Your browser does not support the video tag.
Your browser does not support the video tag.
Marco Cadioli - The Whirlpool
  • © ARSHAKE | ISSN 2283-3676
  • CONTACT
  • Login
Arshake
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
  • it IT
  • en English
No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
    • All
    • focus
    • From the Past
    • Interview
    La caverna contemporanea di Miltos Manetas

    La caverna contemporanea di Miltos Manetas

    People Make Television at Raven Row

    People Make Television at Raven Row

    The Transparency of Time

    The Transparency of Time

    Un presente indicativo

    Un presente indicativo

    Abe Sugarman at Arebyte Gallery in London

    Abe Sugarman at Arebyte Gallery in London

    Tanti auguri e saluti

    Tanti auguri e saluti

    EMΣT | National Museum of Contemporary Art

    EMΣT | National Museum of Contemporary Art

    Driving Energy Terna Award 2023

    Driving Energy Terna Award 2023

    Federica Di Carlo at PostmastersROMA

    Federica Di Carlo at PostmastersROMA

  • FRAME
    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Searching for the Sky (While Maintaining Equilibrium)

    FRAME > Nenuphar de Molitor

    FRAME > Nenuphar de Molitor

    FRAME > Mondi sommersi

    FRAME > Mondi sommersi

    FRAME > Frozen Flowers

    FRAME > Frozen Flowers

    FRAME > THE PROPHETS

    FRAME > THE PROPHETS

    FRAME > Photonic Empathy

    FRAME > Photonic Empathy

    FRAME > WoodArc

    FRAME > WoodArc

    FRAME > SWARM

    FRAME > SWARM

    FRAME > Round Balance

    FRAME > Round Balance

  • VIDEO POST
    VIDEO POST > Navigating Noise

    VIDEO POST > Navigating Noise

    VIDEO POST > Fractured

    VIDEO POST > Fractured

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Hi! I Got Hacked!

    VIDEO POST > Spambots

    VIDEO POST > Spambots

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Tape Pull-out Ensemble

    VIDEO POST > Parallels

    VIDEO POST > Parallels

    VIDEO POST > Tales of Entropy

    VIDEO POST > Tales of Entropy

    VIDEO POST > Vague Boundaries

    VIDEO POST > Vague Boundaries

    VIDEO POST > JAZZ POP CORN

    VIDEO POST > JAZZ POP CORN

  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES
No Result
View All Result
Arshake
No Result
View All Result
Home News focus

Documenta 14 – Get to Work, You Talkers! (A Perfect Afternoon) pt 2

Pasquale Polidori by Pasquale Polidori
02/08/2017
in focus
Pasquale Polidori continues his in depth visit at Documenta 14, now currently on show in Kassel, guiding us in the exhibition hosted at the Stadtmuseum, one of the venues of an event more and more widespread in the urban territory.

…Observing the visitors in the square and enjoying a calm walk is not an excuse to shirk the responsibility of our cultural work. The fact is, we’re in no hurry. We’ve already been here other times; this is not the first visit. We were confused and anxious the first day, too when our many attempts to understand failed and we had no sense of the itinerary. We were like crazy bees who couldn’t find their way back to the hive. Things are different now. We are walking along with confidence because we don’t feel like there is a secret out there to figure out. After three weeks, we have a good idea of how to get around. So, we’re happy even if we’re just wandering around a little bored. We’re happy that we don’t owe anything to this theatre and we can get about without any sense of embarrassment or shame. I’m just saying that the part of us that still can’t grasp what’s going on resists the thorough explanations of the Chorus and Team of curators. And we almost like that. We’re practically proud of that because we’re not interested in understanding every last detail.

We’re on our way to one place we haven’t visited yet: the Stadtmuseum. The city museum is hosting six of documenta 14’s works. A small group that, given the site, develops the theme of citizenship and life in the city.

As luck would have it, the first work we see is a video by Anna Daucikova, Thirty-three Situations (2015, running time: 108 minutes). We walk into the hall. There aren’t many chairs and only two other visitors who keep us company for a bit before going elsewhere. We are left alone to concentrate on the slow and mesmerizing sequence of faces, photographs, household items and typewritten pages stuck to the windows of a home – revealing brief and schematic stories of the people observed in the streets, at customs, in aeroplanes, worksites and daily life in Russia. The Slovakian visual artist Daucikova lived there in the 1980s. She was involved in a homosexual relationship that led her to make the move to this country and was forced to keep the relationship secret. She spent time with artists and dissidents while developing a sensitive eye towards surveillance and details of human behaviour. The delicate concision of the writing is reminiscent of Raymond Carver, cut into pieces and revived, outside of the literary world, to be placed in a detective story that carefully chronicles the social dynamics regarding sexuality – especially female homosexuality. We stay about 30 minutes and leave with the intention of returning later in the week.

We are captivated by another video (Hiwa K, View from Above, 2017) where a voice tells us the story of an Iraqi political refugee while the images on the screen are close-up and ambiguous. They are of the scale model of Kassel following the 1943 bombing preserved in the next room. We also dedicate the appropriate attention to a fascinating work by Peter Friedl entitled Report (2016). This video documents actors rehearsing Kafka’s A Report to an Academy. A healthy instinct protects our personal and distinct sense of melancholy conveyed by Daucikova and it sways us from both Andreas Angelikadis’ aggressive analysis of speculation in the construction industry of Athens and Regina Jose Galindo’s unbearable fetishism for weapons. But there is no avoiding the hall featuring Hans Eijkelboom’s astonishing reportage of on the variations and constants, thousands of “human guys” photographed on city streets. Then it’s time to go. There is an experience waiting for us that would end up being extraordinary, the performance of Phia Menard at the Henschel-Hallen, a former metallurgical factory in the outskirts of Kassel.

The address we have corresponds to a locked door. So, that is unconvincing. We start looking for the real-place along with other bewildered visitors, exchanging remarks about the painful (and undemocratic) ambiguity of the directions which seem to afflict this edition of the documenta. After a walk around the immense block, we finally stumble upon the entrance: a road that reveals a fascinating, abandoned building: industrial ruins surrounded by old iron and tall, thriving weeds…

 (to be continued)…


A multimedia and multidisciplinary artist and philosopher and an experimenter with every medium (technological and otherwise) which might extend his aesthetic practise – centred particularly around language -, Pasquale Polidori embarks on the narration of a journey that starts with his visit to the exhibition and continues in a more intimistic sphere, where he reflects on the universal themes that revolve around art as a whole, and around his own way of occupying space, of reaching audiences through institutional channels (or of being kept away from them).
Previous posts:
Unity of place is (now) impossible
Documenta 14. Location and Topos. Pt. I.
 Documenta 14 – Location and Topos. Pt II
We are all servants (but the master does not exist).
Theory and Works
Documenta 14. Get to Work, You Talkers! (A perfect Afternoon) Pt 1

Documenta 14, curated by Adam Szymczyk with a team of about 18 curators
10.06-1709.2017, Kassel, Germania (and Athens, until July 16,2017)

images: (cover 1) Photo Notes 1992–2017 (2017), 270 inkjet prints, 50 × 60 cm each (2) Thirty-three Situations (2015), Digital video, color, sound, f108:56 min. (3) Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017, digital video, installation view, Athens Conservatoire (Odeion), documenta 14,. Photograph: Mathias Völzke

ShareTweetShareSend
Previous Post

Documenta 14. Get to Work, You Talkers! (A perfect Afternoon) Pt 1

Next Post

Get to Work, You Talkers! (A perfect afternoon). The End

Next Post

Get to Work, You Talkers! (A perfect afternoon). The End

CALLS

Driving Energy Terna Award 2023
Calls

Driving Energy Terna Award 2023

22/02/2023
S+T+ARTS Prize 2023
Calls

S+T+ARTS Prize 2023

04/02/2023
RE:HUMANISM Art Prize: SPARKS AND FRICTIONS
Calls

RE:HUMANISM Art Prize: SPARKS AND FRICTIONS

01/02/2023
Terna.  Driving Energy Prize
Calls

Terna. Driving Energy Prize

13/06/2022

CRITICAL GROUNDS

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.
Critical Grounds

Critical Gounds #13 – Massimo Maiorino, The Artist as Archaeologist.

08/07/2020
Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO
Critical Grounds

Critical Gounds #12 – Filiberto Menna «PROGETTARE» IL FUTURO

26/11/2019
Facebook Twitter Instagram

Arshake is a collaborative artistic project, blurring the borders between art, science and technology, information and production.

  • Focus
  • Video post
  • Frame
  • Special Project
  • Interview
  • Calls
  • Exhibitions

One more step - Check your email and click the confirmation link

© 2012-2022 – ARSHAKE

No Result
View All Result
  • ABOUT US
    • ABOUT US
    • PROJECT
    • MEDIA/PARTNERSHIPS
    • CONTACT US
  • FOCUS
  • FRAME
  • VIDEO POST
  • SPECIAL PROJECT
    • ARSHAKE’S BANNER
    • CRITICAL GROUNDS
    • YOUNG ITALIAN ARTISTS
    • GAME OVER
      • GAME OVER • Loading
      • GAME OVER • CALL FOR IDEAS (5.0)
    • EXTERNAL PROJECTS
      • BACKSTAGE | ONSTAGE
      • PERCORSI • 6 years of the Terna Prize
      • TEMPO IMPERFETTO
  • RESOURCES
    • CALLS
    • ARCHIVE
    • ONLINE RESOUCES

© 2012-2022 – ARSHAKE

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy and Cookie Policy.