FABRIZIO BELLOMO - ABBI CURA
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Peter Greenway. WE NEED A GOLEM

    Peter Greenway. WE NEED A GOLEM

    Right Under Your Nose

    Right Under Your Nose

    VIDEONALE.18: Fluid States. Solid Matter

    VIDEONALE.18: Fluid States. Solid Matter

    GAME OVER.Loading: Amerigo Mariotti

    GAME OVER.Loading: Amerigo Mariotti

    Dear You at the MAMbo … and via mail

    Dear You at the MAMbo … and via mail

    Victoria Vesna. [Alien] Star Dust: Signal to Noise

    Victoria Vesna. [Alien] Star Dust: Signal to Noise

    GAME OVER. Loading: Andrea Concas

    GAME OVER. Loading: Andrea Concas

    Oliver Ressler at the Gallery Apart

    Oliver Ressler at the Gallery Apart

    Special Project #18.  Fabrizio Bellomo: Abbi cura

    Special Project #18. Fabrizio Bellomo: Abbi cura

  • FRAME
    FRAME > ThingThingThing

    FRAME > ThingThingThing

    FRAME > Qingming

    FRAME > Qingming

    FRAME > A Heart from Space

    FRAME > A Heart from Space

    FRAME > ttos

    FRAME > ttos

    FRAME > Permanent Data

    FRAME > Permanent Data

    FRAME > GLOBAL

    FRAME > GLOBAL

    FRAME > 8 Year Long Exposure

    FRAME > 8 Year Long Exposure

    FRAME > Eclipse

    FRAME > Eclipse

    FRAME >  NUVOLA 2020

    FRAME > NUVOLA 2020

  • VIDEO POST
    VIDEO POST > A Natural History of Networks

    VIDEO POST > A Natural History of Networks

    VIDEO POST > Offset XYZ

    VIDEO POST > Offset XYZ

    VIDEO POST > Meditation

    VIDEO POST > Meditation

    VIDEO POST > TERRAGENESI

    VIDEO POST > TERRAGENESI

    VIDEO POST > The Tiranny of Birds

    VIDEO POST > The Tiranny of Birds

    VIDEO POST > HELIN

    VIDEO POST > HELIN

    VIDEO POST > Dialogo

    VIDEO POST > Dialogo

    VIDEO POST > MURMURATION

    VIDEO POST > MURMURATION

    VIDEO POST > On View

    VIDEO POST > On View

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • GAME OVER
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Peter Greenway. WE NEED A GOLEM

    Peter Greenway. WE NEED A GOLEM

    Right Under Your Nose

    Right Under Your Nose

    VIDEONALE.18: Fluid States. Solid Matter

    VIDEONALE.18: Fluid States. Solid Matter

    GAME OVER.Loading: Amerigo Mariotti

    GAME OVER.Loading: Amerigo Mariotti

    Dear You at the MAMbo … and via mail

    Dear You at the MAMbo … and via mail

    Victoria Vesna. [Alien] Star Dust: Signal to Noise

    Victoria Vesna. [Alien] Star Dust: Signal to Noise

    GAME OVER. Loading: Andrea Concas

    GAME OVER. Loading: Andrea Concas

    Oliver Ressler at the Gallery Apart

    Oliver Ressler at the Gallery Apart

    Special Project #18.  Fabrizio Bellomo: Abbi cura

    Special Project #18. Fabrizio Bellomo: Abbi cura

  • FRAME
    FRAME > ThingThingThing

    FRAME > ThingThingThing

    FRAME > Qingming

    FRAME > Qingming

    FRAME > A Heart from Space

    FRAME > A Heart from Space

    FRAME > ttos

    FRAME > ttos

    FRAME > Permanent Data

    FRAME > Permanent Data

    FRAME > GLOBAL

    FRAME > GLOBAL

    FRAME > 8 Year Long Exposure

    FRAME > 8 Year Long Exposure

    FRAME > Eclipse

    FRAME > Eclipse

    FRAME >  NUVOLA 2020

    FRAME > NUVOLA 2020

  • VIDEO POST
    VIDEO POST > A Natural History of Networks

    VIDEO POST > A Natural History of Networks

    VIDEO POST > Offset XYZ

    VIDEO POST > Offset XYZ

    VIDEO POST > Meditation

    VIDEO POST > Meditation

    VIDEO POST > TERRAGENESI

    VIDEO POST > TERRAGENESI

    VIDEO POST > The Tiranny of Birds

    VIDEO POST > The Tiranny of Birds

    VIDEO POST > HELIN

    VIDEO POST > HELIN

    VIDEO POST > Dialogo

    VIDEO POST > Dialogo

    VIDEO POST > MURMURATION

    VIDEO POST > MURMURATION

    VIDEO POST > On View

    VIDEO POST > On View

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • GAME OVER
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Apocalisse dell’ora

Apocalyptic visions by Alessandro Gianni at Albumarte in Rome

Elena Giulia Rossi by Elena Giulia Rossi
10/07/2019
in exhibitions, focus
Apocalisse dell’ora

Albumarte presents the work of Alessandro Giannì whose apocalyptic visions shape from the encounter between man and machine and the osmotic relationship that develops between them. «Anthropomorphic and deformed figures with hidden faces and lower limbs extending like spectral shadows follow one another as if they were a chorus of demons within a frame reminiscent of both pre-renaissance architectural motifs and today’s computer screen savers». This is how curator Lorenzo Gigotti introduces the exhibition L’Apocalisse dell’ora, immediately establishing the atmosphere that visitors experience when confronted by the images on big television screens installed in the space.

Alessandro Giannì, a new generation artist, has favoured painting as his primary research tool, debunking the myth that an artist necessarily need to use technology to be innovative. The world has been swallowed up in the vortex of everything produced by technology – images, information and the dynamic of sharing. This has deleted any possible border between analogue and digital.

«Ñewpressionism», an artistic movement launched by Miltos Manetas and presented for the first time to the public at the Swiss Institute in Milan in 2013, put this vision into practice, an idea in gestation for a long time, the vision of cyberspace coming to land in an analogue reality where everything is examined and filtered by technology. A very young Alessandro Giannì was part of this new current, a new landscape and a fresh way of depicting it which could be found in between impenetrable layers, compressed by the thick texture made from fully analogue dried web pages. In this network of analogue works we can already glimpse the multiple disturbing figures emerging from Giannì’s imagination and settling on the canvass.

In these more recent pieces, even if present in deformed shapes, man is not part of this vision of the future; ‘the doubt that insinuates itself is that this is an element re-elaborated with the use of machine models according to their capacity to calculate – models that, in turn, bring about a crisis not only for our biological reality as human beings, but for our very conception of time’.

It is necessary to reflect, therefore, on the so-called end of the anthropogenic world. Painting immerses us in this future vision even more than the works of virtual reality with which Giannì engages for the first time, attempting to ‘represent this vision in space using an immersive reality’.


Alessandro Gianni,  L’Apocalisse dell’ora, curated by Lorenzo Gigotti,
Albumarte, Roma, until July 19, 2019

images: (cover 1) Alessandro Giannì, «L’apocalisse dell’ora», 2014, cm200x300, oil on canvas (2) Alessandro Giannì, «L’apocalisse dell’ora», exhibition view, AlbumArte, 2019 Ph. Sebastiano Luciano, courtesy AlbumArte (3) Alessandro-Giannì, «Senza-titolo», 2018 (4-5) Alessandro Giannì, «Questa razza di diavoli non conosce regole!», video projection and Htc Vive. 2019. 3d Modeling: Andrea Papi; programming and VR graphic: Weirdo Vanilla (Daniele Monaca and Cosimo Mollica) Ph. Sebastiano Luciano, courtesy AlbumArte (6) Alessandro Giannì, «Indistinte e nebbiose sono le immagini, nebbiose e indistinte sono le cose», 2019, ceramic, cm 33x50x27 Ph. Sebastiano Luciano, courtesy AlbumArte

 

 

Tags: AlbumArteAlessandro GianniarshakeElena Giulia Rossiexhibitionpaintingvirtual reality
ShareTweetPin
Previous Post

FRAME > Viaggi Paradiso

Next Post

Claire Pentecost. LIVING MATTERS

Elena Giulia Rossi

Elena Giulia Rossi

Related Posts

Peter Greenway. WE NEED A GOLEM
focus

Peter Greenway. WE NEED A GOLEM

by Stefano Cagol
04/03/2021
Right Under Your Nose
focus

Right Under Your Nose

by Elena Giulia Abbiatici
03/03/2021

CALLS

Call for submissions> ISPA 2021 COMPETITION
Calls

Call for submissions> ISPA 2021 COMPETITION

25/02/2021
Call for submissions> Onassis AiR
Calls

Call for submissions> Onassis AiR

06/02/2021
Call for submissions> Apexart
Calls

Call for submissions> Apexart

30/01/2021
Call for submissions> STARTS Prize 2021
Calls

Call for submissions> STARTS Prize 2021

23/01/2021
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram
Arshake

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

Menu

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

Iscriviti alla nostra newsletter

One more step - Check your email and click the confirmation link

© 2018 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • GAME OVER
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it

© 2018 – ARSHAKE

Login to your account below

Forgotten Password?

Fill the forms bellow to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.