Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Ars Electronica 2025

    Ars Electronica 2025

    Identities Beyond Borders

    Identities Beyond Borders

    Stills of PEACE

    Stills of PEACE

    Tamara Repetto receives Premio Casati 2025

    Tamara Repetto receives Premio Casati 2025

    Dialogues across the Seas

    Dialogues across the Seas

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Cardiff & Miller at the Coimbra Biennial

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

  • FRAME
    FRAME > Ex.A.R.U.

    FRAME > Ex.A.R.U.

    FRAME > A CROWN OF EYES

    FRAME > A CROWN OF EYES

    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

  • VIDEO POST
    VIDEO POST > GUSH

    VIDEO POST > GUSH

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Céleste

    VIDEO POST > Céleste

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Ars Electronica 2025

    Ars Electronica 2025

    Identities Beyond Borders

    Identities Beyond Borders

    Stills of PEACE

    Stills of PEACE

    Tamara Repetto receives Premio Casati 2025

    Tamara Repetto receives Premio Casati 2025

    Dialogues across the Seas

    Dialogues across the Seas

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Cardiff & Miller at the Coimbra Biennial

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

  • FRAME
    FRAME > Ex.A.R.U.

    FRAME > Ex.A.R.U.

    FRAME > A CROWN OF EYES

    FRAME > A CROWN OF EYES

    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

  • VIDEO POST
    VIDEO POST > GUSH

    VIDEO POST > GUSH

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Céleste

    VIDEO POST > Céleste

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News Focus

Film streaming from The Schermo dell’Arte’s archives with MYmovies

Arshake by Arshake
24/03/2020
in Focus
Film streaming from The Schermo dell’Arte’s archives with MYmovies

“Schermo dell’arte” has formed a partnership with MYmovies and, with the added collaboration of the authors who have granted the rights, is streaming artists’ films from its archive.

From 12 March to 3 April 2020, some films from the Lo schermo dell’arte archive can be streamed for free on the MYmovies platform. So far the following artists have joined the initiative: Phil Collins, Jordi Colomer, Jeremy Deller, Rä di Martino, Rebecca Digne, Omer Fast, Flatform, Alfredo Jaar, Adrian Paci, Martina Melilli and Luca Trevisani.

Phil Collins, marxism today (prologue), 2010, 35’
Made for the Berlin Biennale 2010, marxism today (prologue) tells the story of three former teachers of Marxist-Leninist philosophy in the aftermath of the collapse of the Berlin Wall and the reunification of Germany.

Jordi Colomer, New Palermo Felicissima,Italy, 2018, 21’
The Spanish artist imagines a procession of boats going from the cove of Sant’Erasmo in Palermo along the southern coast. On board there are representatives of the city’s different communities accompanied by a foreign guide, the actress Laura Weissmahr, who recites texts by the Palermitan writer Roberto Alaimo.

Jeremy Deller, Everybody In The Place: An Incomplete History of Britain 1984-1992, United Kingdom 2018, 61’

The acid house myth as a niche music genre, the exclusive preserve of a small avant-garde of fashionable London DJs, has been completely superseded and proved false. In this film, Jeremy Deller explains, in a lecture given to some high school students in London, the birth and development of a music genre, a culture and lifestyle that changed the face of Britain forever, and places acid house at the centre of the great social transformation that took place in the country from the 80s to the early 90s.

Rä di Martino, The Show MAS Go on, Italy, 2014, 30’

This film, with a pun in the title derived from the famous song by Queen, captures the artist’s ironic intent to tell the curious story of the huge Roman warehouse MAS, an acronym for Magazzini allo Statuto, on hearing the news of its imminent closure.

Rebecca Digne, SEL, France, 2016, 4’

Filmed on Le Havre beach in a single day, when the sun rises and the sea comes in, the film is the result of a performance in which 5 actors (artists who, along with Digne, took part in the VISIO 2015 programme) carry blocks of salt, which are normally used in agriculture to prevent sodium deficiency in animals grazing on the land, to the shoreline.

Omer Fast, Continuity,<98> Germany 2016, 85’
Made for dOCUMENTA (13) in 2012, this new Continuity montage, to which 30 minutes of footage have been added, narrates the return home from Afghanistan of a young German soldier called Daniel.

Flatform, Quantum, Italy 2015, 8’

This short film, directed by Flatform, an Italian collective working between Milan and Berlin, frames a typical Italian landscape on a mountain top and shows it as a miniature.

Alfredo Jaar, Pasolini’s Ashes, 2009 38’

Pasolini’s life and his tragic death are narrated in a documentary by the Chilean artist where passages shot by Jaar alternate with sequences taken from Pasolini’s films, archive materials and interviews.

Adrian Paci, The Column, Italy, 2013, 26’

A block of marble extracted from a quarry in China is transported across the sea on a ship. During this journey, apparently without destination, the block is transformed into an elegant classical column; this is done by Chinese craftsmen, who operate with purposefulness and skill without making any mistakes, while the white dust from the working process covers their faces and the entire deck.

Martina Melilli (1987, Italy) Mum, I am sorry 2017, 16’56’’. Courtesy of the artist
The project arises from a dialogue between the artist and several migrants who survived long dangerous journeys to Europe and is the result of a collaboration with Dr. Cristina Cattaneo, an anatomopathologist and forensic anthropologist.

Luca Trevisani, Sudan, Italy, 2016, 15’

For years white rhinos have been killed by poachers because it is believed that their valuable horns have aphrodisiac benefits. Trevisan films Sudan, a rhinoceros that died in March 2018 at the age of 45 and lived for many years in Dvůr Králové Zoo, in the Czech Republic, losing its reproductive ability to continue the species due to the cold, and then later was kept in a nature reserve in Nanyuki, Kenya, protected by armed guards.


12 March – 3 April 2020

Film from The Schermo dell’Arte’s archives. Online free streaming on MYmovies

Please visit the calendar on My Movies 


images: (cover 1) Rebecca Digne, «Sel», 2016, still da video (2) Jordi Colomer, «New Palermo Felicissima», 2018, still from video (3) Jeremy Deller, «Everybody In the Place: An Incomplete History of Britain 1984-1992, 2018, still from video (4) Rä Di Martino, The Show MAS Go On, 2014,Credit Courtesy SVEVA BELLUCCI, still from video (5) Omer Fast, «Continuity», 2016, lukas-steltner @ Filmgalerie 451, still from video (6) Alfredo Jaar, «Le ceneri di Pasolini», 2009, still from video (7) Adrian Paci, «The Column», Italia, 2013, still from video (8) Martina Melilli, «Mum, I am sorry»,
2017, still from video (9) Luca Trevisani, «Sudan», 2016, Courtesy the Artist and Galerie Mehdi Chouakri, still from video

 

 

 

Tags: Adrian PaciAlfredo Jaararshakeartist moviecoronavirusfilm d'artistaFlatformJeremy DellerJordi ColomerLuca TrevisaniMartina MelilliMYmoviesOmer FastPhil CollinsRa di MartinoRebecca DigneSchermo dell’Artestreaming
ShareTweetShareSend
Previous Post

FRAME > Technological Mandala 120

Next Post

Fluxus and Experimental Poetry online with Bonotto Foundation

Arshake

Arshake

Related Posts

Ars Electronica 2025
Festivals

Ars Electronica 2025

by Arshake
12/07/2025
Identities Beyond Borders
Events

Identities Beyond Borders

by Arshake
08/07/2025

CALLS

Experimental Fellowship at Bauhaus Earth
Calls

Experimental Fellowship at Bauhaus Earth

14/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

07/05/2025
Open Call: State of the ART(ist)
Calls

Open Call: State of the ART(ist)

05/05/2025
RE:HUMANISM Art Prize 4
Calls

RE:HUMANISM Art Prize 4

18/03/2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza le preferenze
{title} {title} {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.