST > New Campo Marzio

    VIDEO POST > New Campo Marzio

    VIDEO POST > Living Architecture

    VIDEO POST > Living Architecture

    VIDEO POST > Cryptochrochet

    VIDEO POST > Cryptochrochet

    VIDEO POST > Chroma III

    VIDEO POST > Chroma III

    VIDEO POST > MB-CO2

    VIDEO POST > MB-CO2

    VIDEO POST > Speculative AI

    VIDEO POST > Speculative AI

    VIDEO POST > REFLECTION

    VIDEO POST > REFLECTION

    VIDEO POST > Pendule Acoustique

    VIDEO POST > Pendule Acoustique

    VIDEO POST > We Harvest Wind

    VIDEO POST > We Harvest Wind

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Donato Piccolo. Caos, the Form of Time and Space

Elena Giulia Abbiatici by Elena Giulia Abbiatici
17/06/2014
in focus

Spiderman_DPiccolo-119

Spider Man is Donato Piccolo’s experimental «happening» hosted at Rome’s MACRO museum on Tuesday 10 June to conclude the Spring 2014 cycle of Martedì Critici, a talk-format dedicated to in-depth looks at a personalities from the art world: artists, critics and art dealers. A kind of tradition, Martedi Critici has been scheduled every Tuesday for the past 4 years.

This Spider Man is a metaphor for an explosive flight, the crazed flight of a dreamy memory. The flight of six small helicopters activated in the hall on Via Nizza with a mineral (potassium) that is highly reactive to air and water until they self-destruct in a pool. A very loud noise that has reached absolute frequencies and large clouds of smoke. Air sculptures which have taken form in only a few seconds. Condensed time and occupied space. To show that time is form in a representation that was initially space.

Spiderman_DPiccolo-177

An explosive show that is dramatic and even potentially dangerous like a track between life and death – which is precisely what Piccolo wants to insinuate. The Mystery Circle Explosion by Cai Guo-Qiang created at the Museum of Contemporary Art (MOCA) in Los Angeles in 2012 keeps coming to my mind. The nature of the explosion is different but the effect is similar – the fascination and reflection it gives rise to.

What they have in common is an interest for the hidden forces of the physical and metaphysical universe and an echo of natural and supernatural phenomena. The entire space and time are compressed in a work that fits splendour and unpredictability together, the beginning and end. Chaos.

Chaos as in cause and effect.

Chaos as in risk, as in life.

There is no space to live opaquely; there is no more room for cultural fatigue.

Performed at Rome’s MACRO Museum, it acquired the meaning it had to. The importance that is the overall urgency for a release of tension and energy that all «workers of art» have been requesting for some time now to the city’s institutions – perhaps mistakenly, because even in virtue of the request itself – you are always the one doing the asking from a position of inferiority and it is always being received by a condition of power and therefore without listening closely.

Spiderman_DPiccolo-181

Pirandello surfaced again on my bookshelf two days ago with his Il Fu Mattia Pascal. Living as a dead person, in secret, was nothing more than an illusion of freedom and in the end Mattia Pascal (who, in the meantime, had changed his name to Adriano Meis) chooses to regain his original name, hazarding the rejection of his family, family-based difficulties, personal finances on the edge of a precipice and the law. He puts his life in jeopardy even if he is little more than the shadow of a man. «The dead do not have to die anymore and I do: I am still alive for death and already dead for life. What kind of life could mine ever be?» Immerging oneself in chaos and generating something that disturbs the normal order of things. The late Mattia Pascal also said that «Between those who give in to living as slaves and those who take on the role of master, even with presumption, my sympathy is for the latter».

Spiderman_DPiccolo-183

This is the representation of human beings who push beyond all possible limits, who dare to try exceptional trajectories that are not governable. It is the will to build a hyperbolic machine with the risk of failure. Spider man leads us back to the coupling of matter-reality: an operation that is so obvious due to the visual and sound effects in themselves, yet so abstract due to the causes that triggered it. In the meantime, in our chaos we keep the theatrical sense that such a dynamic has activated alive.


Images (all)

Donato Piccolo, Spider Man, performance realised on the occasion of the closure of the cicle of encounters «I Martedi Critici», curated by Alberto Dambruoso and Guglielmo Gigliotti at  MACRO Museum, Rome, June 2014, photos by Sebastiano Luciano. 

ShareTweetShareSend
Previous Post

Pas de deux. The avant-garde of motion

Next Post

Marco Cadioli. «Squares with Concentric Circles»

Next Post

Marco Cadioli. «Squares with Concentric Circles»

CALLS

Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022
Call for submissions> ISPA (Italian Sustainability Photo Award)
Calls

Call for submissions> ISPA (Italian Sustainability Photo Award)

17/02/2022
Call for submissions > Residenze Digitali
Calls

Call for submissions > Residenze Digitali

01/02/2022
Call for submissions: Blitz
Calls

Call for submissions: Blitz

17/11/2021

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.