Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Total Theatre and Transmediality

Antonello Tolve by Antonello Tolve
24/09/2015
in focus

2015-07-11 21.41.05

I have no intention of invading the space of my illustrious colleagues (theatre critics) with this brief essay on contemporary set design. I only want to reflect upon a work that Benito Leonori (Passo di Treia, 1967) produced on 10 July of this year for the mise-en-scene of the third and final step of Marco Filiberti’s trilogy The plaint of the muses: «a creation to be included among the authentic artistic events of total theatre»[1].

For the «new theatre happening of author and director Marco Filiberti», Leonori offers a total atmosphere that transforms space and assigns it with an astonishing temporal manoeuvre linked to alienation, a gravitational jolt and a thrilling “super-historical” nature.

2015-07-11 21.41.02

By using a series of iconographic references borrowed from the contemporary art world (Thomas Hirschhorn’s collapse – Abschlag, 2014 – at the Hermitage Museum for Manifesta 10 comes immediately to mind), Leonori – tied, as always, to the subject matter of transforming words into space and the world on the surface into temporal terrain – implements a transmedial project with Il crepuscolo dell’arcadia. Dieci quadri per un’Opera-Mondo[2] created for the Teatro Comunale Accademia degli Avvaloranti di Città della Pieve that extends to the various balconies of the art world to construct a total project whose totality overwhelms spectators and converts the stage into a magical, cosmic and metaphysical territory.

2015-07-11 21.41.04

Drawing attention to an insightful dialogue with the world of visual arts and a luminous transmediality that inevitably touches upon a variety of creative continents, the artist builds a project of a polyphonic sort marked by an inspired multi-lingual aestheticism capable of traversing (and even overlapping, at times) different skills. The intention is to mislead and capture spectators in order to transport them into a magical world or a dream in which video, sculpture, body-environment, sound and light create the likeness of the face (or the secret desire, perhaps?) of a  Gesamtkunstwerk. For that matter, isn’t a set design a large contemporary art installation which never fails to astonish or excite the audience with visual artifices that are increasingly compelling and riveting notwithstanding the fact that it is linked to the functionality (and pretence) of the stage?


[1]   G. Distefano, Nel “Crepuscolo di Arcadia”, Marco Filiberti insegue la fine della Bellezza, in «il Sole24Ore – Teatro e Danza», online edition of 23 July 2015 (6:01 p.m.), link added on 15/08/2015 at 3:28 p.m.

[2]   Text and direction: Marco Filiberti, set design: Benito Leonori, lighting: Alessandro Carletti, costumes: Patricia Toffolutti, sound: Marco Benevento and choreography: Daniela Malusardi. Cast:Filippo Luna, Luigi Pisani, Giuseppe Lanino, Giovanni De Giorgi, Giulia Galiani, Luisa Maneri, Gabriele Vanni, Diletta Masetti, Enrico Roccaforte, Emilio Vacca, Lucia Mazzotta, Tanita Spang, Noemi Rossi, Emanuele Burrafato, Artem Prokopchuk.

ShareTweetShareSend
Previous Post

Ars Electronica Festival. Post – City

Next Post

VIDEO POST > HAKANAI

Next Post

VIDEO POST > HAKANAI

CALLS

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency
Calls

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

29/05/2023
Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.