Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Weather Engines at Onassis Stegi

    Weather Engines at Onassis Stegi

    Interview | Domenico Quaranta

    Interview | Domenico Quaranta

    Ars Electronica. Digital Museum Incubator

    Ars Electronica. Digital Museum Incubator

    Cristian Rizzuti. ECCE HOMO

    Cristian Rizzuti. ECCE HOMO

    Dialogue: James Bridle and Jonas Staal

    Dialogue: James Bridle and Jonas Staal

    Cristian Rizzuti. Vanishing Points at VOGA

    Cristian Rizzuti. Vanishing Points at VOGA

    UpCycle. When Art Reinvents the World

    UpCycle. When Art Reinvents the World

    The Beauty of Early Life. Traces of Early Life

    The Beauty of Early Life. Traces of Early Life

    What you cannot see

    What you cannot see

  • FRAME
    FRAME > All the Light You See

    FRAME > All the Light You See

    FRAME > Diplomazija astuta

    FRAME > Diplomazija astuta

    FRAME > VIGIL

    FRAME > VIGIL

    FRAME > Telemedicine

    FRAME > Telemedicine

    FRAME > Angry Sugar

    FRAME > Angry Sugar

    FRAME > SUN SIGNALS

    FRAME > SUN SIGNALS

    FRAME > Dark Suns Bright Waves

    FRAME > Dark Suns Bright Waves

    FRAME > Phantom as Other

    FRAME > Phantom as Other

    FRAME > IMAGINE PEACE

    FRAME > IMAGINE PEACE

  • VIDEO POST
    VIDEO POST > Living Architecture

    VIDEO POST > Living Architecture

    VIDEO POST > Cryptochrochet

    VIDEO POST > Cryptochrochet

    VIDEO POST > Chroma III

    VIDEO POST > Chroma III

    VIDEO POST > MB-CO2

    VIDEO POST > MB-CO2

    VIDEO POST > Speculative AI

    VIDEO POST > Speculative AI

    VIDEO POST > REFLECTION

    VIDEO POST > REFLECTION

    VIDEO POST > Pendule Acoustique

    VIDEO POST > Pendule Acoustique

    VIDEO POST > We Harvest Wind

    VIDEO POST > We Harvest Wind

    VIDEO POST > Distributive Intelligence

    VIDEO POST > Distributive Intelligence

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Weather Engines at Onassis Stegi

    Weather Engines at Onassis Stegi

    Interview | Domenico Quaranta

    Interview | Domenico Quaranta

    Ars Electronica. Digital Museum Incubator

    Ars Electronica. Digital Museum Incubator

    Cristian Rizzuti. ECCE HOMO

    Cristian Rizzuti. ECCE HOMO

    Dialogue: James Bridle and Jonas Staal

    Dialogue: James Bridle and Jonas Staal

    Cristian Rizzuti. Vanishing Points at VOGA

    Cristian Rizzuti. Vanishing Points at VOGA

    UpCycle. When Art Reinvents the World

    UpCycle. When Art Reinvents the World

    The Beauty of Early Life. Traces of Early Life

    The Beauty of Early Life. Traces of Early Life

    What you cannot see

    What you cannot see

  • FRAME
    FRAME > All the Light You See

    FRAME > All the Light You See

    FRAME > Diplomazija astuta

    FRAME > Diplomazija astuta

    FRAME > VIGIL

    FRAME > VIGIL

    FRAME > Telemedicine

    FRAME > Telemedicine

    FRAME > Angry Sugar

    FRAME > Angry Sugar

    FRAME > SUN SIGNALS

    FRAME > SUN SIGNALS

    FRAME > Dark Suns Bright Waves

    FRAME > Dark Suns Bright Waves

    FRAME > Phantom as Other

    FRAME > Phantom as Other

    FRAME > IMAGINE PEACE

    FRAME > IMAGINE PEACE

  • VIDEO POST
    VIDEO POST > Living Architecture

    VIDEO POST > Living Architecture

    VIDEO POST > Cryptochrochet

    VIDEO POST > Cryptochrochet

    VIDEO POST > Chroma III

    VIDEO POST > Chroma III

    VIDEO POST > MB-CO2

    VIDEO POST > MB-CO2

    VIDEO POST > Speculative AI

    VIDEO POST > Speculative AI

    VIDEO POST > REFLECTION

    VIDEO POST > REFLECTION

    VIDEO POST > Pendule Acoustique

    VIDEO POST > Pendule Acoustique

    VIDEO POST > We Harvest Wind

    VIDEO POST > We Harvest Wind

    VIDEO POST > Distributive Intelligence

    VIDEO POST > Distributive Intelligence

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

KS The Man Who Smiled Too Much.

Arshake by Arshake
07/04/2020
in focus
KS The Man Who Smiled Too Much.

KS THE MAN WHO SMILED TOO MUCH, is a project by Pasquale Polidori inspired by the charm of Kurt Schwitters’ smiling face in Genia Joans’ photograph from 1926 – an expression of a personality in contrast with the intellectual exaltation of the avant-garde. Organised at the MACRO Museum (Rome) in 2019 through a series of workshops and events,  in collaboration with a number of artists, theorists and curator, it has now become an online project and archive. “Schwitters – writes Polidori –  provides us with a model of subjectivity based on openness towards the unexpected, that is a willingness to deviate from established routes and trust in a possible re-composition of banality and daily (as well as historical) disasters, as a function of poetic action, aimed both at turning materiality into forms of expression and at making reality a place of rhythmic and wide-ranging interaction between meaning and no-meaning.”  Four workshops have been organised, one each week, to analyse several documents related to Schwitters (workshop 1), to explore the theme of art history as a sentimental and fetishistic relationship with artists and their works (workshop 2) and the melancholy arising from the impossibility of it being fulfilled. Finally, the last workshop focuses on the promise of linguistic regeneration. Each of these events focused on work and research was interspersed with Conversations discussing the results and consolidating the foundations for the next workshop. The project ended with a lecture-concert KS The Man Who Smiled Too Much with a piano interpretation by Steve Natterstad, who performed in a continuous dialogue which could relate the music with what had emerged from the project. Tianyi Xu has created a sculpture of movements and actions on the scene. A choir, consisting of Luigi Battisti, Simone Compagno, Claudia Melica and Jacopo Natoli, interacts with the narrative, and a book to accompany the event with an introduction by Francesca Gallo. Now all this is collected in a project site and can be visited from the comfort of your own home, consulting the entire documentation of all the events.


KS. The Man who smiled too much


images (1-2-4-5): P. Polidori, Macroasilo, Rome, foto Enrico Colantoni (3) Steve Natterstad at the piano, concert-lecture within KS. The Man who smiled too much,curated by Pasquale Polidori, MACRO Museum, Rome, May 2019.

 

 

Tags: archivearsarshakedocumentationKurt SchwittersMACROPasquale Polidoriperformanceworkshops
ShareTweetShareSend
Previous Post

FRAME > High Plane V

Next Post

Well Now WTF?

Next Post
Well Now WTF?

Well Now WTF?

CALLS

Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022
Call for submissions> ISPA (Italian Sustainability Photo Award)
Calls

Call for submissions> ISPA (Italian Sustainability Photo Award)

17/02/2022
Call for submissions > Residenze Digitali
Calls

Call for submissions > Residenze Digitali

01/02/2022
Call for submissions: Blitz
Calls

Call for submissions: Blitz

17/11/2021

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.