Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Concrete by Nicola Di Giorgio

    Concrete by Nicola Di Giorgio

    Aesthetics of New AI at the Creative AI Lab

    Aesthetics of New AI at the Creative AI Lab

    The Belgian Pavilion at the 59th Venice Art Biennale

    The Belgian Pavilion at the 59th Venice Art Biennale

    «Il video rende felici». Giovanotti Mondani Meccanici in Rome

    «Il video rende felici». Giovanotti Mondani Meccanici in Rome

    La Sapienza fotografata: i luoghi, la storia, la quotidianità

    La Sapienza fotografata: i luoghi, la storia, la quotidianità

    Videocittà 2022 in Rome

    Videocittà 2022 in Rome

    Ars Electronica 2022

    Ars Electronica 2022

    Interview |  Delphine Valli

    Interview | Delphine Valli

    Club Zero. La Turbo Avedon

    Club Zero. La Turbo Avedon

  • FRAME
    FRAME > NEOM

    FRAME > NEOM

    FRAME > Archaeologies of Climate

    FRAME > Cosmic Cliffs

    FRAME > Cosmic Cliffs

    FRAME > SPECTRAL LANDSCAPES

    FRAME > SPECTRAL LANDSCAPES

    FRAME > Sunset in Delft

    FRAME > Sunset in Delft

    FRAME > Ophelia

    FRAME > Ophelia

    FRAME > Botto

    FRAME > Botto

    FRAME > CellF

    FRAME > CellF

    FRAME > Another Moon

  • VIDEO POST
    VIDEO POST > Odoshi Cloud Sequence

    VIDEO POST > Odoshi Cloud Sequence

    VIDEO POST > And Between Us, An Ocean

    VIDEO POST > And Between Us, An Ocean

    VIDEO POST >  Perpetual Phases

    VIDEO POST > Perpetual Phases

    VIDEO POST > Fog

    VIDEO POST > Fog

    VIDEO POST > Bi0film.net

    VIDEO POST > Bi0film.net

    VIDEO POST > Lasermice dyad

    VIDEO POST > Lasermice dyad

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Transient

    VIDEO POST > Transient

    VIDEO POST > Echo Chamber

    VIDEO POST > Echo Chamber

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Concrete by Nicola Di Giorgio

    Concrete by Nicola Di Giorgio

    Aesthetics of New AI at the Creative AI Lab

    Aesthetics of New AI at the Creative AI Lab

    The Belgian Pavilion at the 59th Venice Art Biennale

    The Belgian Pavilion at the 59th Venice Art Biennale

    «Il video rende felici». Giovanotti Mondani Meccanici in Rome

    «Il video rende felici». Giovanotti Mondani Meccanici in Rome

    La Sapienza fotografata: i luoghi, la storia, la quotidianità

    La Sapienza fotografata: i luoghi, la storia, la quotidianità

    Videocittà 2022 in Rome

    Videocittà 2022 in Rome

    Ars Electronica 2022

    Ars Electronica 2022

    Interview |  Delphine Valli

    Interview | Delphine Valli

    Club Zero. La Turbo Avedon

    Club Zero. La Turbo Avedon

  • FRAME
    FRAME > NEOM

    FRAME > NEOM

    FRAME > Archaeologies of Climate

    FRAME > Cosmic Cliffs

    FRAME > Cosmic Cliffs

    FRAME > SPECTRAL LANDSCAPES

    FRAME > SPECTRAL LANDSCAPES

    FRAME > Sunset in Delft

    FRAME > Sunset in Delft

    FRAME > Ophelia

    FRAME > Ophelia

    FRAME > Botto

    FRAME > Botto

    FRAME > CellF

    FRAME > CellF

    FRAME > Another Moon

  • VIDEO POST
    VIDEO POST > Odoshi Cloud Sequence

    VIDEO POST > Odoshi Cloud Sequence

    VIDEO POST > And Between Us, An Ocean

    VIDEO POST > And Between Us, An Ocean

    VIDEO POST >  Perpetual Phases

    VIDEO POST > Perpetual Phases

    VIDEO POST > Fog

    VIDEO POST > Fog

    VIDEO POST > Bi0film.net

    VIDEO POST > Bi0film.net

    VIDEO POST > Lasermice dyad

    VIDEO POST > Lasermice dyad

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Concerto para piano e pandemia

    VIDEO POST > Transient

    VIDEO POST > Transient

    VIDEO POST > Echo Chamber

    VIDEO POST > Echo Chamber

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

TodaysArt Festi

Arshake by Arshake
19/09/2017
in focus

 TodaysArt Festival is about to open. The theme of this year focuses on the opaque and complex nature of algorithmic systems, delving into the deep sea of noise and bringing this often incomprehensible sphere into critical engagement. The following statement by Swidish artist Jonas Lund inspires the Festival:

 “There’s lies, damn lies and big data. Every part of our daily lives is being measured and evaluated —either voluntarily while we are aware or hidden behind mechanisms in an opaque manner. These metrics come to represent biased truths, the foundation and justification for all decision making. It is the science behind seemingly random patterns and flows of information. But how can we evaluate, question and critique data that is so ‘large’ no human can ever truly get a grasp of it?”

With Dissense, artists Chris Salter + TeZ are presenting a new solo performance wherein body activities, heartbeats, brain activity, skin conductivity, and muscle contraction, are translated into an immersive sound and light show. The work is inspired by Alvin Lucier’s famous “Music for Solo Performer” (1965), where he activated a series of percussion instruments with his brainwaves.

Engineers and pianists LP Duo, presents Quantum Music fostering the world of quantum physics to a wider audience by contributing to the creation of a new musical and scientific genre.

In Force Field, a performance / installation by artist duo Evelina Domnitch + Dmitry Gelfand, acoustically levitated water droplets resonate, vaporise and reassemble into spheroids, toroids and oscillating polygons while spinning nearly devoid of shear. The piece simultaneously taps into the 3-dimensionality of sound, the elusive physicality of water, as well as the rotational dynamics of celestial and subatomic bodies.

Central to this year’s theme is Jonas Lund’s Happy or Not, a special commission for the festival. Bringing questions surrounding big data and algorithms to the context of an art exhibition, a series of wall pieces invites the viewer to leave emotional feedback on their exhibition experience, which collected and analysed is mashed up with other data in this video-installation delving into the emotional side of customer feedback in a dystopian future.

With their Predictive Art Bot Nicolas Maigret + Maria Roszkowska are exploring ideas around AI and creativity in relation to art. Their installation consists of a computer running algorithm that combines the headlines of articles on digital art, hacktivism, democracy and fake news. The algorithms generate random and radical titles for future cyberpunk-like artworks which have not yet been implemented or conceived of by humans.

Technoflesh is Swiss designer and researcher Simone C. Niquille. In her design she investigates personal data and the representation of the human body in virtual space. Her commissioned multi- screen installation, The Stranger looks into motion capture technology’s application in forensic investigation. ‘The Stranger’ is questioning the power of the decontextualised image and raw data.

Greenscreen, a performance-intervention by Aram Bartholl in public space. Random passersby are ‘caught’ in a portable green screen, unknowingly becoming actors of a fictive film-set. Bartholl touches upon the current alternative realities of which we are simultaneously part of.

Two durational film pieces are screened in the Filmhuis: Ragnar Kjartansson’s ‘A lot of Sorrow’, a piece which documents the band The National playing the song Sorrow repeatedly for 6 hours at MoMA PS1 and the long term research project, ‘I Dance Alone’ by artist Bogomir Doringer which investigates clubbing as an organism using bird’s eye view documentation.

The festival will take place at multiple venues accompanied by an extensive ‘Context Programme’ presenting panels, workshops, project presentations and talks that engage with central questions on algorithmic complexity, ethics, blockchain technology, new democracies and the future of music.


Todays Art Festival 2017, 22-23.09.2017, The Hague, Netherland

images: (cover 1)  TodaysArt 2016 – HiroakiUmeda – Intensional Particle  ph_Jan Rijk (2) Chris Salter + TeZ – Dissense (3) LP Duo – Quantum Music (4) Evelina Domnitch + Dmitry Gelfand – Force Field (5) Jonas Lund_Happy or Not (6) Nicolas Maigret + Maria Roszkowska – Predicative Art Bot (7)  Technoflesh- The Stranger (8) Aram Bartholl – Greenscreen (9) TodaysArt 2016, Theater aan het Spui, Den Haag, September 24th 2016.

ShareTweetShareSend
Previous Post

VIDEO POST > Vol

Next Post

Live Cinema Festival at the MACRO Museum

Next Post

Live Cinema Festival at the MACRO Museum

CALLS

Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022
Call for submissions> ISPA (Italian Sustainability Photo Award)
Calls

Call for submissions> ISPA (Italian Sustainability Photo Award)

17/02/2022
Call for submissions > Residenze Digitali
Calls

Call for submissions > Residenze Digitali

01/02/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • en
    • it

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.