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Marco Cadioli - The Whirlpool
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Home Special Project

Special Project # 3. Girolamo Marri – Jelly Ghosts

Arshake by Arshake
26/04/2018
in Special Project
Conferma iscrizione

Arshake’s banner presents its third special project, Jelly Ghosts, by polyhedric artist Girolamo Marri, who tirelessly experiments with a variety of techniques and supports, following on his philosophical and anthropological interests.  His metaphorical creativity and predisposition to verbal – visual narration is expressed through performance as well as video, photography, painting and writing. Words, whether integrated into the work – as in his series of acrylics on canvas presented for his first solo exhibition at Rome’s Café Europe Centre for Contemporary Art  in 2011 –  or just used for titling, are to be considered in his practice as important as the works’ visual components – regardless of the expressive means used to shape them. Words, as well as paintings, video and photographs, can take on a performative nature and spirit. And performance can become a dynamic externalization of a philosophical approach that revolves around emotion and intuition. On the other hand, technical means can occasionally become an expressive instrument through the distortion of a narration. For example, in his recent installation/performance Nine Gentle Ghosts (2014), it is by editing the video-documentation according to a non linear narrative, that the artist is able to underline the relativity of concepts of «instant», «before» and «after».

As in other previous works, in Jelly Ghosts Marri explores the idea of communication, and the use of conventional signs as well as the concept of time as a human fabrication. The banner is a vehicle through which he penetrates the intimate sphere of the viewer, establishing a contact, a foreword to something that could potentially happen.  In his exploration of ritualistic canons that articulate the «beginning» of everything, Marri invites us to become a part of an infinite  reformulation of the very same situation – different each time the page is refreshed, according to a random selection made by a software.

Arshake is a project dedicated to art and technology the focus of which extends to a wider cultural context with an interdisciplinary approach. The first two projects which inaugurated the banner’s space – Oltre l’attesa / Beyond the Wait by Cristian Rizzuti and Fourth Dimension Banner by Chiara Passa – brought the creativity of both artists to a space that is an «alternative» to the exhibition space, defining it on the basis of new spatio-temporal coordinates.

In a creative expression very similar to generative and filmed performances, Oltre l’attesa prepared us to look at the banner like a generative canvas upon which images, every day different, took form in real time. The Fourth Dimension Banner by Chiara Passa immersed us in the architecture of that liminal zone known as the interface – of which the banner is part -, thin film or a technological skin that has overcome its role as boundary between the inner and outer worlds, much like natural skin. Jelly Ghosts continues to explore and define the banner’s space. This time, Girolamo Marri will be inhabiting the space for two months, impersonating situations that will appear and disappear to the rhythm of the spectator’s log-on to the website.

Girolamo Marri is a UK based Italian artist. Before moving to London, where he is currently getting his Masters in Performance and Sculpture at the Royal College of Art, he lived in Shanghai, in Bruxelles (where he studied illustration at the Saint-Luc Institute des Arts) and again in London, where he received a degree in Fine Arts at the Central Saint Martins College of Art in 2006. Some of the festivals, galleries and institutes that have hosted his works are: Walden Affairs, The Hague (The Netherlands, 2014); I.D. Town ( Shenzhen, China, 2014); The Farringdon Factory (London, 2013); OV Gallery, (Shanghai, 2011 – 2013 – 2010); Palazzo Ducale, Genoa / Castel dell’Ovo, Naples (2012); NASA/SMART Project Space (Amsterdam, 2012); Shanghai Art Gallery (Shanghai, 2012); I.U.A.V (Venice, 2011); Italy Pavilion – Padiglione Italia nel mondo, Istituto Italiano di Cultura – (Shanghai, 2011); Café Europe (Rome, 2011); Space (Kathmandu 2010); offiCina (Beijing 2008-2010); Bonington Gallery (Nottingham 2009); 53rd Venice Biennale – side event (Isola della Certosa, Venice 2009); Shanghai Zendai MoMa (Shanghai 2008); Whitechapel Gallery (London 2008); Elevator Gallery (London 2007); Davies St Gallery (London 2006).
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Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

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Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

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