Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Elena Bellantoni. THEREFORE WE ARE

Arshake by Arshake
10/07/2014
in focus, Tempo Imperfetto

Tempo imperfetto_test-03

THEREFORE WE ARE  by  Giulia Palombino is the third instalment of the cycle Tempo Imperfetto, curated by Antonello Tolve and Stefania Zuliani. Inspired to a performative criterion taking different shapes according to linguistic modalities of various nature, THEREFORE WE ARE, the new site project Elena Bellantoni has realised for the Museo Archeologico Provinciale di Salerno, is a journey aimed at discovering places and exploring the cultural and historical horizons of the landscape surrounding Salerno.

The work that launches the exhibition is a neon light-writing entitled I Revolt, Therefore We Are, after a phrase Albert Camus coined in his 1951 essay L’homme revolté: this work shows an expressive praxis that represents the artist’s need for sympathetic solidarity, for that moment when «the I opens to the other, finding in her something he thinks it is worth looking after.» In the same vein we can also interpret The Sympathetic Loner, two mirrors facing each other where the shock of being is always also a shock of being-with (Jean-Luc Nancy), a plural singularity, a nos sumus wanting to «forget by heart» the history of the place in order to take care of it.

Set in the Etruscan-Samnite archaeological area of Fratte, The Players is a video which, if on the one hand focuses on the collections of artefacts kept in the Museo Archeologico, on the other features a game between the artist and the art critic, between two minds, and two different ways of thinking.Another key moment of the exhibition is represented by Salt City, a light installation that via a DIA projector casts some meaningful images on a pile of cooking salt, in order to attract the attention on the city of Salerno.


[nggallery id=38]


[toggle title=”Elena Bellantoni”]Elena Bellantoni lives and works between Berlin and Rome. He graduated at La Sapienza in Contemporary Art and studied in Paris and London, where in 2007 he received an MA in Visual Art WCA University of the Arts London. In 2007 she creates Platform Translation Group; in 2008 she is co-founder of 91mQ art project space in Berlin. In 2006 she won the prize Temphelhof – Shoneberg Kunstpreis Zum Ball- Spiel in Berlin; 2009 she won the Movin’up of G.A.I. Turin with a project in Santiago the Chile ; 2012 she won the NGBK call with In Other Words realized at Kunstraum Kreuzberg Bethanien in Berlin. In 2013 she won the first award at FestArte / Factory Colors of the World at the Macro Pelanda Museum Rome. Residences: 98weeks project space with Francis Alys in Beirut in 2008, Residencia Expacio Versus in Santiago, Chile in 2013; Progetto Isole in Palermo in 2009. In 2014: she participated at African Fabbers with a workshop and an exhibition during the Marrakech Biennale; she is artist in residency at Careof DOCVA in Milan; selected for the Video Art Year Book, Bologna. Among the SOLO shows: my name is elena … Bellantoni [. BOX] video art project space Milano 2013; Hala Yella Presentation Caja Negra exhibition space Santiago de Chile, 2012; Looking for E.B. Gallery Muratcentoventidue, Bari, 2012; Is it Real? 91 mQ Art Project Space, Berlin, 2008; Room1, Tacheles, Berlin 2008; Transparenz at the Weisser Elephant Galerie Berlin 2007; G.i.u.l.i.a, Linux Art Space Rome 2004. Among the GROUP shows: BAC Festival Internacional de Arte Contemporaneo Barcelona, Spain CCB Museum, 2009; Europe as a Space of Translation at Translation Biennale PAN Palazzo delle Arti Napoli, 2010; ItAliens at the Italian Embassy in Berlin, 2011; Re-Generation Macro Museum in Rome 2012; Regeln für die Revolution, Fatzer Brecht Kurzfilmkino Volksbühne Berlin and the Cinema Massimo in Turin 2012; Ikono Video Festival: Collegium Hungaricum Berlin 2013; Archive tellers, at the MAXXI B.A.S.E. Rome, 2013; Visions at Art Gallery A + A Venice, 2013; C’è una piccola radice che, se la masticate, vi spuntano le ali immediatamente MAC Museum Lissone, 2013; Exodus, MUMI Museo de las Migraciones Montevideo, Uruguay, 2013; ReAction video installations, Candles Factory of Forlì, Forlì, 2014; Spazi di percezione tra intangibile e tangibile, National Gallery of Modern Art in Rome GNAM, 2014. MAAM (Museum dell’Altro e dell’Altrove) Home Theatre video screening, Roma.[/toggle]


• SCARICA ALLEGATI

THEREFORE WE ARE  by  Giulia Palombino, curated by Antonello Tolve and Stefania Zuliani, Museo Archeologico Provinciale di Salerno. Opening: Wednesday, July 16, 2014, 5.30 pm. July 12 to September 6, 2014 (daily, except Mondays, from 9am to 7.30 pm). The project was realised by  Fondazione Filiberto Menna—Centro Studi d’Arte Contemporanea, in collaboration with the Provincia of Salerno and the Comune of Salerno, founding members of the Fondazione.

Images (all)

Elena Bellantoni, I giocatori, 2014, frame, third project of the cicle Tempo Imperfetto realised by Fondazione Filiberto Menna (Salerno) at Museo Archeologico Provinciale di Salerno, curated by  Antonello Tolve and StefaniaZuliani, courtesy of the artist.
ShareTweetShareSend
Previous Post

DUOX. Transmedia storytelling

Next Post

VIDEO POST > Mortal Engine

Next Post

VIDEO POST > Mortal Engine

CALLS

Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.