Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Alicia framis rotterdam

Arshake by Arshake
16/01/2019
in exhibitions, focus
Alicia framis rotterdam

Is My Body Public? is a collection that explores the borders between what is public and private in our everyday lives. The dresses resemble the aesthetics of women’s lingerie but are in fact banners for demonstration. The text ‘Is my Body Public’ is embroidered on every dress in 15 different languages, representing women worldwide. The fabric of the dresses is very fragile, and the work is subtle, but the message is strong. With Is My Body Public?, Framis questions what is public and what is still private in today’s world. The issues of privacy and body politics that Framis discusses in this work take on a different, more specific meaning for women.

The dresses offer a tool for women to explore different, playful ways of demonstrating important issues such as (systematic) sexism. By working together with women from different backgrounds in the performance the work gains a participatory and global character.

Framis often starts out from actual social dilemmas to develop novel settings and proposed solutions. She develops platforms for creative social interaction, often through interdisciplinary collaboration with other artists and specialists across various fields. The work can be seen as a social comment on gender patterns in our society nowadays. It deals not only with the more serious cases of sexual harassment but also with the general attitude that still exists amongst many men who think it is acceptable to harass or catcall women in the street. Some forms of sexism and ways of speaking about women are so engrained into our society that we hardly notice them anymore or brush them off as ‘locker room banter’. There are myriad ways in which women try to protect themselves in their everyday lives against sexual harassment and violence and these dresses make us aware of this crude reality. Framis employs elements of technology, activism and performance in this new work. With LifeDress she aims to bring women together and open the debate. Within this collection, the action is in the dresses itself, that blow up like an airbag when the wearer is inappropriately touched, confronting the perpetrator with the embarrassing realisation that what he is doing is not acceptable. The surprise occurrence is meant to set him straight. In this way, Framis discusses a serious issue, but through a surrealistic act.

The LifeDress collection is connected to Framis’ Anti_dog collection, that consisted of 23 pieces of clothing made from bullet-proof material to protect women, against violence, and with which Framis represented the Netherlands in 2003 at the Venice Bienal. Framis introduced this collection after being faced with racism while she was living in Berlin. With the dresses Framis wanted to talk about violence against women in general. The dresses were worn by women during performance protests in, amongst others, the cities of Berlin, Amsterdam, Madrid, Birmingham, Helsingborg, Venice, Barcelona, Istanbul and Paris.


Alicia Framis, Forbidden Collections, Upstream Gallery, Rotterdam, 23.11.2018 – 08.02.2019

images: (cover 1) Alicia Framis, «Is My Body Public? (Dutch)», 2018. Courtesy the artist and Upstream Gallery, Amsterdam (2) Alicia Framis, «LifeDress», 2018. Installation view of exhibition Forbidden Collections.Photo: Gert Jan van Rooij. Courtesy the artist and Upstream Gallery, Amsterdam (3) Alicia Framis, «Is My Body Public?», 2018. Performance during Amsterdam Art Weekend, 23 November 2018. Photo: Maarten Nauw. Courtesy the artist and Upstream Gallery, Amsterdam.

 

 

Tags: Alicia Framisarshakedigital eraexhibitionfashioninstallationprivatepublic
ShareTweetShareSend
Previous Post

Call for artists > ADDIS VIDEO ART FESTIVAL

Next Post

Virtual Natives Sculpture at Roehrs & Boetsch Gallery

Next Post
Virtual Natives Sculpture at Roehrs & Boetsch Gallery

Virtual Natives Sculpture at Roehrs & Boetsch Gallery

CALLS

Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.