Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Antonio della Guardia. Per un prossimo reale

The work by Antonio della Guardia through Vasco Forconi's words in the text that accompanies the exhibition at Pastificio Cerere in Rome. 

Arshake by Arshake
14/12/2021
in exhibitions, focus
Antonio della Guardia. Per un prossimo reale

Antonio Della Guardia develops an investigation into the impact of contemporary forms of work on the body, on cognitive processes and on the most intimate spheres of our private life, identifying their signs and, at the same time, imagining poetic forms and strategies of shared emancipation. In his work, the celebration of the worker’s body and fatigue, which is often inscribed in a proud Southern Italian identity, transcends geographical boundaries, becoming a symbol of wider transnational struggles and demands. The careful identification of rarely intelligible disciplinary devices, which the artist filters through a constant reduction of forms, gives life to a body of works that appear to the public as small repositories of emancipatory energy.

This inclination towards the analysis of contemporary work has led Della Guardia to focus his attention on the complex relation that exists between body, eyesight, cognitive processes and digital work. It is through this research that the artist encountered the studies of William Horatio Bates (1860-1931), a North American physician known for the development of a method to retrain eyesight without the use of glasses. If the Bates method has been subjected to fierce criticism by the scientific community, which has refuted its effective therapeutic validity, its strong imaginative charge has turned it into an object of worship for unorthodox scholars of perception, such as Aldous Huxley whose book The Art of Seeing (1942) was written in homage to this method.

Almost a remnant of twentieth-century scientific research, the Bates method represents for the artist a repertoire of possible performative practices, which he freely picks out and transfigures, crystallizing them within sculptural and installation devices that he then meticulously arranges in the exhibition space. In their encounter with the visitor, each of these devices is transformed into a tool designed to stimulate dormant processes, both of the gaze and of the imagination.

A pink marble hand, suspended at chin height, welcomes visitors as if to gently remind them of a more human posture, with the head raised and the gaze averted towards the distance. By breaking the flow of central vision, an eyeglasses-shaped sculpture prompts viewers to explore their peripheral vision, as if to regain possession of a progressively forgotten function of the body. Another pair of glasses, made of carbon paper and to be worn over closed eyes while comfortably lying down, allows one, in the artist’s words, «to project onto the world the processes of imagination». Finally, enveloping the field of vision, a large blue velvet drape allows a glimpse of slender drawings in gold thread that reproduce flight patterns of insects and birds: a subtle game in which the vision with closed eyes and the transfigured representation of animal reality mutually exchange parts.

The union between these and other devices results in an environment, an open training ground for the imagination, that visitors are invited to experience slowly and in solitude. Here the artist forgoes the representation of the body, a recurrent motif in his work, giving way to the living presence of the visitor who lingers and wanders in the space. Through this place of paradoxical functionality, Antonio Della Guardia attempts for a moment to divert our cognitive energies, pointing to interruption and flight as cultural techniques of survival. Per un Prossimo Reale celebrates the poetry of deceleration, of minimal forms and gestures, offering a space to experience the potential, regenerative qualities of the simplest processes of the human imagination.

Vasco Forconi

images (all) Antonio Della Guardia, «Per un Prossimo Reale», 2021,exhibition view, Pastificio Cerere Foundation, Rome. Photo: Roberto Apa.

Antonino della Guardia. Per un prossimo reale, curated by Vasco Forconi, Pastificio Cerere Foundation, Rome, 22.09 – 18.12.2021
The text by Vasco Forconi is the one that accompanies Antonio della Guardia’s exhibition at Pastificio Cerere

 

 

 

 

 

Tags: Antonio Della GuardiaexhibitionmostramultimediaPastificio CererepoliticssociologyWilliam Horatio Bateswork
ShareTweetShareSend
Previous Post

FRAME > LIGHT INTERSECTIONS

Next Post

AUDIENCE ON STAGE at Larcen C

Next Post
AUDIENCE ON STAGE at Larcen C

AUDIENCE ON STAGE at Larcen C

CALLS

S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.