Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Protected: The finalists of the ‘Driving Energy 2023 Award’ on show at the Palazzo delle Esposizioni in Rome

    Protected: The finalists of the ‘Driving Energy 2023 Award’ on show at the Palazzo delle Esposizioni in Rome

    Summer in a Solitary Book #12

    Summer in a Solitary Book #12

    Summer in a Solitary Book #11

    Summer in a Solitary Book #11

    Summer in a Solitary Book #10

    Summer in a Solitary Book #10

    Summer in a Solitary Book #9

    Summer in a Solitary Book #9

    Summer in a Solitary Book #8

    Summer in a Solitary Book #8

  • FRAME
    FRAME > STARDUST

    FRAME > STARDUST

    FRAME > MOBILE

    FRAME > MOBILE

    FRAME > SUIT

    FRAME > SUIT

    FRAME > Beach Day

    FRAME > Beach Day

    FRAME > Kellogs

    FRAME > Kellogs

    FRAME > Belonging

    FRAME > Belonging

    FRAME > Landscape Painting (Quarry day)

    FRAME > Landscape Painting (Quarry day)

    FRAME > Bee Colony Collaboration

    FRAME > Bee Colony Collaboration

    FRAME > Passport Photos

    FRAME > Passport Photos

  • VIDEO POST
    VIDEO POST > Moon Arrow

    VIDEO POST > Moon Arrow

    VIDEO POST > AIR

    VIDEO POST > AIR

    VIDEO POST > Sound Fossil III. Lines

    VIDEO POST > Sound Fossil III. Lines

    VIDEO POST > Wavescape for Walla

    VIDEO POST > Wavescape for Walla

    VIDEO POST > When the Sky Blooms with Sakur

    VIDEO POST > When the Sky Blooms with Sakur

    VIDEO POST > Oh my ( )

    VIDEO POST > Oh my ( )

    VIDEO POST > Unerasable Characters II

    VIDEO POST > Unerasable Characters II

    VIDEO POST > Second Self

    VIDEO POST > Second Self

    VIDEO POST > Sky Light

    VIDEO POST > Sky Light

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
    • ARCHIVIO
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Protected: The finalists of the ‘Driving Energy 2023 Award’ on show at the Palazzo delle Esposizioni in Rome

    Protected: The finalists of the ‘Driving Energy 2023 Award’ on show at the Palazzo delle Esposizioni in Rome

    Summer in a Solitary Book #12

    Summer in a Solitary Book #12

    Summer in a Solitary Book #11

    Summer in a Solitary Book #11

    Summer in a Solitary Book #10

    Summer in a Solitary Book #10

    Summer in a Solitary Book #9

    Summer in a Solitary Book #9

    Summer in a Solitary Book #8

    Summer in a Solitary Book #8

  • FRAME
    FRAME > STARDUST

    FRAME > STARDUST

    FRAME > MOBILE

    FRAME > MOBILE

    FRAME > SUIT

    FRAME > SUIT

    FRAME > Beach Day

    FRAME > Beach Day

    FRAME > Kellogs

    FRAME > Kellogs

    FRAME > Belonging

    FRAME > Belonging

    FRAME > Landscape Painting (Quarry day)

    FRAME > Landscape Painting (Quarry day)

    FRAME > Bee Colony Collaboration

    FRAME > Bee Colony Collaboration

    FRAME > Passport Photos

    FRAME > Passport Photos

  • VIDEO POST
    VIDEO POST > Moon Arrow

    VIDEO POST > Moon Arrow

    VIDEO POST > AIR

    VIDEO POST > AIR

    VIDEO POST > Sound Fossil III. Lines

    VIDEO POST > Sound Fossil III. Lines

    VIDEO POST > Wavescape for Walla

    VIDEO POST > Wavescape for Walla

    VIDEO POST > When the Sky Blooms with Sakur

    VIDEO POST > When the Sky Blooms with Sakur

    VIDEO POST > Oh my ( )

    VIDEO POST > Oh my ( )

    VIDEO POST > Unerasable Characters II

    VIDEO POST > Unerasable Characters II

    VIDEO POST > Second Self

    VIDEO POST > Second Self

    VIDEO POST > Sky Light

    VIDEO POST > Sky Light

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
    • ARCHIVIO
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home exhibitions

Oliver Laric and David Horvitz at Cura.Basement in Rome

Arshake by Arshake
21/12/2021
in exhibitions, focus
Oliver Laric and David Horvitz at Cura.Basement in Rome
In the peculiar exhibition spaces of the publishing house Cura in Rome, Oliver Laric and David Horvitz show some of the works, part of their polyhedral research that moves inside-out the image between the physical and the virtual and through a plurality of media.

Oliver Laric, Untitled, 2021

Combining an interest in archeology and artistic forms of the past with the potential of 3D scanning and printing, video images and the web, Oliver Laric produces works capable of making the digital sphere communicate with physical space, in an unceasing interweaving of perspectives and levels of reading. Whether it is his polyurethane sculptures or his videos based on the manipulation of found footage taken from mass communication channels, Laric reveals his interest in the migration of forms and images from different contexts, from a chronological, spatial or semiological point of view. What is analyzed is the path of production, consumption and use of the visual in the contemporary world, which unfolds between the ideas of uniqueness and reproducibility, of authorship and anonymity, of physicality and intangibility.

In Laric’s latest video production, Untitled (2021), in an infinite digital metamorphosis the organic transition from one form to another is investigated. A liquid organicity inhabits the video in a sort of primordial soup that crosses the spatiotemporal dimension to materialize in unique forms, in an incessant dialogue between nature and artifice, between real data and the surreal. “Rendered in a dimpled, luminous grey, the animated figures in Oliver Laric’s video,” – as Carson Chan argues – “appear as if captured by a scanning electron microscope, or made of hammered tin.

Sharp, rhythmic cuts bring us from one tableau to the next. A praying mantis turns its head; a crab moves across the screen; flies, worms, and eukaryote-like critters swarm; a sea urchin, lobster, and horseshoe crab are held up as if by a vendor at a seafood market; an assortment of fungi fruit from various surfaces. Everything moves with a vibrant jerkiness as in stop-motion animations or time-lapse videos. There’s a sense that we’re seeing something come into being. A lumpy mass grows a head and limbs to become a man in repose. A snout protrudes from a shapeless lump to become a frog. A figure evolves from an embryonic mass. Topologically, the sea creatures, insects, humans, and fungi are all bags or vessels—wireframe nets molded into life forms.”

(from the press release)

David Horvitz, How to Shoplift Books, display e performance, 2021
David Horvitz’s artistic actions exploit the specificity of different means of communication, information channels and relational contexts, highlighting their inherent contradictions and unprecedented potential. Presented across a variety of media, from mail art to performance, from photography to installation to incursions on the web, his works are based on the idea of movement, distance and migration. Horvitz’s aim is to connect different spheres: the virtual and the real, the private and the public, the near and the distant, the past and the future, the subject and the other. Space and time expand in multiple dimensions, showing the mesh of their relativity, rebelling against standardized measurement systems to reveal new possibilities of experience.

Published in 37 languages so far, the artist’s iconic book How to Shoplift Books is a guide to 80 ways in which one can steal a book, and it was published for the first time in Serbian (both Cyrillic and Latin editions), for the occasion of the 58th October Salon. The publication was also accompanied by an improvised choral reading of the book in all the different languages in a Babel of voices, idioms, cultures. The ongoing translation of the book in many different languages is intended by the artist as “a cultural translation, in which I make references to local customs, folklore, cuisine, habits, holidays, superstitions…”. The performance  was re- activated in Rome on this occasion, thanks to the collaboration with the foreign Academies, to which the artist sent an invitation letter.

(from the press release)

images (cover 1 – 3)Oliver Laric, «Untitled», Installation view, BASEMENT Roma 2021, photo: Roberto Apa (4-5) David Horvitz, How to Shoplift Books, Installation view, BASEMENT Roma 2021, photo: Roberto Apa 

Oliver Laric, Untitled, 2021 |  David Horvitz, How to Shoplift Books, 24.11 – 22.12.2021, In collaborazione con Editions Taube.
Cura.Basement, Roma

 

 

 

 

 

Tags: arsarshakecultureCuracura.basementdigitalexhibitionOliver Laric and David Horvitzsubculture
ShareTweetShareSend
Previous Post

FRAME > A.R.E – Augmented Reality Exhibition

Next Post

AUDIENCE ON STAGE at the Conference of the Absents by Rimini Protokoll

Next Post
AUDIENCE ON STAGE at the Conference of the Absents by Rimini Protokoll

AUDIENCE ON STAGE at the Conference of the Absents by Rimini Protokoll

CALLS

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency
Calls

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

29/05/2023
Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2023 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
    • ARCHIVIO

© 2012-2023 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.