Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Digital Abysses – Miguel Cheval

Arshake by Arshake
04/05/2018
in focus
Digital Abysses – Miguel Cheval

With his exhibition entitled Digital Abysses, Miguel Chevalier takes over the monumental spaces of the Bordeaux Submarine Base. This show will present, over 3,500 square meters, ten monumental digital installations, as well as a cabinet of curiosities containing more than 40 new works.

Chevalier continues here his explorations of nature through the theme of undersea flora and fauna. The exhibition offers visitors a stroll between dream and reality, where they can penetrate into the heart of the unknown, just like with the great oceanic depths, 95 percent of which remain unexplored. Along the way, they will discover various projected interactive digital installations, such as Liquid Pixels, Strange Attractors, The Origin of the World, and Fractal Seaweeds.

 

Visitors will also discover the totally original interactive digital work Digital Abysses. This new work explores the undersea world in its diversity, particularly some forms of plankton, such as radiolarians. These marvels of nature composed of siliceous skeletons with sharp radially symmetric spines come in a variety of shapes. They fascinated scientists of the nineteenth century, such as Ernst Haeckel, who drew images of quite a number of their species. Chevalier transposes here the geometry of these extraordinary forms into the digital universe. The Digital Abysses installation is composed of several water bubbles around whose surface various radiolarians move. These variously-shaped “living” organisms in luminescent colors move about in real time and react to visitors’ movements. They move away beneath visitors’ feet, as if to emphasize man’s effect on nature.

Chevalier also reexamines, through this exhibition,“cabinets of curiosities,” which, in the sixteenth and seventeenth centuries, designated places where one collected and presented a multitude of rare, novel, or strange objects, such as shells, skeletons, herbaria, fossils, or works of art. Visitors will find here contemporary cabinets of curiosities. Sculptures made with 3D printers, videos, photographs, a Dacryl-resin picture, laser-engraved drawings, and so on are inspired by undersea flora and fauna, specifically radiolarians, corals, algae, and jellyfish. Via ultraviolet lighting, these enlarged versions of living organisms become luminescent, just like various species in the ocean’s depths. Fluidly moving between reality and fiction, these cabinets create for us a sort of imaginary travel diary.

At the end of this itinerary, visitors will find some new works, such as New Atlantis—an imaginary city, in perpetual motion and self-transformation, that is evocative of the myth of Atlantis, an island engulfed beneath the waves—and Binary Particles, an installation made up of one hundred helium-inflated 0s and 1s that come to form a whirlwind of binary air bubbles.

Through the theme of the Abyss, the exhibition explores in a poetical and metaphorical way our relationship with visible and invisible living beings. In investigating the notion of artificial life, these various installations and artworks raise concerns about the fragility of these ecosystems and call out for the need to preserve biodiversity. They seek to recreate the conditions for a symbiotic relationship between man and nature.

(from the press release)


Miguel Chevalier, Digital Abysses, 2018, Base sous-marine, Bordeaux, France, 08.03 – 09.10.2018

images: (cover 1) Miguel Chevalier, «Digital Abysses», 2018, generative and interactive VR installation, music by Michel Redolfi (2) Miguel Chevalier, «Digital Abysses», 2018, generative and interactive VR installation, music by Michel Redolfi, detail (3) Miguel Chevalier, «Cabinet de Curiosités», 2018 – series of vortex

Tags: installation
ShareTweetShareSend
Previous Post

FRAME > #MosaicoTorino

Next Post

When Sound Becomes Form

Next Post
When Sound Becomes Form

When Sound Becomes Form

CALLS

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency
Calls

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

29/05/2023
Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.