Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    S+T+ARTS Prize 2023

    S+T+ARTS Prize 2023

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

    Enrico Pulsoni 1975-2021

    Enrico Pulsoni 1975-2021

    FLASHBACK ONSTAGE at Paola Di Mitri

    FLASHBACK ONSTAGE at Paola Di Mitri

    Inhabiting No Man’s Land

    Inhabiting No Man’s Land

    transmediale 2023

    transmediale 2023

    From the Middle Ages to Videogames

    From the Middle Ages to Videogames

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Pier Paolo Pasolini. Tutto è santo – Il corpo veggente

    Silvia Camporesi. Mirabilia

    Silvia Camporesi. Mirabilia

  • FRAME
    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

    FRAME > ROBOTa

    FRAME > ROBOTa

    FRAME > I could speak once under two moons

    FRAME > I could speak once under two moons

    FRAME > The Space Within

    FRAME > The Space Within

    FRAME > pi(x)el

    FRAME > pi(x)el

    FRAME > Letters to Frank Stella

    FRAME > Letters to Frank Stella

    FRAME > Inflatables

    FRAME > Inflatables

  • VIDEO POST
    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > BITTER MEDICINE

    VIDEO POST > The on-chain

    VIDEO POST > The on-chain

    VIDEO POST > Plant machete

    VIDEO POST > Plant machete

    VIDEO POST > Drei Schreiber

    VIDEO POST > Drei Schreiber

    VIDEO POST > Lluvias de Mayo

    VIDEO POST > Lluvias de Mayo

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

Ars Electronica 2021 – Highlights

One of the most important Festival dedicated to art, technology and society is about to open in Linz

Arshake by Arshake
06/09/2021
in Events, exhibitions
Ars Electronica 2021 – Highlights

The Linz Ars Electronica Festival has been a regular event since the late 1970s. The various themes chosen for each year were able to anticipate the times or, rather, to read the present time by identifying those evolutionary dynamics that would project the Festival into the future. Research has included the series of works that are selected and awarded each year as well as the format of the Festival, which has gradually adapted to the current situation, with events inevitably being presented online both last year and this year, but also distributed around the globe as a glocal festival dynamic – including a series of home delivery exhibition initiatives – or the 86 satellite gardens that have joined the Festival this year, forming a large single network.

The interest in art, technology and society this year is also looking for practical outlets to find a New Deal, as the title of this edition suggests.

“Together with artists, scientists and activists from all over the world, the Linz festival for art, technology and society is calling for a fundamentally new approach to the challenges of the 21st century. Two main things are needed for us to tackle those challenges: the freedom to act and the ability to act. In the face of ever greater ecological and social disruption, it’s clear that the time for beating around the bush is over. It’s time to put our money where our mouth is; it’s time for a “New Digital Deal”

In addition to exhibitions, workshops and talks, this year a large space is dedicated to learning, ecological issues, the circular economy and social sustainability. For those attending the event in Linz, this exploration of the future will extend to the centre of Linz, from the OK in the Upper Austrian Cultural Quarter to the University of Art and Design Linz, the Ars Electronica Center and the STADTWERKSTATT on the north bank of the Danube. The festival in Linz will also take place at an additional venue in “Kepler’s Gardens” on the Johannes Kepler University campus.

Many young people will be involved to discuss and propose solutions to the most pressing issues – migration, climate, new technologies and the circular economy – in a series of workshops to be held over three weeks and presented during the closing event at the Ars Electronica Center (a museum founded as an extension of the festival in 1996) on 17 September. The programme is wide-ranging and you are invited to browse through the calendar on the website to follow what interests you the most.

The works in the CyberArts Exhibition show how 21st-century society uses technology to document violence, terror and war (Cloud Studies). But there’s more to come. A series of soil specimens show how we treat the environment (The Museum of Edible Earth). The experience also takes on an aural dimension with The Soundpark – Auditory Scenes / Kepler’s Gardens Park where, among the trees, the sound of glaciers, forests and deserts can be heard. At the University of Art and Design Linz on Hauptplatz, the exhibition “Loops of Wisdom” explores the correspondence between the enormous amount of knowledge produced and the lack of awareness of what should be deduced from such knowledge.

This year Ars Electronica Futurelab is celebrating its 25th anniversary with a series of online and on-site activities exploring how contributions for positive change can be made together with individuals and what lies hidden in the black boxes of Artificial Intelligence, a topic also discussed as part of the “European ARTificial Intelligence Lab”, an initiative launched by Ars Electronica in 2018.

For the STARTS edition, the exhibition presents works that show how art can visualise and communicate scientific data (“Oceans in Transformation”), how the circular economy can work in local communities (“Remix el Barrio, Food Waste Biomaterial Makers”) and how energy from organic waste can be generated (“The Living Light”).

Ars Electronica, Linz, in 86 countries of the networked gardens, and online, September 8 – December 12, 2021

images: (cover 1) Ars Electronica – poster (2) Photo showing ELEVENPLAY x Rhizomatiks “border 2021” / MIKIKO (JP), ELEVENPLAY (JP), Daito Manabe (JP), Motoi Ishibashi (JP), Rhizomatiks (JP), Takayuki Fujimoto (JP), evala (JP). “border 2021” was awarded an Honorary Mention at the STARTS Prize 2021. – Credits: Hiroko Hirota (3) PL’AI / Špela Petrič (S) – Credits: Hanneke Wetzer, Špela Petrič (SI) (4) MUTEK Edition 22 / MUTEK CA/QC – Photo: Bruno Destombes (5) Sacred Garden / Egret Cultural and Educational Foundation TW – Photo: Project@EgretFoundation (6) HYDRA / Sevkabel Port (RU), NADO Curatorial Agency (RU) – Photo: Whispers by Light Society

 

 

 

 

Tags: arsarshakeFestival. Ars ElectronicaglobalglocalinterdisciplinareinterdisciplinaryLinzmultimediamultimedialenetworksociety
ShareTweetShareSend
Previous Post

XYZ @ Con.divisione 10

Next Post

Interview | Irini Mirena Papadimitriou

Next Post
Interview | Irini Mirena Papadimitriou

Interview | Irini Mirena Papadimitriou

CALLS

S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022
Call for submissions>  Research grant for Italian Art
Calls

Call for submissions> Research grant for Italian Art

07/04/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.