Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

    Anna Hulačová at Z2o Sara Zanin Gallery

    Anna Hulačová at Z2o Sara Zanin Gallery

    Re:humanism: Sparks and Frictions

    Re:humanism: Sparks and Frictions

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Miguel Chevalier. Fractal Flowers and Digital Beauty

    Interview | Elham Puriya Mehr

    Interview | Elham Puriya Mehr

    Ars Electronica 2023

    Ars Electronica 2023

  • FRAME
    FRAME > KAGAMI

    FRAME > KAGAMI

    FRAME > Peter Kogler

    FRAME > Peter Kogler

    FRAME  > ALT*MED – TAPE

    FRAME > ALT*MED – TAPE

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Destroy Me Once, Destroy Me Twice

    FRAME > Ai Weiwei: Making Sense

    FRAME > Ai Weiwei: Making Sense

    FRAME > La Pensée Férale

    FRAME > La Pensée Férale

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

  • VIDEO POST
    VIDEO POST > tacit.perform

    VIDEO POST > tacit.perform

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Modern Guru and the Path to Artificial Happiness

    VIDEO POST > Money Is The One True God

    VIDEO POST > Money Is The One True God

    VIDEO POST > APES

    VIDEO POST > APES

    VIDEO POST > the abacus

    VIDEO POST > the abacus

    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES
  • ARSHAKE’S BANNER
  • GAME OVER
  • EXTERNAL PROJECTS
  • GAME OVER • LOADING
  • BACKSTAGE | ONSTAGE
  • PERCORSI • 6 years of the Terna Prize
  • TEMPO IMPERFETTO
  • CALLS
  • ARCHIVE
  • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home Events

Residenze Digitali. The Fake Grandmother

An experimental project of figure theatre online for “Residenze Digitali”, a project of contamination between performing arts and the digital environment

Arshake by Arshake
17/12/2021
in Events, focus
Residenze Digitali. The Fake Grandmother

Theatre finds its space of performance also into the digital realm, as seen in the project Into the Woods – La finta nonna (The Fake Grandmother), a variation on the story of Little Red Riding Hood, by Lorenzo Montanini, Simona Di Maio and Isabel Albertini for Residenze Digitali.

In this version of the tale (belonging to the tradition of the Italian Abruzzo’s region), the wolf is a killer whale who has eaten the grandmother and takes her place. Little Red Riding Hood is called Anna and is sent by her mother to fetch a sieve for the flour. Anna goes through the forest and gives some doughnuts to the river Jordan, so that she can cross it, and some bread made with oil to Porta Rastrello, so that she can pass through it. She gets by on her own, managing to escape from the killer whale without needing any hunters to rescue her. She is helped and protected by the river Jordan and Porta Rastrello, grateful for the gifts they received.

Seven episodes over seven days, aimed at children, stage the fairy tale which is revisited by experimenting with “figure theatre” and using 360° film clips, allowing users to navigate the space and also revealing the artists at work behind the scene. When looking through VR glasses, objects become larger.

This work stems from the encounter of three artists who combine their professional skills. Isabella Albertini built the set and characters with recycled objects, salvaged from poor materials or sewn together. Anna, the main character, is a rag doll moved with a toothpick and the path is made using blue and green threads of wool. Simona di Maio brings her experience of theatre with children to the performance and Lorenzo Montanini adds his interdisciplinary work ranging over theatre, video and performance.

images: (cover 1):Lorenzo Montanini, Simona Di Maio e Isabel Albertini, La finta nonna, Residenze Digitali 2021

This is one of seven ‘returns’ of works presented by Residenze Digitali and part of a Media Partnership between Arshake and Residenze Digitali. The texts are short memoirs of the experiments of contamination and entanglement between the performing arts and the digital environment, which were ‘staged’ live for the online audience from 22 to 28 November 2021.
Residenze Digitali is promoted by the Tuscany Centre of Residency (Armunia – Capo Trave/Kilowatt) and developed in partnership with the Associazione Marchigiana Attività Teatrali AMAT, the Cooperative Anghiari Dance Hub, ATCL – Circuito multidisciplinare del Lazio per Spazio Rossellini, the Emilia – Romagna Centre of Residencies (Arboreto di Mondaino and Corte Ospitale di Rubiera), the Fondazione Luzzati Teatro della Tosse in Genoa and Zona K in Milan. Project tutors – scholars Laura Gemini, Anna Maria Monteverdi and Federica Patti. Residenze Digitali was opened to the public online from November 22 unto November 28, 2021.
Previous articles:
Interview | Luca Ricci, Arshake 19.11.2021
Dealing with Absence, Arshake 25.11.2021
Whatever Happens in a Screen Stays in a Screen, Arshake 02.12.2021
Fuse* | Sal Rite, Arshake 11.12.2021

 

Tags: arsarshakeexperimental theatreIsabel Albertini.Lorenzo Montaniniperformanceresidenze digitaliSimona Di Maio
ShareTweetShareSend
Previous Post

AUDIENCE ON STAGE at Larcen C

Next Post

Interview | Jakub Woynarowski

Next Post
Interview | Jakub Woynarowski

Interview | Jakub Woynarowski

CALLS

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency
Calls

Call for submissions> MUSAE OPEN CALL FOR ARTISTS S+T+ARTS Residency

29/05/2023
Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
  • RESOURCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.