Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > The Chiromancer

    VIDEO POST > The Chiromancer

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

When Sound Becomes Form

Elena Giulia Rossi by Elena Giulia Rossi
04/05/2018
in focus
When Sound Becomes Form

A wall at the MAXXI Museum has become an exhibition space, an archive to look at and listen to, retracing the sound and visual sound experiments of the 1950s up to the present. The exhibition, curated by Carlo Fatigoni, is dedicated to the memory of musician and visual artist Daniele Lombardi (Florence 1946 – 2018). It gathers a series of works ranging from sound to a variety of underground experiments, such as those by Giovanotti Mondani Meccanici and the well-known Italian activist Tommaso Tozzi.

Experimenters such as Luciano Berio, Bruno Maderna and Pietro Grossi, John Cage, Giuseppe Chiari and the Gutai Group, Maurizio Nannucci, the audiovisual spaces by Ugo la Pietra and the T Group, as well as the “epistaltic” poetry created by Mimmo Rotella all started a conversation that, along the way, confronted technological evolution resulting in visual sound experiments. Mario Sasso introduced artistic experimentation to television and collaborated with several musicians; among these, Nicola Piovani in the 90s with Footprint, which is included in the exhibition.

 In the 80s, Ida Gerosa found a space to experiment at the IBM laboratories which had ‘invested’ in research long before discovering the results the artist would achieve by extrapolating a colour chrome of high emotional intensity, unthinkable for a machine, and gave it shape with the application of sound.

It was this company’s investment in research and its open mind that enabled more recent experiments such as Memorie d’acqua Fontana di Trevi (Water memories Trevi’s Fountain), an ambient music performance by Luigi Ceccarelli from the 90s, also represented in the archive.

Sound experiments, therefore, are not isolated from visual experiences and at MAXXI they are presented in their encounters with cinema, art, choreography, literature, the publishing industry and mass media. The wall has been enhanced by pieces that include visual documents, films and videos, posters and historic film posters, original LPs and sound contributions “with the intention of rebuilding a memorial space, which is offered to visitors for free, following a time span that ranges from the 1950s to the 2000s and retracing some of its major milestones”. The material is divided into 4 sections: the 50s and 60s; the 70s; the 80s and 90s; ending with the year 2000.

The exhibition/archive runs until October. There is a lot of material, but visitors can view it several times, without rushing, as entry to the MAXXI foyer, where the wall-archive invites them to look and listen, is without charge.


«When Sound Becomes Form», curated by Carlo Fatigoni, MAXXI Museum, Rome, 16.03 – 28.10.2018

 images: (cover 1) Ida Gerosa, foto Roberto Cavallini, Roma 1991 (2) Gruppo 70. Lamberto Pignotti, Emilio Isgrò, Lucia Marcucci, Eugenio Miccini, Feltrinelli, Milano 1966 (3) Giovanotti Mondani Meccanici, still da video computer dal fumetto della serie Giovanotti Mondani Meccanici (4) Ale Guzzetti, Installazioni interattive, Villa Panza di Biumo, Varese, 1983–2003 (5) Sylvano Bussotti, piano piece for David Tudor 4, notazione grafica, 1959 (6) Enore Zaffiri, Dati per la realizzazione del progetto Musica per un anno, 1968 (7) Parole sui muri, manifesto dell’esposizione, International festival in Fiumalbo, fondazione Bonotto, Modena 8–18 agosto, 1967.

Tags: arsarshake
ShareTweetShareSend
Previous Post

Digital Abysses – Miguel Cheval

Next Post

Christian Marclay. Space Concert

Next Post
Christian Marclay. Concerto Spaziale

Christian Marclay. Space Concert

CALLS

S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.