Your browser does not support the video tag.
Raffaele Fiorella - Corteo
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    In dialogue with Tiziana Alocci

    In dialogue with Tiziana Alocci

    Marcella Russo and her Legacy in Art

    Marcella Russo and her Legacy in Art

    Edicola 518 in Perugia

    Edicola 518 in Perugia

    Stills of Peace and Everyday Life

    Stills of Peace and Everyday Life

    Short Theatre in Rome

    Short Theatre in Rome

    Short Theatre 2026

    Call for Papers

    Special Project #21. Raffaele Fiorella: Corteo

    Special Project #21. Raffaele Fiorella: Corteo

    Vera Molnar alla DAM Gallery

    Vera Molnar alla DAM Gallery

    The Invisible at the Necci Hypogeum

    The Invisible at the Necci Hypogeum

  • FRAME
    FRAME > thelastdollar.art

    FRAME > thelastdollar.art

    FRAME > FLOOR 796

    FRAME > FLOOR 796

    FRAME > In a landscape

    FRAME > In a landscape

    FRAME > The Fall of Icarus

    FRAME > The Fall of Icarus

    FRAME > Resonant

    FRAME > Resonant

    FRAME > City

    FRAME > City

    FRAME > Magnetism

    FRAME > Magnetism

    FRAME > You Are Here

    FRAME > You Are Here

    FRAME > Gdansk

    FRAME > Gdansk

  • VIDEO POST
    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > Showrunners

    VIDEO POST > Showrunners

    VIDEO POST > Reality is Out

    VIDEO POST > Reality is Out

    VIDEO POST > MIZU

    VIDEO POST > MIZU

    VIDEO POST > Scribble

    VIDEO POST > Scribble

    VIDEO POST > The Prayer

    VIDEO POST > The Prayer

    VIDEO POST > Organism

    VIDEO POST > Organism

    VIDEO POST > Chiroptera

    VIDEO POST > Chiroptera

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    In dialogue with Tiziana Alocci

    In dialogue with Tiziana Alocci

    Marcella Russo and her Legacy in Art

    Marcella Russo and her Legacy in Art

    Edicola 518 in Perugia

    Edicola 518 in Perugia

    Stills of Peace and Everyday Life

    Stills of Peace and Everyday Life

    Short Theatre in Rome

    Short Theatre in Rome

    Short Theatre 2026

    Call for Papers

    Special Project #21. Raffaele Fiorella: Corteo

    Special Project #21. Raffaele Fiorella: Corteo

    Vera Molnar alla DAM Gallery

    Vera Molnar alla DAM Gallery

    The Invisible at the Necci Hypogeum

    The Invisible at the Necci Hypogeum

  • FRAME
    FRAME > thelastdollar.art

    FRAME > thelastdollar.art

    FRAME > FLOOR 796

    FRAME > FLOOR 796

    FRAME > In a landscape

    FRAME > In a landscape

    FRAME > The Fall of Icarus

    FRAME > The Fall of Icarus

    FRAME > Resonant

    FRAME > Resonant

    FRAME > City

    FRAME > City

    FRAME > Magnetism

    FRAME > Magnetism

    FRAME > You Are Here

    FRAME > You Are Here

    FRAME > Gdansk

    FRAME > Gdansk

  • VIDEO POST
    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > TV cathodique, aquarium (2026)

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > SLOW-MOTION CAR CRASH

    VIDEO POST > Showrunners

    VIDEO POST > Showrunners

    VIDEO POST > Reality is Out

    VIDEO POST > Reality is Out

    VIDEO POST > MIZU

    VIDEO POST > MIZU

    VIDEO POST > Scribble

    VIDEO POST > Scribble

    VIDEO POST > The Prayer

    VIDEO POST > The Prayer

    VIDEO POST > Organism

    VIDEO POST > Organism

    VIDEO POST > Chiroptera

    VIDEO POST > Chiroptera

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News Focus

Chatbox al MAXXI

Michela Ruggeri by Michela Ruggeri
May 18, 2018
in Focus
Chatbox al MAXXI

As predicted by market analysts, the new oracles of contemporary society, robotics is destined to be one of the most important technological challenges of the near future. Robotics will be used in many fields, from transport to human services and, not least, in the cultural sector.

The MAXXI Museum in Rome fully embraces this transformation. Last May, in fact, following the collaboration with Engineering, the Museum launched Chatbot, a new challenge for its visitors.

This is not one of those robots we normally picture, but a virtual agent similar to the better-known Cortana and Siri. In other words, Chatbot is a software capable of interacting with museum visitors, acting as a guide to their visit. To function, Chatbot only requires a smartphone connected to the Internet and a Facebook profile which, as we know, is available to everyone.

A totem is located in the MAXXI hall, announcing the application: a button generates a code linked to Chatbot which can also be used to collect virtual coins (Museum coins) to spend in the museum. Depending on the final amount (the more you interact with Chatbot, the more coins you collect) the user receives free gifts – a museum ticket and books, for example.

To chat with this virtual guide – the Museum does specify that a human guide remains irreplaceable – visitors must simply search for the museum page on Facebook and send a message. Chatbot answers immediately and after a brief introduction on how to use the application and a page that gives users the choice between English or Italian, visitors can begin to interact in chat. The conversation is not unrestricted, but guided through multiple choice questions from which the user must choose.

Chatbot’s language is simple and conversational, texts are short and provide essential information on the museum and its collections. The user can select which itinerary to follow from the ones suggested and access information about opening hours and tickets. In addition, images, audios and videos are made available which give more detail on topics during the guided visit.

Chatbot accompanies visitors step by step, providing information on the museum space and its itineraries. It is to be noted that such a visiting experience does not require users to be physically present in the museum. The chat, in fact, is active 24 hours a day and can also be used to organise future visits.

Confronted with such an initiative, we are instinctively tempted to stress the primacy of the living human guide. This is a person who is prepared and trained to establish human contact with visitors, mediating intelligently between them and the cultural heritage, calibrating modes and language, with the added value of the emotive experience and relationship that ensues. To ask these questions, however, in oppositional terms can be misleading, not to say rhetorical.

The museum’s virtual agent service represents a current solution and is available to many Facebook users, one of the most popular social networks in the world. The majority of these users are likely to be young people and adolescents, for whom mediated communication is a way of life. Intercepting this audience is effectively a challenge and, ultimately, an inclusive initiative from the point of view of museum use. The museum is starting to speak a different language. The Chatbot launch, therefore, represents not only another act of social media marketing, but also a project choice.

Above all, MAXXI is moving with the times: by choosing additional modes of communication it comes into closer contact with its visitors in order to understand their tastes and meet their demands in a contemporary way. This is the precise aim of artificial intelligence as it has so far developed. The software is autonomous and always active, created to offer assistance in customer care and promotional information.

At the same time, the Facebook login allows the museum to view visitors’ profiles, gathering data on their age, likes and interests. As Chatbot reminds us, the museum is renewing the promise made at its conception: “The MAXXI Museum is meant as a challenge: to viewing, to the length of stay in the museum and to the concept of a museum itself”.

Tags: arsarshake
ShareTweetShareSend
Previous Post

HER – Human Ecosystems Relazioni

Next Post

VIDEO POST > 1194D^3

Michela Ruggeri

Michela Ruggeri

Related Posts

In dialogue with Tiziana Alocci
Focus

In dialogue with Tiziana Alocci

by Elena Giulia Rossi
September 2, 2026
Marcella Russo and her Legacy in Art
Focus

Marcella Russo and her Legacy in Art

by Arshake
August 30, 2026

CALLS

Short Theatre 2026
Calls

Call for Papers

July 23, 2026
Call for submissions> Residency in Genoa
Calls

Call for submissions> Residency in Genoa

April 8, 2026
Bill Fontana in San Peter’s Basilica
Calls

MA in History and Critical Thinking (HCT)

November 11, 2025
Open call: Agora, a Gathering of Art and Philosophy
Calls

Open call: Agora, a Gathering of Art and Philosophy

October 28, 2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2026 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
Visualizza le preferenze
  • {title}
  • {title}
  • {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2026 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.