Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Ars Electronica 2025

    Ars Electronica 2025

    Identities Beyond Borders

    Identities Beyond Borders

    Stills of PEACE

    Stills of PEACE

    Tamara Repetto receives Premio Casati 2025

    Tamara Repetto receives Premio Casati 2025

    Dialogues across the Seas

    Dialogues across the Seas

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Cardiff & Miller at the Coimbra Biennial

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

  • FRAME
    FRAME > Ex.A.R.U.

    FRAME > Ex.A.R.U.

    FRAME > A CROWN OF EYES

    FRAME > A CROWN OF EYES

    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

  • VIDEO POST
    VIDEO POST > GUSH

    VIDEO POST > GUSH

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Céleste

    VIDEO POST > Céleste

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • Focus
    • From the Past
    • Interview
    Ars Electronica 2025

    Ars Electronica 2025

    Identities Beyond Borders

    Identities Beyond Borders

    Stills of PEACE

    Stills of PEACE

    Tamara Repetto receives Premio Casati 2025

    Tamara Repetto receives Premio Casati 2025

    Dialogues across the Seas

    Dialogues across the Seas

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Cardiff & Miller at the Coimbra Biennial

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Timeline Shift at Pastificio Cerere Foundation in Rome

    Pamela Diamante at the Gilda Lavia Gallery

    Pamela Diamante at the Gilda Lavia Gallery

    Arcangelo Sassolino at the Continua Gallery

    Arcangelo Sassolino at the Continua Gallery

  • FRAME
    FRAME > Ex.A.R.U.

    FRAME > Ex.A.R.U.

    FRAME > A CROWN OF EYES

    FRAME > A CROWN OF EYES

    FRAME > Stop, Listen, Look

    FRAME > Stop, Listen, Look

    FRAME > Shining Hat

    FRAME > Shining Hat

    FRAME > To Breathe

    FRAME > To Breathe

    FRAME >  The fairies will find us if we leave a trail

    FRAME > The fairies will find us if we leave a trail

    FRAME > Hundred Changes in Life

    FRAME > Hundred Changes in Life

    FRAME >  Large Resemblagé

    FRAME > Large Resemblagé

    FRAME > Rubber Pencil Devil

    FRAME > Rubber Pencil Devil

  • VIDEO POST
    VIDEO POST > GUSH

    VIDEO POST > GUSH

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Trampoline Color Exercise

    VIDEO POST > Céleste

    VIDEO POST > Céleste

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Augmented Shadow: Inside

    VIDEO POST > Anthofluid

    VIDEO POST > Anthofluid

    VIDEO POST > Isoscope

    VIDEO POST > Isoscope

    VIDEO POST > Kihikihi

    VIDEO POST > Kihikihi

    VIDEO POST > Triosophia

    VIDEO POST > Triosophia

    VIDEO POST > Kosei Komatsu

    VIDEO POST > Kosei Komatsu

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

De Bello Naturae in Corea

Arshake by Arshake
19/10/2016
in Events, Focus

IMG_2936

De Bello Naturae is a project resulting from a dialogue extending over many years among Peter Campus, Kathleen J. Graves and Antonio Trimani, concerning their different approaches to techniques for representing reality: the video landscapes of Peter Campus – one of the very first pioneers of video art – the photographs of American artist Kathleen J. Graves, and Antonio Trimani’s electronic landscapes. The contrasting work of these artists expresses three different ways of viewing the conflict between civilisation and nature. Today the project, started in 2014 with a show at at the Museo Civico located in the historic setting of Barletta castle (curated by Bruno Di Marino, Daniela Di Niso and Tonio Musci) reaches now Korea, where it is enriched by the contribution of a major Korean artist, photographer Ito Lim.

suwon trimai Lim

 Peter Campus’ abstract and brightly coloured landscapes, part of a series he began in 2008, provide a bridge between reality and imagination, via the channels of perception. The artificial creatures, christened NanoBots, which take flight in Kathleen J Graves’ photographic series Dark Garden, create a utopian environment where nature and technology (these days not so easily distinguished) coexist harmoniously. The Bots assume imaginary forms, and their function is to observe and monitor their surroundings.

 Antonio Trimani’s electronic landscapes plunge the viewer into a surreal atmosphere; time is diluted to pixel-size, and our perceptual mechanism causes the reality/fiction relationship to reverse direction as our perceptions are led to see the real landscape through the filter of the imagination.

IMG_2938

 Ito Lim enters at this stage of the dialogue to add new perspectives, spanned by his black and white images where man is absent – or rather, his presence is felt but it is behind the lens of the camera. This brings into play another facet in the exploration of the relationship between man and nature through the digital lens: the ability to subtract man from the landscape in order to invert the focus and examine the depths of one’s inner self. “An image that is a fragment of soul”, as Fabrizio Pizzuto comments in his review, “a sensibility born of dark tones, no less sad and elegant than life might be”.


De Bello Naturae. Peter Campus, Kathleen J. Graves and Antonio Trimani. Ito Lim.   Suwon Art Center, Korea. The Bello Nature is also currently on view at the Yesultong Festival di Seoul until December 15.2016.

images
(cover 1-2) De Bello Naturae. Peter Campus, Kathleen J. Graves and Antonio Trimani. Ito Lim.  Suwon Art Center, Korea, exhibition view (3)  De Bello Naturae. Peter Campus, Kathleen J. Graves and Antonio Trimani. Ito Lim.  Suwon Art Center, Korea, exhibition view with direttore Young Gil Lee (Director) and Suejung Park (curator of the Museum)  
Tags: arshake
Share5TweetShareSend
Previous Post

AILANTO. Padiglione Tineo

Next Post

Aby Warburg. Mnemosyne Bilderatlas at the ZKM Museum

Arshake

Arshake

Related Posts

Ars Electronica 2025
Festivals

Ars Electronica 2025

by Arshake
12/07/2025
Identities Beyond Borders
Events

Identities Beyond Borders

by Arshake
08/07/2025

CALLS

Experimental Fellowship at Bauhaus Earth
Calls

Experimental Fellowship at Bauhaus Earth

14/05/2025
Open call – Schermo dell’Arte
Calls

Open call – Schermo dell’Arte

07/05/2025
Open Call: State of the ART(ist)
Calls

Open Call: State of the ART(ist)

05/05/2025
RE:HUMANISM Art Prize 4
Calls

RE:HUMANISM Art Prize 4

18/03/2025
https://www.arshake.com/special-project-banner/young-italian-artists/
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2024 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
Gestisci Consenso Cookie
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Visualizza le preferenze
{title} {title} {title}
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
    • GAME OVER • Loading
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • ARCHIVE
    • CALLS
    • ONLINE RESOUCES

© 2024 – ARSHAKE

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.