Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Leibniz’ Storehouse at ZKM

Arshake by Arshake
20/12/2016
in focus

1_mm_halle_hyper

What if Leibniz, the bustling polymath of the Early Enlightenment, had set himself the goal of imparting his knowledge to the general public in the clearest and most practical way possible, using natural produce and artefacts? What would the stockroom, in which he stored such items for subsequent teaching, look like? Which scientific instruments, technical achievements, everyday items, souvenirs from faraway countries, artwork and trivia would be contained in this store? Floris Neusüss and Renate Heyne answer these questions in their photogram exhibition which is designed as an intellectual game.

2_Steinadlergerippe

The exhibition »Leibniz’ Storehouse« is an imaginary walk through the fictitious stockroom, where the items are not always carefully sorted, but often have been simply put down. However, the exhibits are not actually artefacts. Instead, they are photograms of them, produced by the two artists in various museums since 2000. As part of the »Leibniz’ Storehouse« exhibition, the extensive photogram archive of Floris Neusüss and Renate Heyne is being presented for the first time. It illustrates the photogram in its medial and historic dimension with its historic and contemporary works and documents.

3_Beuysbaum | Kassel

Photograms

The photogram has had a great appeal to painters, filmmakers and, of course, photographers since the 1920s – as an experimental image between photography and bodies or sculpture. If Roland Barthes wrote about the indirect form of photography: »From a real object, which once was, rays are emitted, which reach me where I am here« (»Camera Lucida«, 1980), then in contrast, the directly tangible simultaneity of the present and reproduced item forms the basis of the photogram. As camera-less sculptures, photograms are created through direct exposure in a contact procedure of objects on photographical material. The photogram image oscillates between palpably authentic proximity and distancing absence. You could say: Between presence and absence, between exposure and concealment.

4_Apoll von Tenea (kleiner Kouros)


 »Leibniz’ Storehouse«, Collections in Photograms,  11.12.2016 – 05.03.2017, ZKM_Atrium 1+2, Karlsruhe, Germania
An approx. 230-page publication is being published by the Hatje Cantz Verlag on the exhibition including texts by Martin Kemp and Horst Bredekamp

images
(cover 1) Zweischaliges Hyperboloid | mathematisches Modell | Mathematisches Institut der Universität Halle | Fotogramm, 60 x 50 cm, 2004 / © ZKM | Center for Art and Media, photo: Floris Neusüss (2) Steinadlergerippe Aquila chrysaetos | Musée d’histoire naturelle, Fribourg | Fotogramm, 60 x 50 cm, 2006 / © ZKM | Center for Art and Media, photo: Floris Neusüss (3) Beuysbaum | Kassel, Pferdemarkt | Fotogramm, 127 x 325 cm, 2015 / © ZKM | Center for Art and Media, photo: Floris Neusüss (4) Apoll von Tenea (kleiner Kouros) | Korinth, 560 / 550 b.c. | Glyptothek München | Fotogramm, 195 x 75,5 cm, 2004 / © ZKM | Center for Art and Media, photo: Floris Neusüss
ShareTweetShareSend
Previous Post

Anatomia in Bologna with Simona Bertozzi’s Company

Next Post

Interview | Domenico Quaranta

Next Post
Intervista | Domenico Quaranta

Interview | Domenico Quaranta

CALLS

Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.