• © ARSHAKE | ISSN 2283-3676
  • CONTACT
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Memestetica. The Eternal September of the Art

    Memestetica. The Eternal September of the Art

    Digital Music at the Museum ZKM

    Digital Music at the Museum ZKM

    “Reactivating Videographies”. Interview to Anita Calà

    “Reactivating Videographies”. Interview to Anita Calà

    Plan B at NOME Gallery

    Plan B at NOME Gallery

    Antonio Della Guardia. For a Forthcoming Reality…  From Arshake to Stockholm

    Antonio Della Guardia. For a Forthcoming Reality… From Arshake to Stockholm

    RGB Festival 2020 in Rome

    RGB Festival 2020 in Rome

    Maker Faire Rome 2020

    Maker Faire Rome 2020

    Alan Warburton. RGBFAQ

    Alan Warburton. RGBFAQ

    PANDO at PAV Parco Arte Vivente

    PANDO at PAV Parco Arte Vivente

  • FRAME
    FRAME > Eclipse

    FRAME > Eclipse

    FRAME >  NUVOLA 2020

    FRAME > NUVOLA 2020

    FRAME > Skylight

    FRAME > Skylight

    FRAME > TUNNEL VISION

    FRAME > TUNNEL VISION

    FRAME > Tribute to Hyuro

    FRAME > Tribute to Hyuro

    FRAME > Road map

    FRAME > Road map

    FRAME > POLLUTION PODS

    FRAME > POLLUTION PODS

    FRAME > The Uncensored Library

    FRAME > The Uncensored Library

    FRAME > GANksy

    FRAME > GANksy

  • VIDEO POST
    VIDEO POST > MURMURATION

    VIDEO POST > MURMURATION

    VIDEO POST > On View

    VIDEO POST > On View

    VIDEO POST > Thought Experiment

    VIDEO POST > Thought Experiment

    VIDEO POST > A Woman with the Technology

    VIDEO POST > A Woman with the Technology

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > NEWSPEAK

    VIDEO POST > NEWSPEAK

    VIDEO POST > Matter to Matter

    VIDEO POST > Matter to Matter

    VIDEO POST > (Un)Balance

    VIDEO POST > (Un)Balance

    VIDEO POST > dada da ta

    VIDEO POST > dada da ta

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Memestetica. The Eternal September of the Art

    Memestetica. The Eternal September of the Art

    Digital Music at the Museum ZKM

    Digital Music at the Museum ZKM

    “Reactivating Videographies”. Interview to Anita Calà

    “Reactivating Videographies”. Interview to Anita Calà

    Plan B at NOME Gallery

    Plan B at NOME Gallery

    Antonio Della Guardia. For a Forthcoming Reality…  From Arshake to Stockholm

    Antonio Della Guardia. For a Forthcoming Reality… From Arshake to Stockholm

    RGB Festival 2020 in Rome

    RGB Festival 2020 in Rome

    Maker Faire Rome 2020

    Maker Faire Rome 2020

    Alan Warburton. RGBFAQ

    Alan Warburton. RGBFAQ

    PANDO at PAV Parco Arte Vivente

    PANDO at PAV Parco Arte Vivente

  • FRAME
    FRAME > Eclipse

    FRAME > Eclipse

    FRAME >  NUVOLA 2020

    FRAME > NUVOLA 2020

    FRAME > Skylight

    FRAME > Skylight

    FRAME > TUNNEL VISION

    FRAME > TUNNEL VISION

    FRAME > Tribute to Hyuro

    FRAME > Tribute to Hyuro

    FRAME > Road map

    FRAME > Road map

    FRAME > POLLUTION PODS

    FRAME > POLLUTION PODS

    FRAME > The Uncensored Library

    FRAME > The Uncensored Library

    FRAME > GANksy

    FRAME > GANksy

  • VIDEO POST
    VIDEO POST > MURMURATION

    VIDEO POST > MURMURATION

    VIDEO POST > On View

    VIDEO POST > On View

    VIDEO POST > Thought Experiment

    VIDEO POST > Thought Experiment

    VIDEO POST > A Woman with the Technology

    VIDEO POST > A Woman with the Technology

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > Le sillage de la mémoire

    VIDEO POST > NEWSPEAK

    VIDEO POST > NEWSPEAK

    VIDEO POST > Matter to Matter

    VIDEO POST > Matter to Matter

    VIDEO POST > (Un)Balance

    VIDEO POST > (Un)Balance

    VIDEO POST > dada da ta

    VIDEO POST > dada da ta

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Dancing with Maria Fux. A matter of rhythm.

Elena Giulia Abbiatici by Elena Giulia Abbiatici
01/06/2015
in focus

image(3)

«Is the unawareness of expression a sine qua non condition of a work of art?» Massimo Mila wonders in his «Musical Experience and Aesthetics.»

For the Argentine dancer, choreographer and dance therapist Maria Fux – to whom Ivan Gregolet dedicated his first feature film Dancing with Maria – the rhythm outside our bodies is precisely that unaware desire that Mila examines, the sine qua non of a work of art. This premise excludes any expressive intention by definition but embodies a rhythmic revelation. Maria Fux’s dance is the act of listening of this external rhythm – involuntary, articulate in its motion, fluid and flexible.

This means that there are beats calling for one’s insertion, moving between listening and caution to the point of developing an associative bond with the rhythm in the air. What is eliminated is found between that which is necessary and that which is just an accessory. Simple and implicit expression is all that is needed to create a work of art. Simple and explicit expression is not enough: this is the boundary between art and technique.

That movement which Slovenian-Italian director Ivan Gergolet followed with a camera until he made his way into the soul of Maria Fux, her teaching and the filming of a body in motion is no easy feat!

image(2)

His docu-film Dancing with Maria (2014) evolves into a kind of research on Fux and her intentions. The idea is always to get beyond the limits. Listening to what is found outside of us to tune it with what is inside.

There are women and men of all kinds attending her lessons – including the disabled, the blind and the deaf. This is a dance with a universal flair that makes use of the wind, or the frequencies found in the air, to stretch beyond the physical boundaries of music.

Maria invites them to dance in a manner that is halfway between poetic and incisive – like dry leaves that need no music to move about. They only need the wind. To perceive the wind is to perceive that involuntary external origin and let it into your body.

Luca Ciut, the soundtrack’s composer created a track for each character[1].

Every highlight, between pizzicato and melodic, duplicates the fluctuating and harmless motion of the wind while dictating distinct rhythms to the sequences, especially the final one: an overview of a street in Buenos Aires invaded by spontaneous music and choreography that are absolutely perfect.

Ciut was inspired by the stories of director Ivan Gergolet and the words offered by Maria Fux to the film for the music he composed. He states: «…just a few sentences but with a very specific weight; words that were carefully relished to tell a story made up of emotions (sometimes very intimate ones) generated by dance.» «What I tried to recreate was the intensity of this inner world that the protagonists are experiencing or had experienced (on the one hand) and the universal message of Maria Fux, a woman who teaches us what embracing diversity is all about (on the other).» The soundtrack reflects this diversity, swinging back and forth between an intimate and delicate world to compositions with a full orchestral tone «because there were many elements that the film expressed and I wanted to express them all through my music».

One might turn off the music or not like it. In the first case, keep on dancing in silence and in the second, tune it to the rhythm of space or even disperse it into space.

At times it is so dark that we had to move blindly. In these cases, we must move slowly and fearlessly, sharpening our perception of the interior and exterior rhythms of who is dancing at our side and even of those getting in our way.

We touch time; we mould it in a different way every day without every thinking about the results of the previous day. It will be different every day and it will be wonderful.

unnamed

This is more or less what Maria Fux and Dancing with Maria seem to suggest.

If everything moves and changes at an atomic level, then the motion of our hands in the air is all we need to change time and space – or at least the sensation we have of them.

If she had been born in the 1990s, Maria Fux would have probably used technology to facilitate the body’s expression and its freedom of movement. Someone has designed a special software to facilitate anyone’s movements, even those of people with restricted mobility who do not want to stop moving and generating harmonies. This someone is choreographer and dancer Robert Wechsler, a young artist who experiments with interactive technology. He is the founder of the Palindrome Motion Group and protégé of Merce Cunningham and John Cage as well as the inventor and director of The Motion Composer Method – a software developed with movement experts, composers and therapists.

This easy-to-use desk top reads motions and transposes them into music with the appropriate distinctions and acknowledgements. This is of great help to those suffering from many kinds of disabilities (cerebral palsy, aphasia, autism, tetraplegia, blindness, Alzheimer and Parkinson diseases).

This happens every time a work of art results from the removal of one’s own expressive awareness –  the condition needed to make the work develop and evolve.

To confirm that the body is a musical instrument in and of itself and that we can dance in total silence and compose music without even realizing it. With its high resolution and low latency technology, even people with serious disabilities or limited cognitive abilities can be stimulated and encouraged by the experience.


Dancing with Maria was directed by Monfalcone native Ivan Gergolet, produced by Igor Prinčič and Gorizia-based Transmedia, in co-production with David Rubio (Imaginada Films, Argentina), Miha Černec (Staragara, Slovenia),  sponsored by Fondo Audiovisivo FVG and distributed by Exit Media.

image-4


[1] Link to soundtrack: https://soundcloud.com/luca-ciut/sets/dancing-with-maria-press-kit/s-15Mal

ShareTweetPin
Previous Post

FRAME – XGen Portraits

Next Post

Ian Cheng. Emissary in the Squat of Gods

Elena Giulia Abbiatici

Elena Giulia Abbiatici

Related Posts

Memestetica. The Eternal September of the Art
books

Memestetica. The Eternal September of the Art

by Elena Giulia Rossi
14/01/2021
Digital Music at the Museum ZKM
Events

Digital Music at the Museum ZKM

by Arshake
11/01/2021

CALLS

Call for submissions> Live Coding Practices
Calls

Call for submissions> Live Coding Practices

10/01/2021
 Call for submissions> Locust Projects
Calls

 Call for submissions> Locust Projects

06/01/2021
Call for submissions> Re:Humanism
Calls

Call for submissions> Re:Humanism

10/11/2020
Call for submissions> ‘City of the future’ – S+T+ARTS
Calls

Call for submissions> ‘City of the future’ – S+T+ARTS

04/11/2020
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram
Arshake

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

Menu

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

Iscriviti alla nostra newsletter

One more step - Check your email and click the confirmation link

© 2018 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • WEBLIOGRAFIA
  • en
    • it

© 2018 – ARSHAKE

Login to your account below

Forgotten Password?

Fill the forms bellow to register

All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.