Frame captures the work by Mitchell F Chan, revisitation of the shift of the art (and of its market) towards an ephemeral dimension trough the vision and the work of Yves Klein with his monochromes. Kline’s blu is now re-contextualized in the tonality, the space and the market of Internet. The ephemeral carries our a further step towards a sensibility that is all digital.
Mitchell F Chan, Digital Zones of Immaterial Pictorial Sensibility, 2017, photo via