Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Interview | Christiane Paul

    Interview | Christiane Paul

    Sónar+D at Sónar Festival 2022

    Sónar+D at Sónar Festival 2022

    Will Benedict. Idéal Pain

    Will Benedict. Idéal Pain

    No Man’s Land

    No Man’s Land

    Francesca Lolli . I am not here

    Francesca Lolli . I am not here

    Interview | Matthew Bowman

    Interview | Matthew Bowman

    Eduardo Kac: From Minitel to NFT

    Eduardo Kac: From Minitel to NFT

    A Light Footprint in the Cosmos

    A Light Footprint in the Cosmos

    And we thought | FOOD DATA DIGESTION

    And we thought | FOOD DATA DIGESTION

  • FRAME
    FRAME > Sunset in Delft

    FRAME > Sunset in Delft

    FRAME > Ophelia

    FRAME > Ophelia

    FRAME > Botto

    FRAME > Botto

    FRAME > CellF

    FRAME > CellF

    FRAME > Another Moon

    FRAME >  Symphony in Acid

    FRAME > Symphony in Acid

    FRAME > Waste I – 4

    FRAME > Waste I – 4

    FRAME > All the Light You See

    FRAME > All the Light You See

    FRAME > Diplomazija astuta

    FRAME > Diplomazija astuta

  • VIDEO POST
    VIDEO POST > Lasermice dyad

    VIDEO POST > Lasermice dyad

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Transient

    VIDEO POST > Transient

    VIDEO POST > Echo Chamber

    VIDEO POST > Echo Chamber

    VIDEO POST > CBM 8032 AV

    VIDEO POST > CBM 8032 AV

    VIDEO POST > Interpolate

    VIDEO POST > Interpolate

    VIDEO POST > New Campo Marzio

    VIDEO POST > New Campo Marzio

    VIDEO POST > Living Architecture

    VIDEO POST > Living Architecture

    VIDEO POST > Cryptochrochet

    VIDEO POST > Cryptochrochet

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Interview | Christiane Paul

    Interview | Christiane Paul

    Sónar+D at Sónar Festival 2022

    Sónar+D at Sónar Festival 2022

    Will Benedict. Idéal Pain

    Will Benedict. Idéal Pain

    No Man’s Land

    No Man’s Land

    Francesca Lolli . I am not here

    Francesca Lolli . I am not here

    Interview | Matthew Bowman

    Interview | Matthew Bowman

    Eduardo Kac: From Minitel to NFT

    Eduardo Kac: From Minitel to NFT

    A Light Footprint in the Cosmos

    A Light Footprint in the Cosmos

    And we thought | FOOD DATA DIGESTION

    And we thought | FOOD DATA DIGESTION

  • FRAME
    FRAME > Sunset in Delft

    FRAME > Sunset in Delft

    FRAME > Ophelia

    FRAME > Ophelia

    FRAME > Botto

    FRAME > Botto

    FRAME > CellF

    FRAME > CellF

    FRAME > Another Moon

    FRAME >  Symphony in Acid

    FRAME > Symphony in Acid

    FRAME > Waste I – 4

    FRAME > Waste I – 4

    FRAME > All the Light You See

    FRAME > All the Light You See

    FRAME > Diplomazija astuta

    FRAME > Diplomazija astuta

  • VIDEO POST
    VIDEO POST > Lasermice dyad

    VIDEO POST > Lasermice dyad

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Transient

    VIDEO POST > Transient

    VIDEO POST > Echo Chamber

    VIDEO POST > Echo Chamber

    VIDEO POST > CBM 8032 AV

    VIDEO POST > CBM 8032 AV

    VIDEO POST > Interpolate

    VIDEO POST > Interpolate

    VIDEO POST > New Campo Marzio

    VIDEO POST > New Campo Marzio

    VIDEO POST > Living Architecture

    VIDEO POST > Living Architecture

    VIDEO POST > Cryptochrochet

    VIDEO POST > Cryptochrochet

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Filippo Berta. ONE BY ONE

The artistic research by Filippo Berta on the theme of the wall as a divisive element, is currently on view at the Nomas Foundation in Rome

Ilaria Piccioni by Ilaria Piccioni
22/06/2021
in exhibitions, focus
Filippo Berta. ONE BY ONE

The project ONE BY ONE, which Filippo Berta (1977) has been working on for several years focusing on forms of borders and dualisms, can be seen until 29 October at the Nomas Foundation in Rome. This solo exhibition, curated by Giorgia Calò and Francesca Ceccherini, is an account of Berta’s artistic research on the theme of the wall as a divisive element, opposed to the union between peoples and cultures. Thirty years after the fall of the Berlin Wall, the artist from Bergamo investigates the dimension of confinement suffered by contemporary communities in different parts of the world, starting with the walls built in the Balkans to block migratory flows.

The building of structures to separate people, for the management of power in a global geopolitical context, leads to consequences related to the limitation of freedom; changing the natural perceptions of what is close but interrupted by physical or invisible limits. The use of walls by states forces and alters the dimension of the relationship between neighbouring peoples, harming everyday life.

The project (winner of the 5th edition of the Italian Council, promoted by the General Directorate for Contemporary Creativity of the Ministry of Culture) enabled the artist to travel and get to know people and places where walls have become integral elements of the territories, and alienating for the people involved. For ONE BY ONE the artist crossed Eastern Europe – Hungary, Serbia, Slovenia, Croatia, Turkey, North Macedonia, Greece and Bulgaria – America, between the USA and Mexico, and South Korea in Asia. Filippo Berta works on borders in agreement with associations and collectives, directly asking inhabitants who live close to these borders to participate in the project. The walls sometimes only represent a story for them, given the impossibility of reaching them because they are guarded and cannot be crossed.

With the question of how art can give voice to these complexities, through the construction of a narrative in performative action, Filippo Berta has been researching video and photography for several years now. He starts from the stimulus of the collective condition experienced by those forced to live within boundaries, through subjective experiences representing the limits of freedom. The project has been completed through a long process of building relationships and video footage, stages that have been made possible thanks to the inhabitants of these places who have participated and contributed to this universal story.

As in a prayer exercise using a secular rosary, people count, one by one, the thorns of the long barbed wire fences in their own language. The exhibition includes photographic documentation and maps of the borders crossed and re-crossed, a sculpture in the form of infinity made from barbed wire points together with a multi-channel video installation. In the heart of the Nomas Foundation exhibition space, the videos are presented in uninterrupted succession, constructing a fluid visual and sound track, with voices that are indistinct when heard together, but which can be distinguished separately. If you approach each of the individual videos, you can recognise the languages of the people who live in these territories and who are confronting these barbed wire borders for the first time in completely different ways. Women, men, the young and the elderly count in their own languages, tracing each point with their fingers. The barbed wire is the track that allows visitors to follow the continuous flow of lives and processes, both visual and audio, in an operation that can seem endless.


Filippo Berta.One by one, curated by Giorgia Calò and Francesca Ceccherini, Fondazione Nomas, Rome, until October, 2021
One by One is winner of  the 5th edition of the Italian Council
promoted by the General Directorate for Contemporary Creativity of the Ministry of Culture)

images: (cover 1) Filippo Berta, «One by One», 2021, 4K Video 2160p, Video-Still, border between Croazia and Slovenia (2) Filippo Berta, «One by One», 2021, 24 photographs (54×35 cm), series, photographic print on aluminium, wall installation, 350×155 cm, realised thanks to the support of the Italian Council 2019 (3) Filippo Berta, «One by One», 2021, 4K Video 2160p, Video-Still, border between Croazia and Serbia (4) Filippo Berta, «No end», 2021 sculpture barbed wire, welded spines 200×75 , realised thanks to the support of the Italian Council 2019 (5) Filippo Berta. «One by one», exhibition view, Nomas Foundation, Rome 

 

 

 

 

Tags: arsFilippo BertaFrancesca CeccheriniGiorgia CalòItalian Councilpolitics
ShareTweetShareSend
Previous Post

FRAME > The Deep Listener

Next Post

Mary Ellen Mark. Lives of Women

Next Post
Mary Ellen Mark. Lives of Women

Mary Ellen Mark. Lives of Women

CALLS

Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022
Call for submissions> ISPA (Italian Sustainability Photo Award)
Calls

Call for submissions> ISPA (Italian Sustainability Photo Award)

17/02/2022
Call for submissions > Residenze Digitali
Calls

Call for submissions > Residenze Digitali

01/02/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.