Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Ars Electronica 2025

    Ars Electronica 2025

    Identities Beyond Borders

    Identities Beyond Borders

    Stills of PEACE

    Stills of PEACE

    Tamara Repetto receives Premio Casati 2025

    Tamara Repetto receives Premio Casati 2025

    Dialogues across the Seas

    Dialogues across the Seas

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Cardiff & Miller at the Coimbra Biennial

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

  • FRAME
    FRAME > Ex.A.R.U.

    FRAME > Ex.A.R.U.

    FRAME > A CROWN OF EYES

    FRAME > A CROWN OF EYES

    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

  • VIDEO POST
    VIDEO POST > GUSH

    VIDEO POST > GUSH

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Céleste

    VIDEO POST > Céleste

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Ars Electronica 2025

    Ars Electronica 2025

    Identities Beyond Borders

    Identities Beyond Borders

    Stills of PEACE

    Stills of PEACE

    Tamara Repetto receives Premio Casati 2025

    Tamara Repetto receives Premio Casati 2025

    Dialogues across the Seas

    Dialogues across the Seas

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Cardiff & Miller at the Coimbra Biennial

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

  • FRAME
    FRAME > Ex.A.R.U.

    FRAME > Ex.A.R.U.

    FRAME > A CROWN OF EYES

    FRAME > A CROWN OF EYES

    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

  • VIDEO POST
    VIDEO POST > GUSH

    VIDEO POST > GUSH

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Céleste

    VIDEO POST > Céleste

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News Focus

art/tapes/22

Cristina Costanzo by Cristina Costanzo
04/02/2014
in Focus

34399_

The work I did with artists to produce their video works has been like a life lesson for me, and often for them as well. The projects were never a burden and were absolutely horizontal. A creative quest like those found in true artistic tradition.

Maria Gloria Bicocchi

 The art/tapes/22 studio, founded in Florence in 1973 by Maria Gloria Bicocchi, took on a primary role regarding knowledge of video art and its promotion in Italy. Bicocchi was so impressed by Gerry Schum’s projects, she decided to devote her time to creating and producing video tapes and open a centre dedicated to the experimentation of this new medium.  In the same vein as other services at the time which focused mainly upon idioms capable of finding a meeting point between art and technology, this Florentine studio was a place open to artists in which they could be free to experiment. The centre aspired to encourage collaboration and the exchange of thoughts, ideas and projects, open to the general public. In the 1970s, the art/tapes/22 collection was introduced as a «global avant-garde work»[1] and is to this day an object of study by critics, curators and aficionados alike. The centre had a Paris and New York branch and made its mark on the international scene thanks to collaborations with such prestigious institutes as the Castelli-Sonnabend Videofilms Corporation, producing the works of high-profile artists such as Bill Viola, operator and technical director of art/tapes/22 from 1974-1976, Muntadas, Baldessari, Jonas, Acconci, De Dominicis, Horn, Kounellis, Levine, Paolini, Abramovic, Zorio and many others.

34391_

In 1976, notwithstanding its illustrious collaborations and its international recognition, the centre was forced to close due to lack of funds and the collection was sold to ASAC, the Historical Archive of Contemporary Arts of the Venice Biennale. In fact, thanks to the activity of artists interested in the relationship between art and technology such as Umbro Apollonio, Renato Barilli, Gerry Schum, Paolo Cardazzo and Wladimiro Dorigo, the Venice Biennale was able to introduce electronic art on its roster in the 1970s. ASAC was located at Ca’ Corner della Regina at the time and was the avant-garde home to the use of audio-visual material with such features as exhibit space, a screening hall and a multi-media hall, a photographic studio and sections for hearing and watching audio and visual material as well as a library specializing in new media. After such an investment, the Biennale’s Archives proposed initiatives dedicated to the promotion of video arts and in 2007 (following the deterioration of the art/tapes/22 collection), the Venice Biennale Foundation – in collaboration with the Venice Foundation and the University of Udine – promoted conservative restoration in accord with the Netherlands Media Art Institute Preserving Video Art project and 40YEARSVIDEOART.DE. This was one of Italy’s very first attempts to develop a protocol of preservation for video art.[2] Such an intervention demonstrated how the restoration of video art can reach beyond the obsolescence of technological tools and address important issues from the viewpoints of critique and preservation, thus  stimulating a reflection upon the phenomenon of video art and its historicization. Interventions of this kind are «not limited to a conservative approach but aim to promote or – more specifically – update» [3]

art/tapes/22, The Venice Biennial – Historical Archive of Contemporary Art, , Parco Scientifico e Tecnologico VEGA, Porto Marghera, Venice, Italy

images

(1 cover) Marina Abramovich © ART/TYPE/22, La Biennale di Venezia – Archivio Storico delle Arti Contemporanee,  foto by Ulla Poye  (2) Vito Acconci, © ART/TYPE/22 ,La Biennale di Venezia, Archivio Storico delle Arti Contemporanee, foto by Gianni Melotti.  


[1] Arte in videotape. Art/tapes/22, collezione ASAC – La Biennale di Venezia, conservazione, restauro, valorizzazione, a cura di C. G. Saba, Cinisello Balsamo (Milano) 2007, p. 180.

[2] Arte in videotape…, 2007, p. 195.

[3] Arte in videotape…, 2007, p. 22.

ShareTweetShareSend
Previous Post

«The Garden of Forking Paths»

Next Post

Interview | Eduardo Kac and Nam J. Paik in 1988

Cristina Costanzo

Cristina Costanzo

Related Posts

Ars Electronica 2025
Festivals

Ars Electronica 2025

by Arshake
12/07/2025
Identities Beyond Borders
Events

Identities Beyond Borders

by Arshake
08/07/2025

CALLS

Experimental Fellowship at Bauhaus Earth
Calls

Experimental Fellowship at Bauhaus Earth

14/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

07/05/2025
Open Call: State of the ART(ist)
Calls

Open Call: State of the ART(ist)

05/05/2025
RE:HUMANISM Art Prize 4
Calls

RE:HUMANISM Art Prize 4

18/03/2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza le preferenze
{title} {title} {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.